Inside the Studio of Jack Shure for upcoming exhibition ‘Soul Sanitizer’

Inside the studio of Jack Shure for ‘Soul Sanitizer

What is the inspiration behind this latest body of work? What themes or techniques were you exploring?

The inspiration behind these works spawned from the creative influences of my youth. I wanted to revisit themes and nuances of the things that drove me to paint in the first place all while creating a personal narrative around the characters and symbols.

Read the full interview with Jack Shure here.

Video by Birdman Photography

Inside the Studio of Reen Barrera for upcoming exhibition ‘Cluster Fudge’

Inside the studio of Reen Barrera for his upcoming exhibition ‘Cluster Fudge

What is the inspiration behind this latest body of work? What themes or techniques were you exploring?

The title of the show is ‘Cluster Fudge’, in my definition it is a situation of surprisingly having things done, despite the amount of hardships that we are facing right now in this pandemic, to overcome and survive our daily battles within ourselves and outside. In this collection of work I try to show a glimpse of my daily experiences and thoughts throughout this times.

Read the full interview with Reen Barrera here.

Video by Birdman Photography

Interview with Jack Shure for “Soul Sanitizer”

Thinkspace Projects is honored to present Jack Shure’s debut solo exhibition “Soul Sanitizer.”

‘Soul Sanitizer’ is a collection of work created to represent how Jack Shure views and digests the world around him. Made up of an amalgamation of styles and subjects, Shure creates an intentionally cryptic narrative of his own personal journey from childhood to parenthood. Using art as a tool for comprehension and processing, the act of creating work becomes his “soul sanitizer,” the vehicle for healing and introspection.

In anticipation for “Soul Sanitizer,” our interview with Jack Shure discusses tapping into creative flow, Beetle Juice, and exploring his subconscious through his work.

For those unfamiliar with your work, can you tell us a little about your background and how you came to work with Thinkspace Projects?

I got my start drawing very young and always kept a sketch book. By the time I got to high school I put a silkscreen press in my parents garage I would spend all my time out there then sell the shirts to kids who sold weed after class. Once out of high school a close friend took me to my first Grateful Dead ( minus jerry) concert. Here I saw many kids my age selling art and it inspired me to do the same. For the better half of 10 years I spent my time on the road selling posters in  parking lots around the country.

I bought a piece from the gallery some years ago and always admired their programming and taste. When I felt my art was ready I reached out to Andrew and immediately felt welcomed and supported.

What is the inspiration behind this latest body of work? What themes or techniques were you exploring?

The inspiration behind these works spawned from the creative influences of my youth. I wanted to revisit themes and nuances of the things that drove me to paint in the first place all while creating a personal narrative around the characters and symbols.

What do you find to be the most challenging and yet most rewarding part of the creative process?

Taking things too seriously, I constantly remind myself I make the best marks when I’m at play.

Do you have any rituals that help you tap into a creative flow?

I like to take a moment to breathe and thank creative spirit. I also enjoy dancing like a complete freak in between Strokes.

Who are some of your creative influences that have inspired you or had a direct impact on the  development of your artistic voice?

 Rick Griffin, Mati Klarwein and Corvaggio would probably be at the top.

Iconographgy from Beetlejuice can be seen throughout your work, do you remember the first time you saw that movie? Why has it left such a lasting impression?   

I’m pretty sure I was about eight or nine. I just remember being drawn in by the set design, prosthetics, and non-human characters more than the story itself. Something about the creepy yet goofy ambiance really stuck with me and fits well in my work naturally.

If you could download any skill into your brain, what would it be?

Akido

You’ve shared your work helps you process life and is self-reflective, has there been a piece you’ve worked on that while developing it has illuminated an aspect of your human experience that gave you a new perspective? Could you share the shift?

Every painting has a little taste of it and often reveals itself in ways that can be very mysterious until I understand why my subconscious chose it to begin with. For example, I often choose a subject or symbol that pertains to a significant moment or change in my life, I add these symbols together and they take on a new story that is congruent with my current state. Almost as if the painting is putting the pieces of the story together for me.

What has been the most surprising aspect of fatherhood?

My child is due in October but thus far I’d have to say the introspective journey it has taken me on, really taking inventory of every part of myself and personality.

If an ice cream flavor was made inspired by your work, what would be the ingredients and name of the pint?

Coconut based vanilla with some raspberry and blueberry swirls and it’s called spazz money.

Interview with Reen Barrera for “Cluster Fudge”

Thinkspace Projects is honored to present Reen Barrera’s newest solo exhibition “Cluster Fudge.”

Barrera has taken the idiom “it’s written all over your face” to heart and beyond, crafting his work around a central character he created early on in his career as an artist. Ohlala embodies Barrera’s thoughts, displaying them through a variety of colors painted on the being’s face. This serves as a mechanism to silently communicate, focusing on the unspoken rather than what is loud and clear.

In anticipation of “Cluster Fudge,” our interview with Reen Barrera discusses the symbolism in his work, toys, and the defining moment that has led to where he is now.

For those unfamiliar with your work, can you tell us a little about your background and how you came to work with Thinkspace Projects?

Hi, my name is Reen Barrera, I’m a sculptor and a painter from the Philippines, I was known in our local art scene for creating Ohlala dolls which became a staple in my art. I luckily got noticed by Thinkspace Projects when I did a show in Moniker Artfair with Vinyl on Vinyl Gallery.

What is the inspiration behind this latest body of work? What themes or techniques were you exploring?

