Dabs Myla partake in ‘The Decade With No Name’ up in Oakland…

Dabs Myla at work on their live painting for 'The Decade With No Name'

Australian duo Dabs Myla took a break from preparing for ‘Tokyo Deluxe‘ and went up to the East Bay last week to take part in the massive “Decade With No Name” show that was put together with the help of our good friend Ken Harman (writer for Hi-Fructose and Arrested Motion).

The crowd at the opening for 'The Decade With No Name' with Monica Canilao's installation in the background

The show serves to highlight the multitude of talent found in Oakland and the greater East Bay area and features a stand out found object installation from Monica Canilao (pictured above) that alone is worth the visit. The show features a vast array of talent and also serves to further highlight the work of Thinkspace family members Brett Amory and Aaron Nagel, both of whom have some very nice examples of their work on view.

Aaron Nagel in front of his work featured in 'The Decade With No Name'

“The Decade With No Name” will continue to show at its pop-up location, 54 Washington St. in Oakland, CA every Saturday (11AM-2PM) and Sunday (11AM-5PM) through September 12th. To view the works in the show as well as the complete lineup of artists taking part please visit www.spokeart.net.

An interview with Yosuke Ueno

Main gallery view of Yosuke Ueno's 'Negative Never Again' - on view through July 30th at Thinkspace

An interview with Yosuke Ueno

“If there were more Yosuke Ueno’s in the world, it might be a more enjoyable place. Ueno has an infectious positivity, which jumps out at viewers of his detailed, colorful paintings.” – Juxtapoz.com

“It’s only a matter of looking, or perhaps a better word is seeing, and taking pleasure in the pieces offered before this puzzle begins to speak for itself. When working in symbols so perceptively designed, and so thoroughly imagined, everything takes on meaning…” – Hi-Fructose

“An appealing new body of work featuring cute, whimsical, and mystical visions incorporating a wide variety of pop inspirations.” – DailyDujour.com

Yosuke Ueno sketches for a fan

Please tell us a little bit about the work that makes up your new series for “Negative Never Again”?
Though I am taking up “being Positive” as my art theme, I sometimes despair of things around myself as people always do. However I believe every possibility subsisting in despair. A skull character of my NNA series draws a cloak of the space. The skull represents the despair and the space cloak does possibility. That means the despair is covered with possibility. Then, the NNA series are portraits of human being for me.

Yosuke Ueno 'Positive-E no.5'

Your work was recently a part of the Animamix Biennial that traveled to the Today Art Museum (Beijing), MoCA Shanghai, MoCA Taipei, and MoCA Kaohsiung. How did the exhibition come together and have you heard any feedback from the curator?
I had a solo show in Tokyo last November. The curator of the show had invited my pieces to the show then. I have heard that my works had received favorable reviews at all the places. I was really glad that a lot of Asian people had enjoyed my pieces, and I hope my artworks to be more popular among Aian countries.

Yosuke Ueno 'Hapiko' mixed media sculpture

Please tell us about your plans for “Hapiko”, your first bronze sculpture edition.
First of all, I had created the Hapiko figure with clay. When Gino Jouker from Toy Art Gallery came to Japan, I showed it to him and he liked the figure. He soon arranged things to make the Hapiko figure into bronze sculptures. I really appreciated that. I have a lot of original characters. So I hope more characters of myself to be sculptures or art toys from now on. (*Editor’s note: be on the lookout early next year for Yosuke’s first vinyl release – more details announced soon)

Yosuke Ueno 'Positive-E no. 4' - acrylic on canvas

Your “Positive E” series of paintings are favorites of your fans and collectors alike. What does this series of paintings mean to you?
To tell the truth, I am painting the Positive E series under depression and chaos in my mind. Sometimes many pieces of images are about to surpass my perception. At times like that, I force myself to face the canvas to paint the images. The largest character means the sun for me, and I paint another images heading for the sun character. At that work, I could feel as if myself is going forward the sun. I also feel freedom that belongs to children when I do the Positive E series. On the contrary, I paint the NNA series, extracting a certain image from my overflowing imaginations.

