On Instagram, you will always find us posting sneak peeks, studio shots, and the work of our Thinkspace family from around the world. Follow the accounts of those artists and you’ll get a sneak peek into their lives and creative process. To continue our series, Thinkspace Family on Instagram, here are the accounts of a few artists who are currently hanging in our Littletopia LA Art Show booth. The Instagram accounts below are in the following order; Stephanie Buer, Seth Armstrong, Tran Nguyen, Jim Houser, Carl Cashman. To view more of each artist’s Instagram account click their username next to the profile picture.
Thinkspace is happy to announce the release of a new giclee print from Tran Nguyen. The image is taken from her recent show “The Synapse Between Here and There” that took place with us this past July.
Tran Nguyen “Treading Through An Untrimmed Memory”
Edition of 25
Hand-signed and numbered by the artist
Giclee print on Museo Portfolio Rag Paper
20″ x 16″ (with an image area of 16 3/4 x 14″)
$100 each (plus s&h)
Thank you to everyone that braved ‘carmageddon’ earlier this month for the opening of Tran Nguyen and David Bray‘s new exhibits. We had a nice and full house throughout the evening and both artists thoroughly enjoyed themselves with their new works being very well received. It was great to see the showing of support across the board with several local artists out including the likes of Nathan DeYoung, Mia, DABS and MYLA, Ewelina Ferusso, Ana Bagayan, Melissa Haslam, Euth, and Jason Shawn Alexander.
Tran Nguyen was born in 1987 in Vietnam, and raised in Augusta, Georgia where she attended the Savannah College of Art and Design. In 2009 Tran received a BFA in Illustration from the University and still calls Georgia home. Tran is fascinated with creating work that can be used as a sort of psycho-therapeutic support vehicle, exploring the mind’s surreal dreamscapes and subconscious desires. Her delicate work is greatly inspired by the Art Nouveau period and is created with colored pencil, graphite and thin glazes of highly diluted acrylic paint all in a muted palette that perfectly showcases her romanticized subject matter.
An interview with Tran Nguyen
Please tell us a lil’ bit about yourself and what you hope to communicate through your work.
My name is Tran, pronounced “tron” (like the movie). I was born in Vietnam and raised in Georgia, where I studied illustration at the Savannah College of Art and Design. In college, I came across an art therapy book titled ‘Art and Soul‘ by Bruce Moon and it conceptually changed the direction of my work for the better. Helping me understand the psychological aspect of art, I’ve become more and more intrigued by therapeutic imagery – art for and by the mind and spirit.
Can you share a lil’ bit about the themes behind your new body of work? ‘The Synapse Between Here and There’ further develops the concept behind my previous show ‘Nurturing the Uneased Soul’. But rather than focusing on the universal ordeals in life, I’ve laid emphasis on the condition of the mind. By definition, a synapse is “the region at which a nervous impulse passes from one neuron (here) to another (there).” I believe this is where we find the raw and visceral reactions of our psyche. In my new body of work, each painting metaphorically represents the mind in response to a particular circumstance. It’s giving form to a psychological impulse, with a splash of surrealism and a pint of fantasy.
When did you know you wanted to follow the path of being a full-time artist?
It was pretty abrupt. One day, during my senior year in high school, it just clicked. I told myself to be confident, pursue something far-fetched, and go be an artist.
What fuels you to keep creating?
When I see or hear about my loved ones going through hardship, I naturally want to lend a helping hand. Of course, I’m not very good with words so instead, I illustrate their troubles. I know there’s always someone else dealing with the same tribulations so it’s my hope that the art I create can help others on a grand scale.
Please describe your dream project if time and money were not issues.
When I’m older, I want to dedicate 5 years of my artistic life to create art that will benefit the patients and staff of a hospital. I’d spend at least 1 year in researching regular patients, janitors, nurses, and doctors, to find out what they interpret as visually therapeutic. At the end of the 5 years, I’ll hang the paintings in the recovering rooms. If they are deemed successful in helping patients and staff members by fostering well-being, mental nourishment, or simply distracts their mind as they heal physically then I’ll continue the practice in other hospitals. If deemed unsuccessful, then I’m still nowhere near where I want to be.
Favorite item in your studio?
My signed copy of “The Art of Yoshitaka Amano: Hiten.” It’s my reservoir of inspiration, especially when I hit rock-bottom and sucking.
Is there anyone in particular, artist or otherwise, that you’d like to give a shout out to here?
I’d love to extend my gratitude to John Foerster, a SCAD professor and mentor, who’s really helped me along my career. And as always, the unconditional support from my family/friends for dealing with the temper tantrums/hell I’ve given them from stress in creating this new body of work.
Any shows or special projects coming up after your exhibit with us here at Thinkspace you would like to mention?
Though details haven’t been disclosed, I’m participating in a unique exhibition called ‘School Open House‘. The concept behind the show is to reinterpret an old childhood drawing and depict it in our current style. I think that’s a very, very charming idea.