Interview with Huntz Liu

Thinkspace is pleased to present new works by Los Angeles-based artist Huntz Liu. The intricate and detailed work of Liu is developed by layering colorful paper, creating geometric cut-outs with a straight edge and knife. Liu is able to play with literal and perceived depth.

“It is this intersection of the literal and perceived that informs the work; where the absence of material reveals form and the casting of shadow create the line.” – Huntz Liu

In anticipation of showing his newest body of work Saturday, September 14th in the Thinkspace office space, our interview with Huntz Liu discusses artistic challenges, a life philosophy, and working at the Getty Research Center.

SH: For those that are not familiar with you and your work, can you give us a brief look at your artistic background and zodiac sign? 

HL: My background is in graphic design, which I think shows in my work. I started experimenting with cut paper as a way out of the digital screen and as a respite from the keyboard and mouse. Along the way, my process evolved into layering cut material that unflattens/explodes two-dimensional forms.

My astrology sign is Cancer. 

SH: Is there a particular piece in this exhibition you feel really challenged you? If so, why and what makes you proud of this piece.

HL: ‘divide 27’ was the most challenging piece as it required constant balancing and rebalancing… be it a compositional balance or a color balance or a spatial/depth balance. Sometimes these things come quickly and sometimes they require so much time and retooling it makes you wonder if you’ve lost your ability to create.

SH: Where do you source inspiration? Do you jot inspiration down in a notebook or on your phone?

HL: I try to find inspiration everywhere… but particularly architecture and interior spaces. I keep a google doc of ideas/concepts that I’ll add to when inspiration strikes… but I’ll use a notebook if the idea is better expressed with a sketch.

SH: What is your favorite and least favorite part of the creative process?

HL: Favorite part is when concept and execution marry perfectly. Least favorite is battling with the logistical issues around creating (namely time and finances). 

SH: A Netflix movie is being made about your life, who would be cast to play you and what kind of movie would it be? Try to describe it with similar movies. 

HL: I mean, I guess Steven Yeun (with makeup to ugly him up some) would be cast to play me. The movie would be a cross between Great Expectations (the one w/ Ethan Hawke) and Eternal Sunshine of the Spotless Mind, where instead of a past lover, I’d erase all memory of my work. My friends and family would receive letters telling them not to bring up xacto knives or cutting paper around me. But as there’s no escaping fate, I manage to rediscover/relearn my art. Also, no one would watch this movie.

SH: What is the best technical advice you’ve received in regards to painting / being an artist? What is the best philosophical advice you’ve received?

HL: I’m not sure if this counts as advice but I’ve always found wisdom in the saying, “God is in the details.” I try to apply it to my work, both technically and philosophically.

SH: Are you a podcast, tv/ movie streaming service, or music in the background type of painter? What were you listening to during the development of this show that you would recommend to others?

HL: All of the above. Been into the new Bon Iver album. Was also listening to Bobby Hundreds new book (on tape).

SH: What is the coolest or most exciting thing to happen to you thus far in life and is it because of or connected to your work?

HL: This is a tough question… but one of the cooler art-related things was working for the Special Collections department at the Getty Research Institute. It was one of my first jobs after graduating college and my main task was to archive/catalog their entire artists’ book collection (something like a thousand books!). I would spend entire days in a climate-controlled vault, going through books by artists like Ruscha & Baldessari, and noting their condition and status. It was like a second education for me and has since helped me understand and define my own work a little better.

SH: What do you think the role of artists is in society? How does other artwork inform how you move through life?

HL: I think artists’ roles are wide-ranging, but generally speaking they’re here to inspire and to invoke action. When I’m experiencing art, I let it suit whatever my needs are on any particular day or in any particular moment… whether it is to inspire or motivate or humble or educate.

SH: What would a perfect day outside of the studio look like for you?

HL: Just grabbing some coffee and walking around, looking at things. 

SH: Fun Hypothetical:A world-renowned chef wants to make a dish inspired by your artwork and favorite food. What would be the dishes ingredients and what is it similar too?

HL: Probably some sort of geometric layered cake. Maybe crab flavored… ‘cause of my sign.

