Virtual Tour of Millo’s “At The Crack of Dawn” and Mando Marie’s “Tell Me All About It“

Enjoy a virtual tour through Millo’s “At The Crack of Dawn” and Mando Marie’s “Tell Me All About It“ by visiting the following link: https://players.cupix.com/p/uE1aUsbv

Both exhibitions are now on view through May 22nd.

Virtual Tour created by Birdman

Video Tour of Millo’s “At The Crack of Dawn” & Mando Marie’s “Tell Me About It”

Millo – “At The Crack of Dawn

Mando Marie – “Tell Me All About It

On view: May 1, 2021 – May 22, 2021

EXCERPT FROM MILLO INTERVIEW

What is your favorite part of the creative process?

Sketching, it’s the first thing I do in the morning, still in my pajamas, with no coffee. I just slide from the bed to the kitchen table and I start to draw. It’s a kind of unconscious behavior, and that’s the part I prefer the most and that’s for sure where I got my best ideas.

Click Here for Full Interview

EXCERPT FROM MANDO MARIE INTERVIEW

There is a child-like whimsy to your work; how do you tap into your inner child?

There is whimsy, of course, but I think if someone looks at my work and only sees child-like, then they are missing the heft of the message.  I do tap that inner child, but I don’t know how I get there, or why I gravitate towards youth in my work … actually maybe I do know, youth is magnetic, and that helps explain why I’m drawn to it.  I think you can explore dangerous, brave, intense and important themes while still using youth to deliver the message…it’s maybe even better that way.  

Click Here for Full Interview

Video by Birdman

Interview with Millo for “At The Crack of Dawn”

Thinkspace Projects is proud to present a new solo exhibition “At The Crack of Dawn” from Italian artist, Millo who will effectively be bringing a bit of new Italian culture to Los Angeles.

This exhibition, from internationally renowned muralist Millo, is a collection of works in his signature predominantly black and white style. With detailed monochrome cityscapes and color pops to highlight the subjects, Millo creates the moment just before waking in a series of breathtaking scenes. The friendly inhabitants of each scene float above their urban settings displaying a blend of dream and reality. He crafts giant characters who are out of scale and often clumsy, confined to an urban habitat that forces them to invent new ways to live.

In anticipation of ‘At The Crack of Dawn’, our interview with Millo discusses how he taps into his imagination, early morning sketches, and more than a few memorable meals.

For those not familiar with your work, can you tell us a bit about your background and when you were first introduced to Thinkspace?

I was born in 1979 in a small village in the southern part of Italy, I lived and studied there until  I moved when I was 18 years old to study architecture in Pescara where I’m still living. I have always drawn since I was a child, but I didn’t attend any art school, it was just my constant passion, my safe escape.

When I graduated, the economic crisis was hitting hard in Italy so work was not so easy to find and I focused more and more on painting and creating, and in the end little by little, what was supposed to remain only a side part of my life, became my whole life.

Thinkspace is so well known, even if I live on the other side of the globe, if you are in this field you know the gallery for sure!Andrew wrote to me 2years ago! He saw my previous show at the Dorothy Circus gallery and asked me if I was interested in having a solo in US… you know the answer!

What is the inspiration behind this latest body of work? What themes or techniques were you exploring?

I had the chance during my career to investigate different aspects and themes through the creations of my murals.
Most of them deal with the will of empowering our feelings and our behavior towards each other and the whole system we live in.

My giant characters always out of scale and a bit clumsy, live in a chaotic urban habitat that gives them no easy space to move or interact and at the same time, forces them to invent new ways to live. Beyond this visible explanation, there’s in each work a multiple layers of meanings, interpretations and messages.

The urban setting, it’s a hidden critic to cities nowadays, inhuman and gray. The characters play our role by adapting themselves in a landscape avulsed and difficult, rediscovering step by step the pureness of simple acts. At the crack of dawn uses the same language to speak about the unconscious. It’s undeniable that what we all have experienced in these last 365 days has deeply affected not only my way of living but also my way of thinking and expressing my feelings. The initial shock of being merely stuck and scared gave me the time to recollect the topics of my imagination, and to focus deeply on what we were all simultaneously doing: dreaming, and what stands beside this process totally captured my thoughts and drove me along a new expressive path.

