NEW PRINT EDITION THIS FRIDAY FROM KEVIN PETERSON

This Friday we are honored to share a new print edition from Kevin Peterson (Houston, Texas). “Bella” was featured in our sold out London solo exhibition with Peterson this past October as part of Moniker Art Fair.
KEVIN PETERSON

Bella
18×19.5 inches / 45.7×49.5 cm
Edition of 200
Hand signed and numbered by the artist
$200

Available this Friday, July 13 at 10 AM Pacific Time via our shop:

https://shop.thinkspaceprojects.com

 

NEW HAND-PAINTED SKATE DECKS FROM MARTIN WHATSON

We are excited to be able to present a collection of 10 new hand-painted skate decks from Martin Whatson out of Norway.

Please note each deck is numbered on the back, but each is a 100% unique, all hand-painted edition. Whatson has been creating these on and off, for a few years now, and he numbers the back of each to simply to keep track. They are not a part of any specific numbered edition. This is the first time a collection of these has been made available for online purchase.
All decks will ship from our gallery next week.
Thank you.

Martin Whatson
Skateboard Deck
Spray paint and paint marker on wooden skate deck 
8.5×32 inches / 21.5×81.2 cm
Created during May and June of 2018
10 available (6 horizontal / 4 vertical)
$1,250

Available TODAY – Wednesday, July 11 – at 10 AM Pacific Time: 

https://shop.thinkspaceprojects.com

* PLEASE NOTE: They will not appear in our shop until 10 AM. Three new canvas works from Whatson will also be included in today’s online release.

Interview with Andrew Hosner for Juxtapoz Magazine – The Digital Wheel

Thinspace Projects co-owner, curator, and digital mastermind behind the Thinkspace social feeds Andrew Hosner is the first gallerist to be interviewed for Juxtapoz’s new series, The Digital Wheel.  We love seeing our artists’ grace the pages of Juxtapoz, digital or print, but it’s not very often our curator is featured sharing insight into the inner working of Thinkspace Projects.

Anyone paying attention to the New-Contemporary scene for the past 10-15 years is likely well aware. His prolific work ethic runs one of the most professional and well-known spaces in the game. Mural festivals, art fairs, museum shows, private collections, on and on, have harnessed him an uncanny ability to provide opportunities for his artists on a multitude of platforms. If anyone has a handle on the evolving digital landscapes facing New-Contemporary galleries, it’s Andrew Hosner. ––Gabe Shaffer

Make sure to head over to Juxtapoz.com to view the full interview – THE DIGITAL WHEEL: ANDREW HOSNER OF THINKSPACE PROJECTS ON GROWING WITH CHANGE

Opening Reception of solo exhibitions from Juan Travieso, Wiley Wallace and Alvaro Naddeo

Thank you to all that came out to celebrate the opening reception of our new solo exhibitions from Juan Travieso, Wiley Wallace and Alvaro Naddeo. Congratulations to each artist on their beautiful new bodies of work that will be on view now through July 21st.

Both Travieso and Wallace have new murals down in Long Beach as part of this year’s POW! WOW! Long Beach mural festival which wrapped up this past Sunday.

If you find yourself in Long Beach to enjoy the murals, be sure to also swing by the Long Beach Museum of Art for Vitality and Verve III, which Travieso has also contributed to.

Check out our interviews with  Juan Travieso, Wiley Wallace, and Alvaro Naddeo discussing their inspiration behind their individual body of work.

Photos courtesy of Birdman 

Interview with Jana & Js for “Fragments of Memories” at Fullerton Museum Center

This Summer, Thinkspace Projects, is proud to present Jana & Js at the Fullerton Museum Center in Fullerton, CA. Their latest body of work Fragments of Memories will be on view from June 30th to August 19th.  Below is our interview with Jana & Js to discuss the inspiration behind Fragments of Memories, their creative process, and the artistic catalyst that lead them to where they are today.

Fragments of Memories opens at the Fullerton Museum Center June 30th.

SH: Tell us about your new works on view at the Fullerton Museum Center this summer. What is the inspiration? What were you exploring in the work?

