An interview with Brian M. Viveros

Brian M. Viveros alongside 'Samur-Rising' - his largest painting to date.

An interview with Brian M. Viveros

Thinkspace is pleased to present the debut Los Angeles solo exhibition from Riverside, California based artist Brian M. Viveros. The Dirtyland will feature a series of new oil paintings on wood alongside a series of mixed media works on paper and a small edition of hand-touched unique screen prints on wood. The exhibition will also showcase a mixed-media installation featuring a new short film directed by the artist alongside sculptural works created in collaboration with artist Gustavo Ponce.

'Dirtyland 4 Life' in Viveros' Riverside studio

Artist bio:
Celebrated fetish artist Brian M. Viveros is internationally embraced for his erotic paintings of doe-eyed beauties with Marlboros dangling seductively from their lips and has also recently been utilizing the medium of film to capture the dark and evocative debris that radiates from his mind. His paintings are a drunken mix of oil, airbrush, acrylic, and ink. In his work Viveros shines a light on his own inner world and society at large and aims to captivate even the most jaded eyes.

Viveros’ recognition accelerated with his participation in ‘The Art of Porn’ exhibition held in Switzerland (1997), where he exhibited alongside H.R. Giger. Since then Viveros’ work has been exhibited extensively in North America and Europe in numerous gallery shows and at Aqua Art Miami (2009) and GenArt’s Vanguard Fair (2008). His work has also been featured in numerous books including Les Barany’s ‘Carnivora: The Dark Art Of Automobiles’, Harry Saylor and Carolyn Frisch’s ‘Edgy Cute: From Neo-Pop to Low Brow and Back Again‘, Matt Jordan’s ‘Weirdo Noir‘, and Erotic Signature’s ‘The World’s Greatest Erotic Art of Today – Vol. 1 and Vol. II’.

His work has also been featured in the pages of Juxtapoz (no. 118), Secret Magazine, In the Flesh, Skin Two, Drawing Blood, Darks Art, Joia Magazine, Tattoo Extreme, XFUNS Magazine, Let’s Motive, Truce, Digital Temple, Riviera Magazine, Uce Magazine, Ego Magazine, Real Detroit Weekly, .ISM Quarterly, Tattoo Society, Dark Art’s Parlour Magazine, Revolution Art, Iniciativa Colectiva, Fetish Magazine, and was also recently featured on the TV show ‘LA Ink’ (where artist Nikko Hurtado tattooed one of Viveros’ paintings onto a client).

Viveros made his directing debut in 2005 with his quietly eerie, boldly stylized short film Dislandia, a psycho-drama revolving around a young girl who exists in a desolate world full of dreamlike images that range from bizarre to symbolic and erotic. Southern, his latest surreal film, returns cinema to the unclean. Southern is an experience of primordial sights, sounds, and sentiment, blanketed by a fog of troubling eroticism and violence. Viveros was also recently featured on the Sundance Channel’s ‘Pleasure for Sale’ where they featured a behind the scenes look at the artist and the dislandic crew that helped him to create his film Southern .

'Dirty, Dirty' in all its glory on display in Viveros' Riverside studio

Please talk a lil’ bit about your new series making up ‘The Dirtyland’.
Dirty, very dirty my friend. Just kiddin’, the series is a mad, mad world of New Smoking troops showing off there new helmets, new smokes, battle scars… total no holds barred. The Smoking Arm-Me of power will be marching there way into Thinkspace on October 2nd so go get your best helmet and come out to the Dirtyland. The exhibition will feature my largest painting to date ‘Samur-Rising’.

Viveros at work on 'Scorpio Rising' - one of his largest works to date

You’re also shooting a new short film to premiere at the opening of ‘The Dirtyland’ – can you a share a bit of the concept behind this new short?
In our traditional dislandic-southernesk approach to filming, me and Mr. Eriijk Ressler will be putting together a little four to five minute surreal loop that will be played somewhere hidden inside of the Thinkspace Gallery. Shhhhh come find me. A fun little loop-dee-loop-dee-loop for the whole Dirtyland family to enjoy. That’s about all I can say really because we never know how things are going to unfold when we film. Lets just say there will be a helmet involved and some smokin’ hahaha.