Join us for the presentation of new works by Huntz Liu
Saturday, September 14, 2019 from 6:00pm – 9:00pm

Interview with Mwanel Pierre-Louis for “Alchemy”

Thinkspace is pleased to present Alchemy featuring new works by New Jersey-based artist Mwanel Pierre-Louis. His colorful and layered worked portrays scenarios that express duality and emotions. Louis connects with everyday people who are willing to shed off their daily stories and allow him to capture them through his paintings.

In anticipation of Alchemy, our interview with Mwanel Pierre-Louis discusses the creative process, best artistic advise, and Footlocker.

SH: For those that are not familiar with you and your work, can you give us a brief look at your artistic background and zodiac sign? 

MPL: Hi! I’m Mwanel Pierre- Louis, everyone calls me One- L lol. I’m originally from New York City and Jersey City, but I was raised most of my life in Miami, FL.  My Haitian influences mixed with Miami’s vibrancy transformed my personal interest to create. Went art school most of my life, such New World School of the Arts for high school and Art Center College of Design for Illustration Design. Worked in the entertainment and fashion industries out in LA for a few years after leaving Art Center. Came back to Miami to really pursue the career as a Fine Artist/ Illustrator/Artist. Got very inspired by my environment with its color, people and energy.  If you’re wondering what zodiac sign I am, I’m a Gemini. 

SH: Is there a particular piece in this exhibition you feel really challenged you? If so, why and what makes you proud of this piece.

MPL: Well, many of these pieces were challenging for me. Due to the fact of time and complexity with some pieces. During this time of creating, I was really pushing my limits with all aspects of the new work. This really humbled me throughout the process.  In this case, there was one piece I can say made me go to think I wasn’t sure if I’ll be done with. That was “Aura” (FIRE), even though it was fairly sized, the details made me tap out a few times. Before starting this piece, I was in a marathon, knocking out paintings with great time and better process. I’m was glad I pushed myself throughout that piece. Many hours of love and built up hand cramps came into play lol. 

SH: Where do you source inspiration? Do you jot inspiration down in a notebook or on your phone?

 MPL: This last couple of years have been ups and downs, highs and lows. Definitely let the universe take its course on me and I can say it was an adventure. I really had me think clearer than I ever did. Every time I crossed an individual I can tell that we’re going through similar things in life. We all take part in this walk of life, but we’re willing to grow further by allowing ourselves to walk through our periods of life. I made sure that I forced my introverted self to be more extrovert and start conversations.  It came clear we all have common situations. It took me back to when I read “The Alchemist”. Even a conversation with my dad. He said “your next body of work should be called “Alchemy”. Your work really shows evolution within the people you paint and portray.” 

While traveling most of 2018, I’d carry my sketchbook and/or iPhone to write down words that lead up to ideas, then finally to scribbles. Heading into 2019, I moved to Jersey City to isolate myself from everyone to work on this new body of work. I do remember bouncing off ideas with other fellow artists that were in my building of Mana Contemporary. I’d ask if I can record on my phone or steal some context from them to imply it into the new works.

SH: What is your favorite and least favorite part of the creative process?

MPL: Favorite part of the creative process is being submerged into the moments of the piece and also finding the mistakes within the piece. The least favorite part of the creative process is getting cramps in my hands and the last leg of the day while painting for more than 12 hours out the day. I have a tendency of either pushing myself or dosing off and messing up my palette. And the very least favorite thing is when I have to match paint in areas of leaked paint that got stuck under the tape.      

I also appreciate the process when I’m designing out the composition, either by a drawing or if it’s digital. It’s just me and my thoughts while I explore my horizons. Gives me great solitude and I stay on my toes. Not caring what the outcome would be. I’ve grown to be more open to that process. 

SH: A Netflix movie is being made about your life, who would be cast to play you and what kind of movie would it be? Try to describe it with similar movies. 

MPL: Haha, I never got to think about that, but in the past, I’ve always been mistaken for the singer/dancer/actor/friend of mine, Omarion. I trust his skill lol. Maybe even Micheal B. Jordan as well, I definitely see him with my essence in the Black Panther movie haha. Like a comedy, drama or biopic movie would be a scenario. Who would want to see an aesthetic of “Moonlight” meets Julian Schnabel’s “Basquiat”?  I think there’s content within that.

SH: What is the best technical advice you’ve received in regards to painting / being an artist? What is the best philosophical advice you’ve received?

