‘Sneak Peek’ for Brian Viveros’ ‘The Dirtyland’ updated…

Check out the ‘Sneak Peek’ on our Flickr for ‘The Dirtyland‘ here:

Brian M. Viveros ‘The Dirtyland’

New paintings, drawings, sculptures, editions and an installation

Opening Reception: Sat, Oct. 2nd 7-11PM

On view: Oct. 2nd – Oct. 23rd

More details soon!

6009 Washington Blvd.
Culver City, CA 90232

An interview with Sarah Joncas

Sarah Joncas at work on her mural for 'Siren' - opening this Fri, Sept. 3rd at Thinkspace

An interview with Sarah Joncas

For anyone who follows Sarah Joncas‘ work, it should come as no surprise that music has and is a large influence on her painting process. Just as mediums or materials are essential to creating, Joncas considers music a necessary ingredient to developing and fulfilling her ideas. It was no doubt that sooner or later music would become the central theme to a body of her work. From instrument to dance, the artist has brought music to the forefront of her solo female narratives and embraced this all-important part of our culture. Similar to the pop element in her work (visually impacted by sources such as comic books, anime, film and cartoons), Joncas’ musical inspirations are mostly streaming from rock and alternative roots. Suitably given the title ‘Siren‘, this show is about the seduction and romance of music. It gets us moving, gets us singing, tugs at the heartstrings and becomes undeniably infused with our character and how we identify with the world. To further this theme, all the works included in ‘Siren’ have been named after songs/lyrics/bands that suit them or provide an opening to interpretation. Some inspired by, some titled afterwards with consideration. Though physically silent, it has always been the artist’s hope to create work that can speak and touch someone in a similar way as a piece of music does.

Sarah Joncas 'Lullaby' - 20x24" - oil on canvas

Please talk a lil’ bit about the work that makes up your new series for ‘Siren‘. Was there one particular moment that helped to shape this body of work?
Well, I’ve wanted to make a music themed body of work for awhile now, which may not be so surprising. The title felt suitable as this show is about the seduction and romance of music, as well as linking to my usual subject matter of dark, solitary women. I wasn’t entirely certain that this would be my direction in the beginning, but after starting on a couple pieces – a dancer and a quiet geisha holding a guitar – everything else just flowed out naturally and without hesitation.

'Wish You Were Here' in Sarah's studio in Canada

Why did you choose to become an artist?
It was a fairly natural course for me. I hate to be the cliché and say I knew from the beginning, but I kind of did. I loved drawing even at 2-3 years old, told my mom at 5 that’s what I wanted to do. It’s just what makes me happy!

Sarah's paintings for 'Siren' just back from our framers

From your time at art school, name one thing you learned while there that has stuck with you to this day?
Don’t let anyone stop you from making the art you want to make! It’s good to take suggestions and criticism, it might even benefit your work, but you’ll be better off doing what makes you happy since that’s where the passion for creating is. I’d be so miserable if I listened to a prof who told me figure painting is dead… Besides, he was wrong.

A look at 'Moody Blues' on the easel in Sarah's studio

The works in your new series are all named after popular songs from the rock and alternative realms. Would you one day like to work with a band on creating the layout/concept for their album art? If so, which one band would you pick if you had your choice?
I guess I would be pretty amazed with such an offer, at least if it were a band I enjoyed. I’d feel so unworthy though, haha. There are so many musicians I love, but I keep going over what bands my work might actually suit rather than just anyone. Maybe a band with a strong female lead like Portishead, Tori Amos, Cat Power, Bat for Lashes, Garbage etc…

Sarah Joncas 'Siren Song' - 14x18" - oil on canvas

Being from Canada, what do you like most about California when you come to visit? What strikes you as the biggest difference?
Well, I haven’t traveled much of Canada yet, but compared to what I’ve seen – the landscape! And all those crazy trees. Somehow I doubt someone would visit Ontario and gawk at the pines, but every time I saw a cool looking tree in LA I had to take a photo and touch the bark… Is that weird? And you guys have the ocean and all those valleys… My answer might be different if I got the chance to travel to BC or the Maritimes, but I haven’t.

Sarah Joncas' sketch for her mural for 'Siren' along with photos of her past mural installations at Thinkspace

What have you got coming up in terms of shows after your show with us?
I have a piece in the Last Rites Gallery (New York, NY) October group show, a piece for your 5 year anniversary show in November, and a solo I’m already starting work on for April with the Last Rites Gallery… Expect the work to get dark for that one.

Sarah Joncas 'My Little China Girl' - 16x20" - oil on canvas

Sarah Joncas ‘Siren’

Opening Reception: THIS FRI, Sept. 3rd 7-11PM

Check out Sarah’s progress on her mural for ‘Siren’ here:

6009 Washington Blvd.
Culver City, CA 90232

Things continue to heat up for ‘Tokyo Deluxe’ from Dabs Myla

Dabs Myla 'Mr. Danger' - 9x11" - acrylic on wood panel

The non-stop coverage across the web for the upcoming show from Dabs Myla continues…

Hi-Fructose post studio visit:

Vandalog sneak preview post:

Juxtapoz post ‘Jetset Grafitti’ video and add’l preview:

Dabs Myla ‘Tokyo Deluxe’ – opening THIS FRI, Sept. 3rd in Thinkspace‘s project room

6009 Washington Blvd.
Culver City, CA 90232

Dabs Myla partake in ‘The Decade With No Name’ up in Oakland…

Dabs Myla at work on their live painting for 'The Decade With No Name'

Australian duo Dabs Myla took a break from preparing for ‘Tokyo Deluxe‘ and went up to the East Bay last week to take part in the massive “Decade With No Name” show that was put together with the help of our good friend Ken Harman (writer for Hi-Fructose and Arrested Motion).