A look inside Viveros' Riverside studio as the works for 'The Dirtyland' come to life (notice the life sized 'Dirty Trooper' hiding in the back)

Your friend Gustavo Ponce collaborated with you on the sculptural works that will be included in ‘The Dirtyland’ as well as the must-see installation. Can you tell us a lil’ bit about how this collaboration came about?
After I had the title in mind for the exhibition there were these ideas that we’d talked about and discussed in the past. If I ever I did have a Dirtyland show we should do this or could we do this. Always thinking ahead and trying to push the envelope. I had the idea sketched out in my head for sometime. After talking it over with Gustavo, who’s worked with me on past films and is just an amazing sculptor, he assured me and said “Yeah, I can rock this homie” and let’s just say he fukin’ killed it. So for all you coming out to the exhibition you are in for a really dirty treat. Hats off to my close friend and homie Mr. Gustavo Ponce for bringing the Dirtyland to life. IT’S ALIVE, ALIVE!! You can check out more of Gustavo Ponce’s work at:

A sneaky blurry look at the 'Dirty Troopers' sculpted by Gustavo Ponce in collaboration with Viveros for 'The Dirtyland' - trust me, this installation has to be seen in person!!!

Please tell us what helmets mean to you / what they represent in your work?
To me, the helmets represent STRENGTH. When you wear a helmet you feel strong, you feel protected, like you’re ready to go into battle and take mutha-fuckas out.

Close-up view of 'All I See Is Red' - one of Viveros' largest paintings to date

At what moment did you realize you wanted to be a full-time artist?
Early on as a child I was always into art. I was always into anything different and constantly being creative, I started making my own splatter films at age twelve and drawing since I could hold a pencil. I saw a lot as a kid and I still use a lot of these elements to help decorate my Arm-me of Smoking gals.

Viveros at work on one of his largest paintings to date, 'Bleed For Me', in his Riverside Studio

What do you consider to be your biggest overall influence?
I’m inspired by so many things… music, movies, people, words, my dogs, my skulls, smoke, everything man, just everything.

'Mata-Adore You Forever' in Viveros' Riverside studio

What have you got coming up in terms of shows after your show with us?
I will be showing at Paul Booth’s Last Rites Gallery in NYC next year and would like to thank all of you Sour Harvest readers out there. See you this October! Cheerzzz!

The FREE POSTER that will be given out to the 1st 200 people through the door on Sat, Oct. 2nd - the opening night of 'The Dirtyland' - Viveros will be hand-signing each poster in gold ink too!

Brian M. Viveros ‘The Dirtyland

Opening Reception: Sat, October 2nd 7-10PM with the artist in attendance
*Free autographed poster to the 1st 200 through the door this weekend + the Komodo Food Truck will be on-site all night serving up the goods

PLEASE NOTE: The digital preview for ‘The Dirtyland’ will go out tomorrow morning on Fri, Sept. 24th. Please be sure you are on our mailing list to receive the digital preview.

6009 Washington Blvd., Culver City, CA 90232
Phone: 310.558.3375
Hours: Wednesday thru Saturday 1 p.m. – 6 p.m. (or by appointment)

Kevin Titzer interview

Kevin Titzer 'Nail Biter' - mixed media sculpture

Check out a great interview with sculpture artist Kevin Titzer here:

We’ve been working with Kevin for a few years now and he just continues to gets better and better. His works in ‘Born Free’ and ‘Love Conquers All’ were very well received this year and we’re looking forward to more with the artist in the year ahead.

Kevin Titzer 'Puzzle Pieces' - mixed media sculpture

Watch for Titzer to have an amazing new piece in this October’s Beyond Eden with us as well as a nice new piece featured in our 5 Year Anniversary show this November. After that he’ll be gearing up for his solo show in our project room next June. Looking forward to that! We’ll keep you posted on Kevin’s happenings here in the meantime.

Keep tabs on Kevin Titzer here:

An interview with Dabs Myla

Dabs and Myla at work in their Hollywood studio

An interview with Dabs Myla

Dabs Myla‘s new body of work is based on the overwhelming experiences the two artists had while visiting one of the most hectic cities in the world, Toyko. While creating a show about Tokyo is a bit like shooting a fish in a barrel due to all the visual stimuli found there, the couple took on the task and soaked up as much pop culture as their minds could take. Between taking photographs of the architecture and sketching up ideas wherever they went, Dabs Myla feel they have created a collection of paintings that reflects the stamp left on their brains from their trip to Tokyo. Our project room will be a virtual visual overload this September as the pair fill it with a wide array of new works layered on top of a full room mural and additional installation elements including die-cut figures, buildings, clouds, and more. ‘Tokyo Deluxe’ promises an immersive experience.

