New Exhibitions from Alvaro Naddeo, Josh Keyes, Nicola Caredda, and Kobusher Coming Soon

Thinkspace Projects presents:

JOSH KEYES
Inside Out

ALVARO NADDEO
IndigNation

KOBUSHER
Come Out and Play

NICOLA CAREDDA
God Save My Sweet Pusher

All four exhibitions on view September 19 through October 10, 2020

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JOSH KEYES
Inside Out

Thinkspace is pleased to present new works by Portland-based artist Josh Keyes in Inside Out. Keyes creates lush, hyperrealistic paintings of our civilization’s dystopian aftermath; a post-human planet left ecologically ravaged and dissipated, sits aflame, overgrown or beneath water, while a new natural order attempts to reclaim its disastrous inheritance. In recent years, Keyes has abandoned the minimalism of his precise, dioramic disaster taxonomies in favor of a more immersive and expanded pictorial frame. These works depict entire environments rather than only its cross-sections in a not-so-distant future state of ecological ruin. Keyes has mastered the satirical posturing of hyperbole as fact with a world so convincingly rendered, and so disastrously surreal, that fantasy becomes alarmingly plausible.

Keyes’ highly detailed narrative paintings have evolved from their earlier iteration as closed systems, or quasi-scientific specimens drawn from some post-apocalyptic natural history museum to less confined and formulaic expressions of an imploding natural order. Displaced wild animals and the remnants of human architectures and monuments are all that remain, the only living witnesses to whatever final or cumulative set of events have finally tipped the scales beyond salvage.

Animals have always appeared as the focal points of Keyes’ metaphoric, and psychologically penetrating works. He depicts them with the anatomical precision of a biologist and the poetic freedom of a storyteller. As protagonists, creatures universalize the narratives, making them indiscriminately relatable and empathically accessible. Charged with the psychic and imagistic resonance of a shared, collective subconscious, Animalia provides the artist with a symbolically valent source of iconography. This combination of the personally inflected and the culturally drawn supplies the artist with an inexhaustible source material.

Working primarily in acrylic on panel, Keyes has perfected his hyperrealistic painting technique, depicting the environmental crisis with startling representational clarity as a trope for the larger human one. It becomes clear that the imagining of this apocalyptic chaos harbors a social anxiety that extends far beyond the concerns of the ecological. In a time of great political angst and uncertainty, the artist’s works are all the more poignant as harbingers of a, now more than ever, alarmingly plausible doomsday. Keyes, the dystopian naturalist, continues to provoke our imaginations with the poetry of a cataclysmically surreal future tense.

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ALVARO NADDEO
IndigNation

Thinkspace is pleased to present IndigNation, featuring new works by Brazilian born and Los Angeles-based artist Alvaro Naddeo. Interested in the study of castaway objects and the subtle graphic nuances of urban detritus gleaned from the city sphere, the artist combines its textures and edges in compositional amalgams. His interest in the life of the unassuming object extends to billboards and signage, cast away containers and boxes, and domestic and industrial spaces, conjoined and superimposed in unexpected mashups, or cultural relics that speak of use and disposal in the contemporary city. Working primarily in watercolor on paper, Naddeo achieves an impressive level of hyperrealistic rendering, bestowing unexpected poetry to the lowly remnants of the city’s waste and urban recesses. Naddeo’s works offer a commentary on the excessive momentums of contemporary consumerism, while his imagery explores the decay and deterioration of the city-worn.

Naddeo is originally from São Paulo, Brazil and has also lived in Lima, Peru and New York City and currently. These urban environments have helped to shape the artist’s memory and permeate most of his work. The artist is partly self-taught and partly homeschooled. His father is an illustrator, and as a child Alvaro would spend many hours drawing and watching him work. His father was a constant source of inspiration and encouragement, but having an artist as your father also proved frustrating at times. At 17, Alvaro compared his work to his and thought that his own drawings and paintings were not good enough. so he quit. Naddeo went on to pursue a career in advertising as an Art Director, something that still allowed him to exercise his interest in art, but without requiring mastery with the pencil or brush. 20 years later, while living in New York City and being exposed to its many contrasts, Naddeo’s desire to pick up the brushes intensified. He is now a full-time artist, exhibiting his works around the world.