J&J: “Memories” are the main inspiration for this body of work. All the images that we painted were inspired by our memories, or feelings induced by past moments. The objects we painted on are carrying history and memories from others. All the pieces we’re presenting for this show are painted on found objects, assemblages of wood fragments that we found in abandoned houses or factories.
These objects had a previous life, all the objects have accompanied people in their everyday life or in their work. We love to think about all the history they possess and use it to mark time passing in our work.

SH: Where do you source inspiration? How do you capture those ideas for pieces; do either of you have a sketchbook on hand or is it just notes to yourselves in your phone?

J&J: We don’t really have a sketchbook, for that kind of work. It’s more of a notebook where we are writing ideas, phrases, lyrics…Our camera would be our sketchbook. The basis of our stencil work is our photographic work. We take a lot of pictures…and some of them will be transferred into paintings.

SH: How do you plan out your compositions? Is there a clear break in who does what between you?

J&J: At the very beginning there was a real separation, Jana used to paint all the portraits, and JS the architectural part of our works. After a while, we completely merged our work. We take the pictures together, cut the stencils together and we are even painting on the canvases at the same time.

A couple of years ago when our first kid was born we started to do some parts of our process more separately. But we still do the basis together: photos, stencils, deciding the background and the composition of a painting.

SH: What excites you about your work / creative process?

J&J: We never get bored of what we are doing. We love our “job” and living something special like that together is the most exciting thing for us.
Being able to be creative, travel, discover new environments, meet new people together is amazing. And being able to perpetually share ideas and build our work is thrilling.

SH: What frustrates you about your work / creative process?

J&J: Right now, what frustrates us the most is not having enough time to experiment more.

SH: How do you approach developing work for an exhibition? Do you immediately jump into work on it, or do you find yourselves procrastinating some?

J&J: When we start to work on a show we usually won’t go to the studio and start to paint immediately. We have a pretty long period of reflexion, exchanging ideas, looking for images and materials… it will take a while before all the elements that will compose a new body of work will find their right place. And when it does, we will start to build the pieces and paint them.

SH: Has there been an artistic catalyst in your lives? Something, someone, some event that made a significant impact on either of you that has lead you to where you both are now.

J&J: What lead us to where we are now is definitely the fact that we met 15 years ago in Madrid, Spain. Before that, we weren’t planning on becoming artists, and since then everything seems so natural that we couldn’t imagine doing something else. If we would name someone, the French artist, Artiste-Ouvrier definitely had a determinant role in the development of our work: both on technical and ethical levels.

The Timeline of Jana & Js:

1981 JS – birth in Paris, France
1985 Jana – birth in Salzburg Austria
2003 Jana and Js meet each other in Madrid, Spain and
live there for a year
2004 Js starts to work with stencils
2005 back in Paris, Js develops the stencil technics with Artiste-Ouvrier
2005 foundation of the collective WCA (Working Class Artists)
2005 Jana studies Art History at the University of Vienna, Austria
2006 Jana comes to live in Paris, Jana & Js are starting
to work together as a duo
2007 first show with the name as Jana & Js
2008 Jana & Js move to Salzburg, Austria.
Jana studies Multimedia Art at the University of
applied sciences in Salzburg 2012 birth of their son
2014 birth of their daughter

Austrian and French street artists Jana & Js are painting together since 2006. The pair creates polychromed stencil murals widely ranging in size. Based primarily on their personal photographic work, the stencils seem to respond and interact with their surroundings. Mostly inspired by the city and people living in, their paintings merge urban landscape or architecture details with portrait, questioning the place of human being in the modern cities. Inspired by the place where they put their work they now focus on nostalgia, melancholy.

After spending some time in Madrid, Spain where they met and living a couple of years in Paris, Jana & Js are now settled in Salzburg – Austria. To display their works, they choose old materials that are showcasing the passing of physical time and history. They have made their art in unexpected spaces by printing stencils on public infrastructure or on the semi-finished/dismantled products/spaces such as the train tracks, old buildings, poles, pieces of concrete, old trucks, wood piles…

They are deeply inspired by every place they travel to, deciphering the social meaning in unforeseen aspects of urban landscapes. But what is the most striking part in their works are not panoramas themselves, but people with their existential uneasiness. They have the unique way of relating people, their emotions, desires, and concerns with their environment. Their urban interventions merge their subjects with the environment, provoking thoughts and engaging the viewers in an artistic dialogue.