Dabs Myla 'Golden Moments With Fuji and the Yokai' - 22x18" - acrylic on wood panel

Please talk a lil’ bit about your recent trip to Japan where the photo reference shots for this new series were taken.
MYLA: We visited Tokyo in April on our way back to LA from Melbourne…we spent the 5 days there exploring the city and photographing the city’s landscapes, people and characters which inspired the series of work we have created for this show. All the paintings are about experiences we had there, Japanese character’s we saw in advertisements, the food we ate and the general awesomeness of Tokyo!

Myla at work on the install for 'Tokyo Deluxe'

How did you two meet? At what moment did you both realize you wanted to work together as a team?
DABS: We met each other about 7 years ago at art school in Australia. We where both studying illustration together, and over the years we developed a good friendship, then well…one thing led to another…and we fell in love! On the first weekend we spent together as a couple we sat inside for 2 days and made a collaboration painting. From then on we have always been collaborating on different pieces here and there…but it was about 3 years ago we decided to totally merge together and create one entity, every piece of artwork we have made since then has been a collaboration…except for our graffiti pieces…painting your name/letters is something that needs to be handled one on one.

Dabs Myla 'Mr. Danger' - 9x11" - acrylic on wood panel

What do you both consider to be your biggest overall influences?
MYLA: Working as a team is definitely our biggest influence in our work…the characters, locations and themes in our work represent things that we both like and experience together! We are always bouncing ideas off each other in our pieces and although we paint separate parts of the paintings, we both influence each other in the outcome!

Dabs Myla 'Takoyaki and the Sleezy Sushi King' - 9x11" - acrylic on wood panel

Name one artist from Australia that you think is criminally underrated outside of Australia and deserves more attention Stateside?
DABS: I gotta say NEW 2..Growing up he was a massive influence for me in graffiti through the mid/late 80’s to the mid 90’s. Then he came back on the scene about 10 years ago and is still such an amazing artist, with a real graff structure to his letters that can’t be beat! Then on top of that his fine art and ceramic letters that he sculpts are equally as strong and legit as his graffiti. New 2 recently relocated to Belgium where he is still totally on top of his game showing some Euro cats what time it is!

Dabs working on the installation for 'Tokyo Deluxe'

From your time in Australia running a gallery, please name one thing you learned from that experience that has stuck with you to this day?
DABS: As an artist, we really did learn a lot from the time spent running a gallery. A lot of artists i think find it hard to really understand the relationship between an artists and a gallery and that both are just as important as each other. A gallery needs good artists to run successfully, but an artist needs a good gallery working for them just as much! I think we have a pretty good understanding of that by having been on both sides of the fence!

Dabs laying in some final details on the 'Tokyo Deluxe' installation

What have you got coming up in terms of shows after your exhibit with us?
DABS: Well…First thing coming up for us after this show is our wedding which is just a few weeks after the show opens! We have a bunch of Australians coming out to LA to celebrate with us, as well as all our friends here in LA. It’s gonna be so much fun! In November we’ll have a new piece in your 5 Year Anniversary show. In December we will head back down to Miami for Art Basel/Primary Flight… Then we will start working on some new work for a show we are having in Palm Springs at M Modern gallery. It will be during Modernism week in Palm Springs, so we will make a set of paintings based on a modernism style?..but with a DABS and MYLA spin. We also have our show next summer at Thinkspace which we will start working on in the next couple of months too!!!

Dabs and Myla at work on the 'Tokyo Deluxe' installation

Being from Australia, what strikes you as the biggest difference between your home there and your new home here in Los Angeles?
MYLA: Donuts, the weather and palm trees! Australian donuts are not as fluffy, but are also very delicious, Melbourne weather has a pretty cold winter and there are only a few palm trees where we are from!!!

Paul Hogan or Russel Crowe?
DABS: Seriously…no contest at all!!..Paul Hogan is a true blue legend! Crocodile Dundee?..forget about it, that shit was genius! Russell Crowe…he can act I guess but he is such a douche that it cancels out any talent he may have!! I’m glad you didn’t mention Mel Gibson! You don’t wanna get me started on that guy, hes putting our country to shame!…see now im all worked up, thanks a bunch!

Why are Tim Tams SOOO damn good?
DABS: That would be because the chocolate they use in a Tim Tam has crack cocaine in it!..that’s my theory anyways..its the only explanation for it!