MPL: One piece of advice I’ve received from fellow artist as a painter was to not jump around from one area to another without finishing the one area. If you feel that you’ve completely finished that area then go to the next thing.  As for the philosophical advice, here’s one or two,“Balance yourself during your process, you have all of the time to create, but enable to create, you must live life as well.” Another universal quote I took in dearly is “Focus on you, so they can focus on you!” 

SH: Are you a podcast, tv/ movie streaming service, or music in the background type of painter? What were you listening to during the development of this show that you would recommend to others? 

MPL: As for my listening sessions, I’m all three. I’ll have my Netflix days, my Apple Music or SoundCloud days, and even my podcast days.  The top podcasts that I’m listening to are Joe Rogan Experience, TigerBelly, The Savvy Painter, Bodega Boys and of course, Clean Break Podcast.  On my iTunes/ Apple Music, I’ve ranged from Kaytranada to N.E.R.D. to Burna Boy. Netflix is where I’m definitely listening to comedies like the latest Dave Chapelle stand up to Marvel/ Star Wars movies. Also got caught up on Netflix originals such as “She Gotta Have It” and “Comedians In Cars Getting Coffee”.  Very simple, but gets my days going. 

SH: What is the coolest or most exciting thing to happen to you thus far in life and is it because of or connected to your work?

MPL: These last few years have been a rollercoaster for me. I can actually tell you that 2018 was my busiest and yet most transitional year I’ve ever been in yet. I’d worked on multiple projects with commercial backing, traveled much and networked more than ever due to my work. March 1 was a pentacle day for me, I’d received a commercial gig with Adidas and Footlocker. That was one of the best experiences I’ve been apart of. The agency that reached out found my work through Booooooom.com from the previous body of work I put out. They wanted to fly me out to LA for a video shoot where I would be starring. 

The project entailed, that I would make a video-based around this shoe “The Deerupt” and my life but with a sportswear treatment. This included me to paint a piece featuring the Deerupt for one of the Footlocker stores in Miami. After, donate that painting to one organization of my choice. For the video shoot, I was asked to do a monologue and bring out a painting of mine for them to be featured. Also, each location, I was wearing a different outfit from and riding on a fixed gear bike. Overall, I had the best time just being me and networking with other creatives throughout the project. 

SH: What do you think the role of artists is in society? How does other artwork inform how you move through life? 

MPL: Without art, I wouldn’t think that the world would function the way we would now. Without the artists, we can’t uplift nor make a culture to function within an organized society. It would be grays all around, not even black and white. I’m more so a colorful person just by the way I use the colors within my work. I draw others into a portal just by the colors that I’ve placed as context. 

SH: What would a perfect day outside of the studio look like for you?

MPL: Well being in New Jersey, there are many things that I can do while being out of the studio. But a perfect day for me would be at the waterfront in Hoboken, sitting at the boardwalk staring at the New York City line. Then head to the path train, over to Soho area and just venture off to different streetwear boutiques, vintage t-shirt stores and of course head over to Midtown Comics. Guarantee, you can also find me walking around New Museum or the Whitney Museum as well. That can be considered a perfect day for me. I rather spend time being invested with the culture around me from time to time.

SH: Fun Hypothetical: A world-renowned chef wants to make a dish inspired by your artwork and favorite food. What would be the dishes ingredients and what is it similar too?

MPL: Damn, this is such a great question. I never thought about seeing my artwork inspire a dish. Well, I have a weakness for pizza or any flaky pastry. To be realistic, the pastry might be it. Like an empanada or Haitian Pâté. A Haitian pâté consists of thin layered dough skins with a middle opening with a different type of meat or vegetable.    Maybe each layer had a different color dye to it. But the top would be its normal color. The type of meat that I can see in it is either ground turkey meat or shrimp. Better yet, I don’t even mind seeing Cauliflower and other veggies within the middle area. The reason for having those elements is that is transferred into the way I peel off layers to my subjects. Each color represents the energy that is portrayed at the moment while eating the pastry. It fully translates with an individual that you come across within my paintings. 

Join us for the opening reception of “Alchemy”
Saturday, September 14, 2019 from 6:00pm – 9:00pm

Interview with Jolene Lai for “A Beautiful Haunting”

Thinkspace is pleased to present A Beautiful Haunting featuring new works by Los Angeles-based artist Jolene Lai. Her oil-based, mixed media works involve bold use of color, shape and intricate detail. She creates images with a seductive aesthetic and subject matter that weaves in emotions of whimsy, melancholy, irony, and absurdity.