“The subject matter of my work is waste, overconsumption and social inequality. Trash and objects found in the street are valuable, and not only for aesthetic reasons. The brands, logos and packaging depicted in my work are objects with an inherent duality, both desirable and despicable, a clear byproduct of having worked in advertising for more than 20 years.”
– Alvaro Naddeo

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KOBUSHER
Come Out and Play

Thinkspace is pleased to present the debut North American solo exhibition from pop artist Kobusher, hailing from the Philippines. Being a child of the 80’s, the artist was raised on pop culture and, in turn, his visual narrative has been honed with the help of Sesame Street, Keith Haring, Lee Quiñones, Run Dmc, and MTV.

Kobusher attended the University of the Philippines where he received his Fine Arts degree (majoring in painting). Sadly, like many a young art school graduate, he went into advertising and marketing to make ends meet, while never loosing site of his first love, painting.

In 2015 he literally walked out from his work and decided it was time to pursue his dream of becoming a full-time artist. He felt that he had done everything he could as an artist during his stint as a Creative Director at one of Philippines’ top ad agencies. One by one he was able to produce a series of paintings for his debut solo show. Secret Fresh Gallery in the Philippines gave him his first break, and in January of 2016 they hosted his first solo exhibition.

Since then, Kobusher has been busy building an ever-growing legion of fans the world over. From sculptural editions to screen prints, the artist continues to explore new avenues of expression on a regular basis. For his North American debut, the artist has delved heavily into the memories of his youth and the new body of work is a celebration of pop culture in all its many forms.

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NICOLA CAREDDA
God Save My Sweet Pusher

Thinkspace is pleased to present the debut North American solo exhibition from Italian artist Nicola Caredda. The artist was born in Cagliar, Italy in 1981. Caredda studied at the Academy of Fine Arts in Sassari.

Caredda’s dreamlike acrylic works on canvas blend eroded landscapes and structures with playful elements of pop culture and mystical iconography. Each painting’s vague narrative is ripped from the artist’s subconscious. The artist’s aim is to transcend reality using his own dreamy, visionary language.

By creating densely layered paintings that blend elements from distant vocabularies with the metaphysical, the artist aims to exorcise his own fears and provide an escape from reality for all

Colossal features Alvaro Naddeo

We’re excited to share Colossal highlights Alvaro Naddeo’s complex watercolor paintings in a feature on the website titled, “Watercolor Paintings of Imagined Trash Structures Packed With Advertising by Alvaro Naddeo.” Check out Colossal’s article for a full review and close up images of Alvaro Naddeo’s work.

Alvaro Naddeo will be in all upcoming group shows this year, along with a big Fullerton Museum show this November. View available work by Alvaro Naddeo on the Thinkspace Projects website.

Opening Reception of solo exhibitions from Juan Travieso, Wiley Wallace and Alvaro Naddeo

Thank you to all that came out to celebrate the opening reception of our new solo exhibitions from Juan Travieso, Wiley Wallace and Alvaro Naddeo. Congratulations to each artist on their beautiful new bodies of work that will be on view now through July 21st.

Both Travieso and Wallace have new murals down in Long Beach as part of this year’s POW! WOW! Long Beach mural festival which wrapped up this past Sunday.

If you find yourself in Long Beach to enjoy the murals, be sure to also swing by the Long Beach Museum of Art for Vitality and Verve III, which Travieso has also contributed to.

Check out our interviews with  Juan Travieso, Wiley Wallace, and Alvaro Naddeo discussing their inspiration behind their individual body of work.

Photos courtesy of Birdman 

Interview with Alvaro Naddeo for “AmeriCan’t”

Thinkspace is proud to present our third exhibition AmeriCan’t with Brazillian born and Los Angeles-based artist Alvaro Naddeo in the project room. Naddeo’s watercolors combine textures and edges in compositional amalgams. His interest in the life of the unassuming object extends to billboards and signage, cast away containers and boxes, and domestic and industrial spaces, conjoined and superimposed in unexpected mashups, or cultural relics that speak of use and disposal in the contemporary city.  In anticipation of AmeriCan’t, our interview with Alvaro Naddeo discusses the shows inspiration, his creative process, and what it feels like leading up to the opening reception.

Join us for the opening of “AmeriCan’t”, Saturday, June 30th from 6 to 9 pm.

SH: Tell us about this show. What is the inspiration? What were you exploring in the work?