Dabs Myla 'Tokyo Deluxe' - 9x11" - acrylic on wood panel

Dabs Myla ‘Tokyo Deluxe’

Opening Reception: THIS FRI, Sept. 3rd 7-11PM in our project room

Check out Dabs Myla’s progress on their installation here:

6009 Washington Blvd.
Culver City, CA 90232

An interview with Sarah Joncas

Sarah Joncas at work on her mural for 'Siren' - opening this Fri, Sept. 3rd at Thinkspace

An interview with Sarah Joncas

For anyone who follows Sarah Joncas‘ work, it should come as no surprise that music has and is a large influence on her painting process. Just as mediums or materials are essential to creating, Joncas considers music a necessary ingredient to developing and fulfilling her ideas. It was no doubt that sooner or later music would become the central theme to a body of her work. From instrument to dance, the artist has brought music to the forefront of her solo female narratives and embraced this all-important part of our culture. Similar to the pop element in her work (visually impacted by sources such as comic books, anime, film and cartoons), Joncas’ musical inspirations are mostly streaming from rock and alternative roots. Suitably given the title ‘Siren‘, this show is about the seduction and romance of music. It gets us moving, gets us singing, tugs at the heartstrings and becomes undeniably infused with our character and how we identify with the world. To further this theme, all the works included in ‘Siren’ have been named after songs/lyrics/bands that suit them or provide an opening to interpretation. Some inspired by, some titled afterwards with consideration. Though physically silent, it has always been the artist’s hope to create work that can speak and touch someone in a similar way as a piece of music does.

Sarah Joncas 'Lullaby' - 20x24" - oil on canvas

Please talk a lil’ bit about the work that makes up your new series for ‘Siren‘. Was there one particular moment that helped to shape this body of work?
Well, I’ve wanted to make a music themed body of work for awhile now, which may not be so surprising. The title felt suitable as this show is about the seduction and romance of music, as well as linking to my usual subject matter of dark, solitary women. I wasn’t entirely certain that this would be my direction in the beginning, but after starting on a couple pieces – a dancer and a quiet geisha holding a guitar – everything else just flowed out naturally and without hesitation.

'Wish You Were Here' in Sarah's studio in Canada

Why did you choose to become an artist?
It was a fairly natural course for me. I hate to be the cliché and say I knew from the beginning, but I kind of did. I loved drawing even at 2-3 years old, told my mom at 5 that’s what I wanted to do. It’s just what makes me happy!

Sarah's paintings for 'Siren' just back from our framers

From your time at art school, name one thing you learned while there that has stuck with you to this day?
Don’t let anyone stop you from making the art you want to make! It’s good to take suggestions and criticism, it might even benefit your work, but you’ll be better off doing what makes you happy since that’s where the passion for creating is. I’d be so miserable if I listened to a prof who told me figure painting is dead… Besides, he was wrong.

A look at 'Moody Blues' on the easel in Sarah's studio

The works in your new series are all named after popular songs from the rock and alternative realms. Would you one day like to work with a band on creating the layout/concept for their album art? If so, which one band would you pick if you had your choice?
I guess I would be pretty amazed with such an offer, at least if it were a band I enjoyed. I’d feel so unworthy though, haha. There are so many musicians I love, but I keep going over what bands my work might actually suit rather than just anyone. Maybe a band with a strong female lead like Portishead, Tori Amos, Cat Power, Bat for Lashes, Garbage etc…

Sarah Joncas 'Siren Song' - 14x18" - oil on canvas

Being from Canada, what do you like most about California when you come to visit? What strikes you as the biggest difference?
Well, I haven’t traveled much of Canada yet, but compared to what I’ve seen – the landscape! And all those crazy trees. Somehow I doubt someone would visit Ontario and gawk at the pines, but every time I saw a cool looking tree in LA I had to take a photo and touch the bark… Is that weird? And you guys have the ocean and all those valleys… My answer might be different if I got the chance to travel to BC or the Maritimes, but I haven’t.

Sarah Joncas' sketch for her mural for 'Siren' along with photos of her past mural installations at Thinkspace

What have you got coming up in terms of shows after your show with us?
I have a piece in the Last Rites Gallery (New York, NY) October group show, a piece for your 5 year anniversary show in November, and a solo I’m already starting work on for April with the Last Rites Gallery… Expect the work to get dark for that one.