In anticipation of A Beautiful Haunting, our interview with Jolene Lai discusses the creative process, hamster races, and the role of artists in society.

SH: For those that are not familiar with you and your work, can you give us a brief look at your artistic background and zodiac sign? 

JL: I thought it was kind of cool finding out for the first time, that my horoscope is one that is half man half horse. As a kid, I really enjoyed the various characters from Greek mythology and the centaur was always one of my favorite. The only little setback of being a Sagittarian and growing up in Singapore was that school vacation always begins mid-November till New Year’s. Which meant I spent the majority of the year celebrating most of my classmates’ birthdays and when it came to mine, I was always solo. 
As a child, I had thought about wanting to be a scientist, zookeeper or an illustrator whenever someone asked: “what do you want to be when you grow up?”. I probably spent more time doodling in my textbooks than paying attention to the knowledge they were imparting, and when at 12, a classmate offered to buy a drawing I made, that gave me some validation and confidence that I was actually pretty good with my color pencils.
I’ve since moved on to oil colors, but once in awhile revisit and play with color pencils. The pursuit of my creative career came and is still met with a lot of uncertainties and challenges, but it always gives me much joy when I am able to share little stories through my artwork with folks out there.
I lived in Singapore for most parts of my life until I moved to the United States and have been residing in Los Angeles for about thirteen years now. 
(And no, I didn’t end up selling that drawing to my classmate.)

SH: Is there a particular piece in this exhibition you feel really challenged you? If so, why and what makes you proud of this piece.

JL: Has to be the painting titled ‘SD’. I had been watching several Bob Ross episodes on Netflix and was in awe of the way he approached his works with flexibility and spontaneity. I was truly inspired and thought I would give it a try and attempt painting with less control. It turned out harder than I had anticipated. 

Every brush stroke you see in the background of ‘SD’ was individually painted, and while it felt like I had total freedom over where and how to layer them, it was extremely tedious work and very un-Bob-Ross like. I took a lot of breaks from this particular piece and worked on other paintings just to ‘refresh’ my mind. I was actually uncertain if I would be able to accomplish the result I had envisioned in my mind, but upon completion, was taken aback by all the overlaying of webbed intricacies I had created with this new technique.

SH: Where do you source inspiration? Do you jot inspiration down in a notebook or on your phone?

JL: I have to say I rely on my phone a fair bit for note jotting and image capturing. I particularly lean towards photo-documenting my surroundings in the evenings because I like the contrast of light and darkness and the enigma that accompanies the way shadows form and seemingly appear to consume chunks out of various structures and objects. 

Sometimes, vivid dreams or nightmares (that always present themselves in chromatic colors) that jostle me from my sleep spurs me to record quick notes on my phone, and occasionally, I tell them through my brushes and canvases.    

SH: Who are some of your favorite artists in the scene, or in a different medium altogether?

JL: Femke Hiemstra, Peter Ferguson – So much whimsy and narrative in every piece they have created. I love artworks that transport me to a plane of reverie.

SH: A Netflix movie is being made about your life, who would be cast to play you and what kind of movie would it be? Try to describe it with similar movies.

JL: The 90s version of Lisa Simpson that I grew up watching. She was my favorite character from the Simpsons. I was drawn to her tendencies of expressing her melancholy through the saxophone and that she hang out with cool cats like “Bleeding Gums” Murphy. ‘The Simpsons Sing the Blues’ album was one of the first few cassette tapes I owned, and the piece ‘God Bless the Child’ performed by Lisa and featuring Murphy quickly became the song I would repeatedly play. 

The exposure to pop music culture was readily abundant in my country when I was growing up, and I would only later learn that the song I had loved as a child was originally by Billie Holiday and that I had always had more appreciation for jazz and soul.

I think what made this Simpson stood out for me is how this middle child misfit from a rather dysfunctional family didn’t portray the regular girl that conforms to the common societal norms of how a girl should be. I loved the complex mix of eloquence, creativity, audacity and idealistic personalities that made her, a character I feel I can relate to even today.

I liken the idea of an animated short of my life, hand-drawn in the style of Studio Ghibli’s ‘Spirited Away’, and a storyline that is accompanied with suspense and psychological horror that ‘Twilight Zone’ so often offers.

