Interview with Alvaro Naddeo for “Not Forgotten”

Thinkspace is proud to present Not Forgotten from Alvaro Naddeo in the Project Room opening September 30th. This is Naddeo’s first solo exhibition with the gallery, only months after exhibiting a few works in the Thinkspace Gallery office. A rotating area of the gallery featuring works from new artists to the Thinkspace fold, or returning pieces from group exhibitions across the globe. Naddeo is a self-taught painter whose works explore various urban environments and the objects found in them that have shaped his memory and imagination. Autobiographical in nature, the compositions contain symbolic references to his own nomadic past and his transition through the landscapes of several different cities and countries. We interviewed Alvaro Naddeo for “Discarded” back in March where we deep dived into his creative process, today we explore more of the artist.

SH: You recently showed in our office space in March, and now a solo in the project room, what can we expect from this new body of work?
AN: This new body of work is, in my opinion, an extension and an evolution of what Thinkspace showed at the office space earlier this year. The theme, tone, voice, and medium are the same, but the ideas got pushed further and the exploration was broader. I like this new series a lot more than the previous one (which I like too!). I believe the composition of these paintings is cleaner and the concepts are clearer. I’m very happy with this body of work.

SH: What do you think is the role of the artist in society?
AN: I believe the role of the artist in society is to provoke, question, raise concerns and share thoughts about the society we live in. Most artists are very good at making observations on what’s going on in the world, pass those observations through a personal filter, and then put them back out there by sharing them with society. All of that while celebrating aesthetics.

SH: How do you approach each piece in a new way that challenges you as an artist, and motivates you to push your artistic voice?
AN: Each piece is more challenging than the previous ones because I’m looking for new ways to express a similar thought. I always want the recent pieces to look better and fresher than the previous ones, so that’s another challenge.

My motivation comes from the desire to express myself. I’m a shy person but I do have an opinion and I like to share it with others and since I don’t do it much verbally, I feel motivated to do it through painting. I’m also motivated by the connection that is formed with people who like what I paint. I feel that the group of people that my paintings connect with are really interesting. It seems that they are a very small fraction of the general public, but they are very engaged and intense.

SH: What plays in the background while you’re working on a composition?
AN: I listen to a lot of podcasts from Brazil and the US. Sometimes a little music plays, but mostly podcasts.

SH: Who would you want to collaborate with, dead or alive? The person can be in any area of the arts; film, dance, music etc.
AN: I would love to collaborate with Pixar. I hope John Lasseter has a google alert for every time his name appears somewhere and he receives this interview and checks out my art!

SH: How have you grown as an artist in the last 5 years and how do you hope to grow in the following 5?
AN: The improvement I’ve experienced in the last 5 years as an artist is huge, not necessarily because of where I am now, but mostly because of where I was then. I don’t show almost anyone what I was doing 5 years ago. It was clearly necessary to go through that and to paint those pieces to get where I am now. That’s normal. That’s the journey of most self-taught artists. It takes a while to figure out many things. There is so much to learn in terms of technique, composition, color use, scale, etc. In the next 5 years, I wish to grow, even more, improving my technique, learning to draw better, and also to be able to paint more hours than I do now.

SH: If you had a dinner party, who would be the guest of honor? What would be the menu? And what is the one question you’d ask all your guests?
AN: I would have three guests of honor: Kurt Vonnegut, Julio Cortázar, and Stanley Kubrick. Dinner would be whatever they like and sushi for me. The question would be: How would you like to improve as a person?

SH: Answer the question you would ask all your guests.
AN: I want to be able to always and constantly desire less of everything and to continue being grateful for everything good that happens to me.

Join us for the opening reception of Not Forgotten on September 30th from 6 to 9pm.