The title of the show is “Cluster Fudge”, in my definition it is a situation of surprisingly having things done, despite the amount of hardships that we are facing right now in this pandemic, to overcome and survive our daily battles within ourselves and outside. In this collection of work I try to show a glimpse of my daily experiences and thoughts throughout this times.

What do you find to be the most challenging and yet most rewarding part of the creative process?

I use wood, resin and cloth in my sculptures, having a small space to work with this materials can be difficult and messy, I’m not that good at cleaning after I work because it’s either I’m too tired or too lazy. But all things are worth it when I sit down and stare at the works I’ve done.

Can you walk us through what a day in the studio looks like?

I borrowed two bedrooms from my Aunt’s house to use as an art studio, the other one is for wood works, and the other one is for painting and sewing, the painting room have a pink wall that annoys me but realized it’s not mine so I submit to it. Every afternoon my cat Miwmiw visits me to check on me (for food). During busy times I sleep beside my artworks so that when I wake up I can quickly work on it. I don’t have the typical “art studio” because the house that I’m in, there’s people in it, so I adjust depending on the project, sometimes I work outside.

Much of your work has been inspired by the idiom “Written all over your face,” with the colors and patterns representing the emotions or ideas we might not freely express. Are there repeating symbols within your work that would allow the viewer to read what’s being expressed?

It has evolved into “Impression at first sight”, as we all have different upbringing and experiences, each piece evokes a different effect on the viewer. I do use a lot of symbols such as arrows, x, teardrops, ladder, and parallel lines combined with abstract colors, together they create a visual narrative that sums up life.

The blank canvas wrapped around Ohlala’s head denotes choosing your own destiny. What is a moment or choice that you can point to that has directly influenced turning you down that path you are on right now?

For me, it was when I quit all my day job in one day, having nothing but the love for creating for myself and not for others, giving myself the freedom to do what I want and to be where I wanted to be. And also that is the period where I am in the process of creating Ohlala, I knew I have something good in my hands so I dropped everything and focus on creating.

What led to creating the dolls and their playful mechanics like the swing? What materials did you experiment with along the way?

Since I’m working with wood, I searched and study what can I do to up my wooden doll game, I stumble upon automata sculptures by Paul Spooner and I’ve never been so excited to see Ohlala move and come to life. I use a 3d printer for some small parts, a motor in some pieces, and mostly wood even for the gears.

You’ve shared you didn’t have a lot of toys growing up and thus made your own which has influenced your artistic development. Are there any toys you wanted as a kid that you’ve treated yourself to now as an adult?

A lego set would be nice to have as a kid, I still don’t have it now but maybe in the future, main reason is that I don’t have any display cabinet, my cabinets are filled with tools and dust. I now enjoy artist’s toys, I just recently owned a Kaws sculpture from a trade which is nice.

Where did the name “Ohlala” come from?

I was born in Paris, France and was raised in the Philippines by my grandma, my parents are both overseas Filipino workers. Whenever my father go to the Philippines for vacation, I always hear him say “Ohlala” whenever he is mad at something. We all know that the term is an exclamation of surprise, sometimes with very strong sexual connotations, but my father use it as an expression of disappointment mostly directed at me, maybe that’s why it has been embedded in my mind.

What do you do to recharge your creative batteries?

I look into gallery shows online and observe, watch films, and experience life.

 If your work inspired an ice cream flavor, what would be the ingredients and name of the pint?

The Ohlala Ice cream flavor, it’s pistachio, mango and cheese with almond nuts, like Ohlala it’s weirdly cute.

“Cluster Fudge” by Reen Barrera coming June 5 to Thinkspace Projects

Thinkspace Projects is thrilled to present Reen Barrera’s newest solo show, ‘Cluster Fudge.’ Following his most recent show at Pintô Art Museum in the Philippines, Barrera is bringing his work to Los Angeles. 

Barrera has taken the idiom “it’s written all over your face” to heart and beyond, crafting his work around a central character he created early on in his career as an artist. Ohlala embodies Barrera’s thoughts, displaying them through a variety of colors painted on the being’s face. This serves as a mechanism to silently communicate, focusing on the unspoken rather than what is loud and clear. 

‘Cluster Fudge’ is a collection of work that pulls from facial expressions, allowing Barrera to turn experiences into artwork, taking the literal and mixing it up with symbols and patterns. Through acrylic, oil, and aerosol he crafts this work, embracing accidents like drips, smudges, and splatters, allowing these to lead him to the final product. 

“In some artworks, I discreetly take socioeconomic classes. Some people are born rich, mid class, some are poor. But the common ground is, everybody has no choice but to deal with it. So I cover all their heads with a canvas cloth to give OhLala the freedom to paint their own symbols on their heads as if they are designing their own fate. And I guess that is what we all have in common, the power to make things happen for ourselves.”

Using Ohlala as the great unifier, Barrera tackles the idea of difference and circumstance, removing all physical indications and allowing a blank slate. He effectively creates a universe where Ohlala could be anyone, even Barrera himself. In what is quite possibly Reen Barrera’s most personal collection to date, he represents and depicts several experiences that have helped create the artist that he is today, all with Ohlala as the subject.

‘Cluster Fudge’ opens June 5, 2021. On view until June 26, 2021 at Thinkspace Projects.

About Reen Barrera

Born in Paris, France, in 1990, Reen Barrera spent his childhood recreating his favorite cartoons with papier-mâché’. As a teenager, he repaired wooden church statues and would keep the excess wood scraps to make toys and figures out of. He naturally circled back into this practice after graduating from art school. With “Ohlala’ being the omphalos to his universe, Barrera presents a colorful commentary based on personal experiences.