SH: What is the best technical advice you’ve received in regards to painting / being an artist? What is the best philosophical advice you’ve received?

JL: I remember in art school where we did figure painting exercises, and at the end of it had to complete an oil painting within limited sessions with the model. I was a newbie at oils and figure painting, and while I had no issues sketching out the form, I had no clue as to where or how to begin filling in the blanks with oil colors. I must have looked lost because my lecturer came by and said ‘just do it and try not to ponder so much’. 

I ended up taking his advice and stopped worrying about making sure the colors on my palette had to match the actual skin tones of the model. I allowed myself to have fun and to take the opportunity to experiment with colors. The final outcome was a figurative painting that was dynamic in color. I think that event somewhat shaped my tendencies with color selections which is still prevalent in my work today.

I think about what my mentor said that day from time to time, and it especially echoes in my mind whenever I find myself trapped in a situation where I have too much self doubts that they start hindering progress. Take a step even when you are uncertain if it is a right or wrong move. It is better than remaining stationary and never ever finding out what could have been.

SH: Are you a podcast, tv/ movie streaming service, or music in the background type of painter? What were you listening to during the development of this show that you would recommend to others?

JL: I have dabbled in all. PBS when I am craving some Frontline documentaries and This American Life for interesting shorts. Music strangely when I am feeling overwhelmed or depressed. But for the most parts, have to say I use YouTube on a daily basis. I had a phase where I was watching/listening to various TED talks while I was painting. I was going through some rough times and some of the episodes helped me achieved some solace and clarity.

SH: What is the coolest or most exciting thing to happen to you thus far in life and is it because of or connected to your work?

JL: I think I am still waiting for it. But at the top of my head recall that time when I was living in West Hollywood and watched for the first time ‘Scent of a Woman’ starring Al Pacino. I was so intrigued by the main character’s intensity (Frank Slade played by Pacino) and equally amused by his constant “Hoo-ahs!” throughout the film. 

On the same day after watching the movie, I had gone to a nearby Petco (I enjoy strolling aimlessly in pet stores, looking at products and little animals I don’t need. I am quirky like that) and was browsing down the aisles when the sales assistant announced over the PA that the hamster ball derby was about to begin. So I made my way to the back of the store where the race was being held. There were several giggling kids holding their individual hamsters in their colored plastic balls, and all riled up for the competition. All the adults had formed a circle around the racing station, so I followed suit and stood next to a guy who looked suavely rugged with his uncombed mane, and black leather jacket. 

In that little back corner of Petco, the air was strangely tingling with tense excitement which definitely wasn’t coming from the children’s anticipations. It took me a brief moment to understand it was the surrounding adults who were channeling it (you could see it on their faces, and their shoulders), and then realized that the gentleman I was standing next to was Al Pacino. I was within such close proximity that I could have nudged him on his shoulders with my finger and exclaimed ‘Hoo-ah’! to his face. 

I was extremely relieved I didn’t act on my impulses and left the store well composed when the race ended.

SH: What do you think the role of artists is in society? How does other artwork inform how you move through life?

JL: Through the works they are making, provide some form of catharsis for the majority out there. I am not sure if any one artwork really dictates the journey of my life, but one of the early artist I was exposed to while in high school was Vincent van Gogh. I was captivated by the tragedies in his life, and maybe in an unhealthy manner, enjoyed the turbulent emotions of lonesomeness his paintings of electrifying colors exuded. The juxtaposition between his rich colors and the feelings of somber was particularly attractive, and I would see that alluring contrast eminent in Edward Hopper’s works, the next inspiring artist for me. 

Maybe their personalities quietly influenced me throughout the years without me even noticing. I can see how I similarly enjoy applying a composition of vivid colors and wistfulness when painting a story.

SH: What would a perfect day outside of the studio look like for you?

JL: Gloomy skies, light rain with a few distant thunder roars. I hate the sun.

SH: Fun Hypothetical: A world-renowned chef wants to make a dish inspired by your artwork and favorite food. What would be the dishes ingredients and what is it similar too?

JL: There is this pastry my dad often got for me that is called Kueh Lapis or popularly known as ‘nine layered steamed cake’. It is a traditional dessert made largely of rice flour, tapioca flour, and cornstarch, and comes in layers of colors like red, green and white. Each colored layer is ‘peel-able’, which is how a lot of children eat this fun and delicious sweet snack (I still enjoy eating it this way no matter how old I get). 