The crowd at the opening for 'The Decade With No Name' with Monica Canilao's installation in the background

The show serves to highlight the multitude of talent found in Oakland and the greater East Bay area and features a stand out found object installation from Monica Canilao (pictured above) that alone is worth the visit. The show features a vast array of talent and also serves to further highlight the work of Thinkspace family members Brett Amory and Aaron Nagel, both of whom have some very nice examples of their work on view.

Aaron Nagel in front of his work featured in 'The Decade With No Name'

“The Decade With No Name” will continue to show at its pop-up location, 54 Washington St. in Oakland, CA every Saturday (11AM-2PM) and Sunday (11AM-5PM) through September 12th. To view the works in the show as well as the complete lineup of artists taking part please visit www.spokeart.net.

An interview with Yosuke Ueno

Main gallery view of Yosuke Ueno's 'Negative Never Again' - on view through July 30th at Thinkspace

An interview with Yosuke Ueno

“If there were more Yosuke Ueno’s in the world, it might be a more enjoyable place. Ueno has an infectious positivity, which jumps out at viewers of his detailed, colorful paintings.” – Juxtapoz.com

“It’s only a matter of looking, or perhaps a better word is seeing, and taking pleasure in the pieces offered before this puzzle begins to speak for itself. When working in symbols so perceptively designed, and so thoroughly imagined, everything takes on meaning…” – Hi-Fructose

“An appealing new body of work featuring cute, whimsical, and mystical visions incorporating a wide variety of pop inspirations.” – DailyDujour.com

Yosuke Ueno sketches for a fan

Please tell us a little bit about the work that makes up your new series for “Negative Never Again”?
Though I am taking up “being Positive” as my art theme, I sometimes despair of things around myself as people always do. However I believe every possibility subsisting in despair. A skull character of my NNA series draws a cloak of the space. The skull represents the despair and the space cloak does possibility. That means the despair is covered with possibility. Then, the NNA series are portraits of human being for me.

Yosuke Ueno 'Positive-E no.5'

Your work was recently a part of the Animamix Biennial that traveled to the Today Art Museum (Beijing), MoCA Shanghai, MoCA Taipei, and MoCA Kaohsiung. How did the exhibition come together and have you heard any feedback from the curator?
I had a solo show in Tokyo last November. The curator of the show had invited my pieces to the show then. I have heard that my works had received favorable reviews at all the places. I was really glad that a lot of Asian people had enjoyed my pieces, and I hope my artworks to be more popular among Aian countries.

Yosuke Ueno 'Hapiko' mixed media sculpture

Please tell us about your plans for “Hapiko”, your first bronze sculpture edition.
First of all, I had created the Hapiko figure with clay. When Gino Jouker from Toy Art Gallery came to Japan, I showed it to him and he liked the figure. He soon arranged things to make the Hapiko figure into bronze sculptures. I really appreciated that. I have a lot of original characters. So I hope more characters of myself to be sculptures or art toys from now on. (*Editor’s note: be on the lookout early next year for Yosuke’s first vinyl release – more details announced soon)

Yosuke Ueno 'Positive-E no. 4' - acrylic on canvas

Your “Positive E” series of paintings are favorites of your fans and collectors alike. What does this series of paintings mean to you?
To tell the truth, I am painting the Positive E series under depression and chaos in my mind. Sometimes many pieces of images are about to surpass my perception. At times like that, I force myself to face the canvas to paint the images. The largest character means the sun for me, and I paint another images heading for the sun character. At that work, I could feel as if myself is going forward the sun. I also feel freedom that belongs to children when I do the Positive E series. On the contrary, I paint the NNA series, extracting a certain image from my overflowing imaginations.

Yosuke Ueno 'Seisyun Engine' - acrylic on canvas

What/who do you consider your biggest overall influence?
Japanese old school comics that I have been reading since I was a child. And ad designs that I come across everywhere. All the things I read and listen have inspired my imagination. Music and books for example, I keep it in mind to have my own imaginations whenever or whatever I come across. That is not a practice, but my most pleasurable play.

Yosuke Ueno 'Sleepy House' - acrylic on canvas

What have you got coming up in terms of shows after your solo show with us?
After this solo, I will take part in ‘Sweet Streets 2’ at Gallery Nucleus. The theme of the group show is fashions of Tokyo, and the show will start the 11th of September. Then I will participate in three men show at Gallery 1988 San Francisco with Ewelina Ferruso and Jeremiah Ketner. Of course it is a great pleasure for me to take part in the special anniversary show of Thinkspace Gallery this November! Fortunately, I have some more shows at the end of this year and the early of 2011. I will do my best to make pieces that will blow people’s mind!!

Yosuke Ueno 'BitterSweet' - acrylic on canvas

Yosuke Ueno‘s ‘Negative Never Again’ is on view through July 30th. Don’t miss it!

View the works from ‘Negative Never Again’ here:

6009 Washington Blvd. in Culver City
Wed-Sat 1-6PM

Erratic Phenomena interview Allison Sommers

'Cormorant' - 14x18 / Gouache on illustration board

“While exploring the concept of consumption, Allison thumbs her nose at societal conventions of beauty, sexuality and morality. Working at a deliciously miniature scale, she has invented a cheerfully morbid fantasy-land that gives her leeway for infinite flourishes of invention.” – Erratic Phenomena

Check out the full interview with Allison from Erratic Phenomena here:

Allison Sommers
New paintings, drawings and sculpture

View the ‘Sneak Peek’ of the show coming together here:

Opening Reception: THIS FRI, May 7th 7-10PM

6009 Washington Blvd. in the Culver City Arts District