Opening Reception of Amy Sol’s “Bird of Flux” and Liz Brizzi’s “Tokyo”

The opening reception of Amy Sol’s “Bird of Flux” and Liz Brizz’s “Tokyo” was filled with fans of the artists throughout the evening. A few collectors were surprised and delighted to be able to secure their own original during the reception, and both exhibitions are nearly sold out.

The exhibition is open now through March 24th, gallery hours noon to 6 pm, Tuesday through Thursday.

View available pieces from Amy Sol’s “Bird of Flux” here.

View available pieces from Liz Brizzi’s “Tokyo” here.

Photos courtesy of  Birdman Photos


Thinkspace is closed this week for the install of Amy Sol’s solo exhibition “Bird of Flux” and we’re in love with the new works, in addition to Amy’s inspired exploration of sculptures for the show.

“I took my first deep dive into sculpting for this exhibition! It was a challenge, I learned a lot! looking forward to exploring 3D realms into the future.. so many possibilities 🔮” – Amy Sol’s Instagram 

Join us for the opening reception of “Bird of Flux” this Saturday, March 3 from 6 – 9pm.

Thinkspace Projects
6009 Washington Blvd.
Culver City, CA


March 3, 2018 – March 24, 2018

Thinkspace is pleased to present new works by Korean-born painter Amy Sol in Bird of Flux. A self-taught artist currently based in Northern California, her delicately rendered paintings offer introspective meditations on the fluidity of fairytale and fiction, tapping into the endless permutations of subconscious reverie. Sol’s intuitive imagery is drawn from instinctual reserves, referencing several visual traditions of storytelling by enigmatically combining both the personal and archetypal. In her new body of work, Sol explores themes of transition, adventure, and adaptation, considering the individual faced by external and internal forces of change. In Bird of Flux physical metamorphosis is posited as a visual metaphor for inner transformation, offering the viewer borrowed ingress into an imaginative universe of muted hues, unlikely companions, softened edges, and shadowy phantasms.

Sol’s graphics and illustrative inspirations are drawn from enduring collective influences. Everything from animation to decorative design makes an appearance in her esoterically stylized worlds. Influenced by Japanese manga and the whimsy of Ghibli films, as well as the idyllic natural worlds of classic-era Disney and the Golden Age of turn-of-the-century American Illustration, Sol Incorporates references to varied cultural and folkloric embodiments of the feminine. Her works often feature a female protagonist in collusion with supporting animal or creature characters, a tradition of friendship long spun in popular culture from animé to Bambi.

Presented in a state of calm albeit apprehended action, the narratives she advances remain partial and unresolved moments, mere glimpses in a shifting arc rather than a finite plot. These imagined propositions are lawless rather than earth-bound imperatives. With a creative unhinging, Sol’s limitless imagination slips fluidly beyond the restrictions of the real into a world of surreal gentility.
Technically self-taught, Sol has spent many years perfecting her own mixed pigments and materials. Known for a distinctive palette with a subtle ghostly cast, she has in recent years experimented with more intense contrasts and darker hues. Her use of color often recalls late 19th and early 20th-century illustration, art nouveau design, and even the Celadon vases she remembers from her childhood. The diffuse effect of her pigments, however, tends to feel
generally nostalgic rather than specifically referential, as though drawn from a distant and strangely non-existent past. Her technique is labor intensive, involving the application of several layers of acrylic washes to achieve the translucence and opacity of her surfaces. She is also using oils and exploring sculpture in this new body of work. Preferring wood panel to canvas for its unique material qualities, Sol often allows the organic nature of the substrate to dictate the direction of her compositions.

Bird of Flux will include new paintings and sculptural works by the artist. In the spirit of transformation on both conspicuous and imperceptible planes, her new output fittingly reflects her own openness to experimentation and unexpected shifts. Sol’s poetically measured images retain traces of melancholic pause in spite of their idyllic beauty and calm, feeling at times like the magic of fairytale tempered by the ambivalence of the adult. Personal and simultaneously universal, the powerful quiet of her works force a reflective distance into an otherwise unmanageably chaotic visual world.

A Bit of Animated Amy Sol

The animated translation of Amy Sol’s imagination invites us into the world that will be “Bird of Flux.”  We’re anxious to show Sol’s new venture into sculpture, along with a fresh collection of paintings. Join us for the opening reception of   Amy Sol’s Bird of Flux, March 3rd from 6 to 9 pm.

Thinkspace Gallery Print Archive Sale – Saturday January 21st

This Saturday, January 21st from noon to 6PM we will be having our first print archive sale in over three years. We will be sharing the final copies of several sold out editions, the framed display copies of several sold editions, final copies of rare editions, some Artist Proofs, and much more. Plus, there will be some gems from our personal collection made available too.

First come, first served. In-person sales only.

There is no online catalog available and no phone orders being taken. There will be gems from the likes of Audrey Kawasaki (shown above), Etam Cru, Esao Andrews, Brian Viveros, Kevin Peterson, Stella Im Hultberg, Amy Sol, and many, many more.

We will also have our recent books from Brian Viveros and Joao Ruas available for sale as well as Jeremy Fish’s recent book. We’ll also have some cool giveaways throughout the day plus freebies including new magnets for your fridge and our new ‘Miami Vice’ inspired logo button from our trip down to Miami for SCOPE this past December.