It would be interesting to see how a dessert professional can recreate this all-time favorite childhood pastry of mine with main ingredients like Fruit Loops, condense milk, canned lychee, and coconut cream.

Join us for the opening reception of “A Beautiful Haunting”
Saturday, September 14, 2019 from 6:00pm – 9:00pm

Jolene Lai’s “A Beautiful Haunting” Opens September 14th.

A Beautiful Haunting
Opening Reception: Saturday, September 14 from 6-9PM

“I especially enjoy exploring the neighborhood I live in during late hours. There is something enigmatic about seeing houses lit up, illuminated against the stark darkness that envelops them at this hour. It was on one of those sleepless nights that I was out exploring and capturing the beauty of the array of homes that came alive and lured me with their inviting lights, that I stumbled upon an unexplored street that was just around the corner. I remembered the air just beginning to build up a cloud of misty fog that was thick with the intense pungence of jasmine.

The seemingly long and unending street had no name. It was all at once foreign with rows of strange looking houses on either side, yet familiar because several of them I was certain existed on some other streets I had walked down before. There was even a bonsai tree I came across that was distinct in shape, and for which I was sure belonged to apartment 769 on Oak Street. The further I walked, the more surreal it became. It was as if someone had picked up the houses I have come to know and appreciate over time, and planted them between others that were alien to me.

The fog dissipated by the time I got to the end of the lonesome street. I proceeded to turn around the corner and left the street with no name, never once turning my head back. I was filled with a deep sense of comfort and relief as each and every shrub, tree and house I passed were once more familiar and in place again. I continued my night observations, but never did cross paths with that peculiar street again.

A Beautiful Haunting, is a new collection of artwork that is inspired by this extraordinary encounter from many years ago. I want to construct a plane where what is relatable and comforting to us, comes to merge with emotions of unfamiliarity and unsettlement. The collection largely draws influences from popular film culture and children fiction books that I have grown up watching, reading and have come to love. Naming a few that I have referenced are films such as Roman Polanski’s Rosemary’s Baby, Alfred Hitchcock’s Psycho, the original TV series The Twilight Zone and novels like Adventures of the Wishing Chair by Enid Blyton. I particularly wanted to focus on extracting interesting key characters and elements from each story that many have come to recognize as household names, and challenge myself to reiterate them by misplacing them in urban landscapes and comfortable nooks that I have handpicked from actual documentations of my explorations of the neighborhoods I have visited.

The collection will consist of a body of sixteen oil paintings and intimate drawings, as well as a large scale paper installation, and is an invitation to everyone from all walks of life that appreciates the little discoveries of something peculiar in the normal ordinary everyday.” – Jolene Lai

Am I dreaming, walking in my sleep
I just can’t drop this feeling underneath my feet
These London streets are moving, rising up and meeting me
You know I see our faces eyes.
I’m hallucinating, I’m hallucinating, I’m hallucinating, I’m hallucinating
 Daily life feels  like a constant dream
I keep on tripping out, eyy, why am I such a freak?
I don’t know why that painting’s staring back at me
I swear, I think its eyes just moved.
I’m hallucinating, I’m hallucinating, I’m hallucinating, I’m hallucinating 
Baby, I’m scared to drink the water, baby, I think you drank the water
A hallucination is a perception, in the absence of external stimulus That has qualities of real perception, hallucinations are vivid, substantial And are perceived to be located in external objective space.
I’m hallucinating, I’m hallucinating, I’m hallucinating, I’m hallucinating, I’m hallucinating, I’m hallucinating, I’m hallucinating, I’m hallucinating

  – Elohim “Hallucinating”



Mwanel Pierre-Louis’s “Alchemy” Opens September 14th.

MWANEL PIERRE-LOUIS
Alchemy  
Opening Reception: Saturday, September 14 from 6-9PM

“In able to grow, we all must shed off our layers”. 

 “This show, Alchemy, conveys the energies and conversation between the people and I. Working thru the conversations, peels back the layers through color and abstraction. These scenarios give duality and emotions throughout each piece. There’s a vast vocabulary with dense and airy contrast by it compositions and space. I’m also using Basic Alchemy to cover most of the scenarios. These are everyday people that are willing to shed off their daily stories to me and allow me to convey that through painting.” – Mwanel Pierre-Louis