Thinkspace is proud to present new work by Toronto-based artist Alex Garant for her latest exhibition ‘Deconstructing Identities’ as a part of ‘The New Vanguard III’ showing at The Lancaster Museum of Art.
Garant is known for her hyper-realistic rendering of op art portraits where her subjects’ faces and eyes seem to skip their registers through image redoubling and superimposition. Not unlike the fugitive flicker of a screen or the spectral layering of multiple film exposures.
In anticipation of her first museum exhibition, our interview with Alex Garant discusses what this show means to her, how she pushes through moments of overwhelm, and her creative rituals.
SH: How long have you been showing your work in galleries and various exhibitions? Do you remember the first time you showed your work to the public? What was the exhibition?
AG: When I was 7 years old, my parents enrolled me in an oil painting class at the local community center, and at the end of the program, we got to show our work at an art show for the neighborhood. I was so so proud and even sold my painting to strangers, which to me was such a strange concept. Then in my late teens, I had a few amateur showings with Art School/ College.
After that I was working a lot, marketing jobs, travel jobs, all kind of stuff and I lost my creative focus. In 2012 I suffered from a heart attack, it really changed everything and got me to focus on my true passion again.
My first exhibit in a professional gallery happened in 2013 at a local gallery in Toronto.
SH: When painting, what are you listening to in the background?
AG: Honestly, once I get deep into the creation zone, I mostly block out all external noises or distractions. I get so focused that everything else is white noise. That said, I often play some mid-century retro jams and blues to get me in a happy place.
SH: What was the inspiration behind the body of work that you will be showing for New Vanguard III?
AG: “ Deconstructing Identities” was created while self-isolating and navigating the ups and downs of the pandemic. This surreal setting gave birth to pieces inspired by self reflection and specifically the role of self-inflicted appearances. People’s constructed nature fighting with their instinctive core and trying to visually translate a complete persona. This collection also introduces more contextual elements to my work. Featured are little pieces of nostalgia riding the line between kitsch and whimsy contrasting with the expression of the characters sometimes melancholic or naive.
SH: When viewing other artists’ work, what elements get you really excited or inspire you?
AG: I always get excited to see works my own imagination could never come up with. Sometimes, it amazes me to see the simplest color combination and I start thinking: wow, how can they make those 3 colors work so well together. I am truly an art fan and I am always overwhelmed by technique and imagination. I’m fascinated by any creative minds different than my own.
SH: Does having an exhibition at a museum feel different than showing work at a gallery?
AG: First, I feel very honored and humbled to be part of this amazing Art statement that is The New Vanguard III. When it comes to process, I do think a museum exhibit was a bit more pressure, I am absolutely one of those artists who try to push themselves a lot and is never satisfied with anything coming out of the studio. Every piece is always a learning experience, therefore each painting is a puzzle piece of my creative journey. So I would say, there is a different feel to it, but it’s mostly self-inflicted… Oh, and my mother is extra proud.
SH: Every person experiences that moment, when they are in the middle or even at the start of something, where it feels overwhelming or isn’t going as planned – how do you personally push through those difficult moments?
AG: For me usually, during the creation of a painting I go through several phases: confidence, excitement, struggle, hate, hate, hate, overwhelming desperation, satisfaction, 2 minutes of pride and then happiness fading into an almost disappointment, until I start a new piece and the cycle starts again. It’s a roller coaster, but at the end of the day, once you start seeing art as your daily work, you understand that this exact process is part of the job description. You will create 100 “okay” pieces for 1 piece you might end up being fully satisfied with. Eventually, you accept this reality and also understand it is what the entire experience is. The ups and downs are part of the Art. It becomes an integral fragment of how you move your brushes, which colors you chose, how much detail you add. And if a final piece is so wrong to my eye, I usually put it aside and start another one. The key is to keep creating.
SH: If you could show your work beside any artist, in the entire history of art, who would you want to share wall space with?
AG: That is a hard question, mainly because I would have to arrogance to think I deserve to be shown next to the artists I admire the most. But one of my biggest inspirations is the Pope Series by Francis Bacon which I saw for the first time when I was a child, and those images have been inspiring to me ever since.
SH: What piece challenged you most in this body of work and why?
AG: U wish was the most challenging because it was my first full body piece and I truly put all my energy into rendering every section to the absolute best of my abilities. And I am now very excited to work on bigger full-body pieces in the future.
SH: Do you have any pre-studio rituals that get the creative juices flowing?
AG: I will answer candidly: it is silly but this is how I get started, I gesso my canvas, and while it dries in the sun, I drink a Redbull, set up my palette ( always the same way) & pre-mix a few skin tones ( always the same method). I feel like a clear set-up routine really gets me started properly until the chaos of creation overwhelms me.
SH: We declare The New Vanguard III a milestone in your artistic journey, what are three other milestones that mark your path and life as an artist?
AG: I feel like every painting could be a milestone, every art show, every time someone sends me a DM to support me, every time I sell a print, all those moments are so so so important to me. I cherish and truly, deeply appreciate every single step of this amazing journey I am on.
From the outside, objective observers would most likely consider my biggest markers to be: Graduating from Art School over 20 years ago, my heart attack & realizing I NEEDED to be an artist, my first solo exhibit & my first museum exhibit.
THE NEW VANGUARD III
Curated by Thinkspace Projects
September 12 through December 27, 2020
Lancaster Museum of Art and History
665 W. Lancaster Blvd.
Lancaster, California 93534
Featuring Solo Exhibitions From:
KEVIN PETERSON “Embers”
KAYLA MAHAFFEY “Adrift”
ALEX GARANT “Deconstructing Identities”
KATHY AGER “Fool’s Gold”