AN: The inspiration for this show comes from my desire to create something where I’m able to mix memories with textures of the places I’ve been while at the same time making a social and political commentary on our society. AmeriCan’t is about the marginalized, the minorities, those who can see and smell everything good that America has but never allowed to get there.

SH: Where do you source inspiration? How do you capture those ideas for pieces; do you have a sketchbook on hand or is it just a note to yourself in your phone?

AN: Ideas appear at random times, and usually is just a piece of an idea, only one of the elements that I want to use not the whole painting. I don’t have a sketchbook, so I usually make some really rough sketches on post-it notes. Later, when I’m ready to start a new painting, I go through the small rough notes and combine a few of them.

SH: How do you plan out your compositions?

AN: My compositions are the result of many back and forths between some rudimentary 3D shapes, Photoshop, Illustrator and rough sketches. I may start with a pencil sketch, scan it, get a shape on 3D, draw over it, then move it to Photoshop and Illustrator where I make sure the perspectives and proportion of the elements are as good as I can have them, by this point I’m able to move to the paper and start painting. Only at that stage is when I create textures and also when I add light and shadows.

SH: What excites you about your work / creative process?

AN: The part that I enjoy the most is painting, pushing the watercolor on paper. It is a mix of a lot of freedom, letting it randomly and organically move and settle, while at the same time trying to control it and make it exactly what I would like it to do.

SH: What frustrates you about your work / creative process?

AN: Usually, nothing, sometimes the fact that watercolor doesn’t allow to fix most mistakes.

SH: If you could be a character in any movie for a day; who would you be in what film and why?

AN: I would like to be Ferris Bueller and take a day off.

SH: How do you approach developing work for an exhibition? Do you immediately jump into work on it, or are you more of a procrastinator?

AN: My production is more or less constant, independent if I have shows scheduled or not. Obviously having a deadline for a show scares me with the idea of not having enough to show, so I push my productivity a little more. I may be a little slower if I don’t have a deadline but I’m never not doing or thinking of a painting, I’m constantly producing something.

SH: What is your Meyers-Briggs or Zodiac Sign? Does it influence your work / artistic process?

AN: My Myers-Briggs, if I remember correctly was: Introvert, Thinking, but the other two letters were not well defined I was pretty much in the middle between them. I’m a Gemini and neither of those things has any influence over my work.

SH: Can you explain what it feels likes to anticipate the opening of your exhibition, the opening night?

AN: It’s really exciting, it’s an amazing feeling to have all your work hanging on those walls and having people looking and talking to you about them. The production part is very lonely, so the show is a rare opportunity to get feedback. Also when I’m done with a painting I just store it, so when a show is up is also a chance for me to look again at work that I’ve done a few months before and that I may have forgotten about them a bit. It is a good opportunity to have a fresh look at them, almost like looking at something I didn’t paint myself.

SH: Has there been an artistic catalyst in your life? Something, someone, some event that made a significant impact on you that has lead you to where you are now.

AN: Yes, quitting a job in an advertising agency in 2009 was an accidental catalyst. I quit the job at that agency, even before getting a new one because I believed I wasn’t being paid fairly. While I looked for a new job in another advertising agency, I focused on not being too lazy, so I created a few tasks to keep myself creatively busy, for example, I started drawing anything every day. Soon I got a new job but I kept drawing, Those unpretentious drawings slowly progressed and became my watercolor paintings a couple of years later.

Alvaro Naddeo’s “AmeriCan’t” Closes Out June at Thinkspace Projects Culver City

 

ALVARO NADDEO
AmeriCan’t
June 30, 2018 – July 21, 2018
Concurrently on view in the Thinkspace project room is AmeriCan’t, featuring new works by Brazilian born and Los Angeles-based artist Alvaro Naddeo. Interested in the study of castaway objects and the subtle graphic nuances of urban detritus gleaned from the city sphere, the artist combines its textures and edges in compositional amalgams. His interest in the life of the unassuming object extends to billboards and signage, cast away containers and boxes, and domestic and industrial spaces, conjoined and superimposed in unexpected mashups, or cultural relics that speak of use and disposal in the contemporary city.

Working primarily in watercolor on paper, Naddeo achieves an impressive level of hyperrealistic rendering, bestowing unexpected poetry to the lowly remnants of the city’s waste and urban recesses. Naddeo’s works offer a commentary on the excessive momentums of contemporary consumerism, while his imagery explores the decay and deterioration of the city-worn.