Sarah Joncas 'My Little China Girl' - 16x20" - oil on canvas

Sarah Joncas ‘Siren’

Opening Reception: THIS FRI, Sept. 3rd 7-11PM

Check out Sarah’s progress on her mural for ‘Siren’ here:

6009 Washington Blvd.
Culver City, CA 90232

An interview with Yosuke Ueno

Main gallery view of Yosuke Ueno's 'Negative Never Again' - on view through July 30th at Thinkspace

An interview with Yosuke Ueno

“If there were more Yosuke Ueno’s in the world, it might be a more enjoyable place. Ueno has an infectious positivity, which jumps out at viewers of his detailed, colorful paintings.” –

“It’s only a matter of looking, or perhaps a better word is seeing, and taking pleasure in the pieces offered before this puzzle begins to speak for itself. When working in symbols so perceptively designed, and so thoroughly imagined, everything takes on meaning…” – Hi-Fructose

“An appealing new body of work featuring cute, whimsical, and mystical visions incorporating a wide variety of pop inspirations.” –

Yosuke Ueno sketches for a fan

Please tell us a little bit about the work that makes up your new series for “Negative Never Again”?
Though I am taking up “being Positive” as my art theme, I sometimes despair of things around myself as people always do. However I believe every possibility subsisting in despair. A skull character of my NNA series draws a cloak of the space. The skull represents the despair and the space cloak does possibility. That means the despair is covered with possibility. Then, the NNA series are portraits of human being for me.

Yosuke Ueno 'Positive-E no.5'

Your work was recently a part of the Animamix Biennial that traveled to the Today Art Museum (Beijing), MoCA Shanghai, MoCA Taipei, and MoCA Kaohsiung. How did the exhibition come together and have you heard any feedback from the curator?
I had a solo show in Tokyo last November. The curator of the show had invited my pieces to the show then. I have heard that my works had received favorable reviews at all the places. I was really glad that a lot of Asian people had enjoyed my pieces, and I hope my artworks to be more popular among Aian countries.

Yosuke Ueno 'Hapiko' mixed media sculpture

Please tell us about your plans for “Hapiko”, your first bronze sculpture edition.
First of all, I had created the Hapiko figure with clay. When Gino Jouker from Toy Art Gallery came to Japan, I showed it to him and he liked the figure. He soon arranged things to make the Hapiko figure into bronze sculptures. I really appreciated that. I have a lot of original characters. So I hope more characters of myself to be sculptures or art toys from now on. (*Editor’s note: be on the lookout early next year for Yosuke’s first vinyl release – more details announced soon)

Yosuke Ueno 'Positive-E no. 4' - acrylic on canvas

Your “Positive E” series of paintings are favorites of your fans and collectors alike. What does this series of paintings mean to you?
To tell the truth, I am painting the Positive E series under depression and chaos in my mind. Sometimes many pieces of images are about to surpass my perception. At times like that, I force myself to face the canvas to paint the images. The largest character means the sun for me, and I paint another images heading for the sun character. At that work, I could feel as if myself is going forward the sun. I also feel freedom that belongs to children when I do the Positive E series. On the contrary, I paint the NNA series, extracting a certain image from my overflowing imaginations.

Yosuke Ueno 'Seisyun Engine' - acrylic on canvas

What/who do you consider your biggest overall influence?
Japanese old school comics that I have been reading since I was a child. And ad designs that I come across everywhere. All the things I read and listen have inspired my imagination. Music and books for example, I keep it in mind to have my own imaginations whenever or whatever I come across. That is not a practice, but my most pleasurable play.

Yosuke Ueno 'Sleepy House' - acrylic on canvas

What have you got coming up in terms of shows after your solo show with us?
After this solo, I will take part in ‘Sweet Streets 2’ at Gallery Nucleus. The theme of the group show is fashions of Tokyo, and the show will start the 11th of September. Then I will participate in three men show at Gallery 1988 San Francisco with Ewelina Ferruso and Jeremiah Ketner. Of course it is a great pleasure for me to take part in the special anniversary show of Thinkspace Gallery this November! Fortunately, I have some more shows at the end of this year and the early of 2011. I will do my best to make pieces that will blow people’s mind!!

Yosuke Ueno 'BitterSweet' - acrylic on canvas

Yosuke Ueno‘s ‘Negative Never Again’ is on view through July 30th. Don’t miss it!

View the works from ‘Negative Never Again’ here:

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