Yosuke Ueno 'Seisyun Engine' - acrylic on canvas

What/who do you consider your biggest overall influence?
Japanese old school comics that I have been reading since I was a child. And ad designs that I come across everywhere. All the things I read and listen have inspired my imagination. Music and books for example, I keep it in mind to have my own imaginations whenever or whatever I come across. That is not a practice, but my most pleasurable play.

Yosuke Ueno 'Sleepy House' - acrylic on canvas

What have you got coming up in terms of shows after your solo show with us?
After this solo, I will take part in ‘Sweet Streets 2’ at Gallery Nucleus. The theme of the group show is fashions of Tokyo, and the show will start the 11th of September. Then I will participate in three men show at Gallery 1988 San Francisco with Ewelina Ferruso and Jeremiah Ketner. Of course it is a great pleasure for me to take part in the special anniversary show of Thinkspace Gallery this November! Fortunately, I have some more shows at the end of this year and the early of 2011. I will do my best to make pieces that will blow people’s mind!!

Yosuke Ueno 'BitterSweet' - acrylic on canvas

Yosuke Ueno‘s ‘Negative Never Again’ is on view through July 30th. Don’t miss it!

View the works from ‘Negative Never Again’ here:
http://www.thinkspacegallery.com/2010/07/works.php

Thinkspace
6009 Washington Blvd. in Culver City
Wed-Sat 1-6PM
www.thinkspacegallery.com

Erratic Phenomena interview Allison Sommers

'Cormorant' - 14x18 / Gouache on illustration board

“While exploring the concept of consumption, Allison thumbs her nose at societal conventions of beauty, sexuality and morality. Working at a deliciously miniature scale, she has invented a cheerfully morbid fantasy-land that gives her leeway for infinite flourishes of invention.” – Erratic Phenomena

Check out the full interview with Allison from Erratic Phenomena here:
http://www.erraticphenomena.com/2010/05/allison-sommers-schlaraffenland.html

Allison Sommers
‘Schlaraffenland’
New paintings, drawings and sculpture

View the ‘Sneak Peek’ of the show coming together here:
http://www.flickr.com/photos/thinkspace/sets/72157623393138819/

Opening Reception: THIS FRI, May 7th 7-10PM

Thinkspace
6009 Washington Blvd. in the Culver City Arts District
www.thinkspacegallery.com

An interview with Tran Nguyen

An interview with Tran Nguyen

Tran’s statement on her latest series of works for ‘Nurturing The Uneased Soul’:
Human distress and weariness of the soul are prevalent illnesses we’ve all encountered in our existence. It is ubiquitous to say that life is hard and it’s even harder to relieve ourselves of this chronic disquiet. It is my hope that the milieus portrayed in Nurturing the Uneased Soul pay homage to those who are facing everyday-life difficulties – you, your family, friends, neighbors, acquaintances, or even strangers.

The visual metaphors that are depicted in my paintings capture our emotional turmoil. They embody someone that we can contemplate with, something that reorganizes our cluttered mind. It’s somewhere that nurses the unattended thoughts we’ve tucked away, deep inside our psyche. My imageries serve as a reservoir for the mind to collect itself, replenish itself, and resolve itself from its emotive tension. My hopes are that once the viewer has plunged into my oeuvre, they are able to emerge from the pilgrimage with a new, untarnished mindset. With whatever existent hardship you may be enduring, I deeply hope it can help nurture your exasperated soul.

For more, check out the following interview I just conducted with Tran last week…

Please talk a lil’ bit about the general concept behind your new series of works for “Nurturing The Uneased Soul”.
The new series of work furthers my exploration into therapeutic imagery. Each painting depicts a particular milieu of apprehension that conveys many of the prevalent distresses we frequently come across in life. Uneasiness such as ridding ourselves of wayward thinking or living a burdensome life can be abrasive to our soul, but these heavyhearted situations are what makes life even more precious. The adversity we deal with day to day are conducive to meaningful living. Thus, the intent of Nurturing the Uneased Soul is to act as a buffer or, as some have described it, “a squishy mattress” in overcoming these hardships.