Anthony Clarkson’s ‘Trail of Wandering Thoughts’ Coming February 2017

Anthony Clarkson Trail of Wandering Thoughts

Anthony Clarkson
Trail of Wandering Thoughts
February 4 – February 25, 2017

Concurrently on view in the Thinkspace project room is Trail of Wandering Thoughts, featuring new works by Anthony Clarkson in his fifth solo exhibition with our gallery. A painter, designer, and illustrator, Clarkson has worked extensively in the music industry, designing album artwork for prominent bands as the lead graphic designer of a well-known Los Angeles record company. In 2005, he began exhibiting his own work and focusing on his fine art career, returning to the expressive stream of consciousness style to which he had always gravitated.
Clarkson’s oil paintings are ghostly and surreal – dreamlike meanderings through eerily cast dimensions. Stylistically dark, they feel like haunted eruptions of the subconscious. Combining character-based narratives with the unexpected juxtaposition of suggestive symbols and absurd elements, they create jarring nightmarish figments and provocative associations. At times playful and others nihilistic, his works are graphically and illustratively inspired to elicit a gut reaction.

Jolene Lai’s ‘Beside You’ Coming February 2017

Jolene Lai Beside You Ad

Jolene Lai
Beside You
February 4 – February 25, 2017

Thinkspace is pleased to present new works by Jolene Lai in her third solo exhibition with the gallery, Beside You. Known for her narrative paintings in which characters are caught somewhere between dream and dread, Lai reimagines archetypal stories drawn from myth, Chinese folklore, and fairytale and transforms them into surreal compositions. By combining the uncanny with familiar scenes and contexts from the everyday, Lai arrests our imaginations in a state of suspended disbelief. Her world is full of contrasts, extended metaphors, disorienting manifestations of fantasy, and hallucinatory dreamscapes weaved into otherwise familiar settings. In Beside You, Lai explores a progression of childhood scenes gone strangely awry, where the imagery is both whimsical and increasingly phobic. The playful naiveté of the children’s story ebbs into an ever encroaching sense of darkness and ends, entangled, in shadowy linings.

Born in Singapore and now based in Los Angeles, Lai studied graphic design and began her career designing movie posters. She eventually decided to pursue her fine art practice exclusively, exhibiting solo for the first time in 2012. Lai works primarily in oil on canvas and mixed media on watercolor paper to create beautifully chromatic works, densely populated with characters and haunted by ambiguous stories. Devised to be freely read by the viewer, Lai stages compelling, and at times puzzling, scenes that lead us down the proverbial rabbit hole. In BesideYou Lai begins with the familiar as a point of entry into the work, whether it be a domestic interior or an urban setting, and then allows the illogical progress of fantasy to overcome the conventions of reality.

Lai is inspired by everything from mythologies, Asian culture, and children’s stories, to fashion editorials, cityscapes, and illustration. She is always seeking new “sets” and stages for her characters and their outlandish encounters. Aesthetically, her work combines the beautiful and the grotesque with the quiet and the excessive in fluid and unexpected ways, just as innocence in her imagery tends to be shadowed by the suggestion of something sinister or dark. Her previous work has included strangely faceted, marionette-like figures, faceless characters, doubles, automatons, and stylized doll-like girls. Her imagery remains universally accessible in its psychologically motivated nuance.

Beside You is a world of melancholic nostalgia in which a little girl can as easily dissolve into candy as she can laugh amidst a city invasion of monster octopi. Here, a house fills with water as a quiet onlooker observes the descent of the drowned, and a carousel horse bursts through an otherwise ordinary domestic interior. There are no impediments to the possible here; it is a world unhinged from plausibility and law. When we look at Lai’s work in Beside You, we are asked to project, to infer, and to create stories, to draw from the trappings of our own memories.

A mirror to our fantasies and subconscious, Lai’s work pulls us into the thick.

Stephanie Buer on HiFructose.com

Buer Hi Fructose

Artist, Stephanie Buer’s work is featured on Hi-Fructose.com. The website shares a series of her charcoal drawings and discusses the pieces in further detail. Thinkspace Gallery will be exhibiting new works from Buer in early 2017, so keep your eye out and sign up for our mailing list.  View all of Stephanie Buer’s available works at Thinkspace Gallery here.

Read the full piece on  HiFructose.com 

Stephanie Buer has been exploring the decay and evolution of cityscapes since studying at College for Creative Studies in Detroit in the mid-2000s, where she began to pursue a career in painting and drawing. In her charcoal works, these urban scenes garner a sense of desolation, stripped of even fading hues or sunlight. – Hi-Fructose.com