'And Our World Came Tumbling After'

Do you use much photo reference or pretty much just rely upon your imagination?
Half and half — it’s used when needed. When I want a “real” feel to my figures, I’ll rely on photo references to capture those humanly imperfections or natural postures. I do try to limit myself from relying on them too much or else my surreal illustrations would end up overly “realistic.” So when I want to diverge from this tendency, I’ll let my imagination/artistic intuition resolve the rest of the painting.

Your work is filled with visual metaphors, please elaborate a bit if you can. Any significance to the recurring diamond pattern present in much of your work?
You’ve probably noticed that trees, birds, and other ornamental forms frequently reoccur in many of my paintings. I use the motifs to help embed the content’s general tone. Shapes such as the iridescent gold diamonds are not only used for aesthetic purposes but also to convey the duality of the complex emotions — the strenuous as well as triumphal aspect of confronting a tribulation. The haphazard of patterns also help create an ambiguous void for the figures to be cast into which furthers the surreal essence of my paintings.

'And She Said To Him'

What was the driving force in your life that led you to this particular direction in your narrative content?
Thus far, I’ve been fortunate enough to have had an easy life but I can’t say the same for others. I’ve witnessed many people that’s had their share of hardship, particularly my mom. I can’t help but feel compassionate to those whose life deviates from what they had hope for. I’ve always been interested in the welfare of others but didn’t necessarily know how to apply it to my career. Then, I came across Bruce Moon’s Art and Soul: Reflections of an Artistic Psychology, and his writings guided and synthesized my endeavors in a more concrete way.

What/who do you consider your biggest overall influence?
The people (and their situations) I cross paths with act as my muse. Their tense emotions and tribulations inspire me to compassionately illustrate these ineffable human conditions.

'Parting From Your Wayward Heart'

What’s your favorite thing about living in Georgia? What do you miss most about home?
Besides the fact that my family and friends are here, Georgia has a moderately paced lifestyle. Where I’m from, there’s a lot of the countryside and a little of the city side, which has been pleasant to be raised in. I live about five minutes from a vast corn field and the feeling I get from driving by it is overwhelmingly profound and unexplainable. Though it’s inevitable that I’ll venture to other places for work and personal reasons, in the end, I know I’ll come back home. It’s true what they say — “home is where the heart is.”

If you had an unlimited budget and time was not an issue, what grand artistic vision would you look to bring to life?
I’d open a public art studio that offers a variety of free workshops for people who like to draw, paint, print-make, sculpt, etc. In another section of the studio would be an open exhibit filled with a collection of art created by therapy patients — a kind of art that requires us to close our eyes and open our heart and soul.

What have you got coming up in terms of shows after your solo show with us?
I have some group shows that I’ll be participating in and an awesome collab show next year with a fellow artist. For now, I’m just taking it easy.

'The Color Of A Colorless Soul'

Tran Nguyen ‘Nurturing the Uneased Soul’ (in our project room)

Exhibition run dates: March 12th – April 2nd, 2010

Check out the works from ‘Nurturing The Uneased Soul’ here:
http://www.thinkspacegallery.com/2010/03/project/works.php

* This will be the last show at our Silver Lake location. We will relocate to Culver City this April.

Thinkspace
4210 Santa Monica Blvd. in Silver Lake area of Los Angeles (near the Sunset Junction)
www.thinkspacegallery.com

Tran Nguyen digital preview ready…

Tran Nguyen - "And Our World Came Tumbling After" - 12x16"

Tran Nguyen ‘Nurturing the Uneased Soul’ (in our project room)

Exhibition run dates: March 12th – April 2nd, 2010

Opening Reception: Fri, March12th 7-11PM

So excited to share this with everyone… Tran’s preview is now ready:
http://www.thinkspacegallery.com/2010/03/project/works.php

Please shoot me any questions or requests to contact@sourharvest.com and I will get right back to you.

Note: all works are framed with a 2″ white matte with archival backing in a clean white beveled frame with standard glass.

Look for an interview with Tran to be posted here in the coming days.

* This will be the last show at our Silver Lake location. We will relocate to Culver City this April.

Thinkspace
4210 Santa Monica Blvd. in Silver Lake area of Los Angeles (near the Sunset Junction)
www.thinkspacegallery.com