At the crack of dawn, it’s about a particular moment that I think everyone experiences, the instant between the dark and the light of the day, when the eyes are slowly opening but the dreams are still there. All the images I realized comes from there and so I think it may appear a little different from my works on murals. These new bodies of work are without the daylight filter, the excessive thoughts, they are something raw, straight from my dreams. I know I’m quite known for my black and white style, in this solo, there are definitely more colors and much more details, both in the background as in the characters.

What was your favorite way to expand your imagination in your youth? What is your favorite way to expand your imagination today? 

As a teenager, I spent literally a loooot of time listening to music and playing instruments, which for sure helped me a lot to project myself into another reality. Don’t forget the place I come from is very very small, and this, unfortunately, means not so much to do and having something to do even if it was just playing with friends or drawing all day,  it was the best way to expand my imagination.

Now, traveling is my favorite way and when it’s not possible, I’m a big fan of documentaries, I always look forward to discovering new habits, new perspectives.

What is your favorite part of the creative process?

Sketching, it’s the first thing I do in the morning, still in my pajamas, with no coffee. I just slide from the bed to the kitchen table and I start to draw. It’s a kind of unconscious behavior, and that’s the part I prefer the most and that’s for sure where I got my best ideas.

Do you remember your dreams? Have you ever had a lucid dream – a dream where you could control what was going on?  

Yes, I remember my dreams, not always but quite often. And yes, a few times I had the ability to control what was going on in my dreams. It was a very unique feeling.

Are there any new habits or even shifted perspectives/priorities due to the last year that you will continue into the future?

I’ve been traveling quite a lot in the last 10 years, and this forced stop gave me the time to recollect all the memories and I would like to keep this behavior even once a month. Just checking in on what I’ve really done, the people that I had the chance to meet, and the things I liked or disliked.

You’ve been around the world painting murals; what was one of your favorite places to visit, and what about that location, the people, atmosphere, or culture that makes it so special?

It’s very hard to pick one, each place for me has its own memories and peculiarities. Maybe I have to say China, cause it’s the place where I stopped for the longest period. I’ve been there 3 times and each time for one month, it never happened to me to stop for so long in one place. It’s been a really immersive experience, into the culture, the history, the food…I definitely loved their curiosity and their pure and unique way to go over the language difficulties and communicate, no matter how hard it was, they always tried to communicate with me.

Do you remember your first mural? Where was the mural located, and what was the subject matter?

My first big mural was in a small town in Italy, m…they invited me to paint a very particular surface, half on a wall in bricks, half on the ground, and on the wall was full of caper plants. So, I decided to draw a giant naked character eating the plants. The old ladies of the village were laughing so loud for the naked part of the protagonist that made it unforgettable!

What is one of your most memorable meals? It could have been the food, the company, or both that made it an unforgettable meal.

This is soooo hard, I’ve got a long list of favorite meals, and I’m also Italian, you know how seriously we take this!
so just to say a few of them:
-Mapotofu in China
-Kinkhali from Georgia
-Shashlik from Ukraine
-Raw fish with coconut in Tahiti
-Couscous in Morocco.
I could go on for an hour at least.
Yes, most of these dishes were shared with my girlfriend or with other artists and for sure they made it more unforgettable.

If there was a machine to record your dreams so you could play them back, but you had to give up one of your five senses to own/ use one, would you want the dream recorder? If so, which one of your 5 senses would you sacrifice? Maybe I would give up the smell…as it’s already not so good. hahahahaha!

Opening Reception:
Saturday, May 1, 2021 from 3:00-8:00pm
*Masks and social distancing required

Millo’s exhibition “At The Crack of Dawn” debuts this May

Thinkspace Projects is thrilled to present a new solo exhibition from Italian artist, Millo. This is Millo’s fourth solo show and U.S. solo debut. Beginning on May 1st, the painter and muralist will bring several of his works to the Thinkspace gallery in West Adams, effectively bringing a bit of new Italian culture to Los Angeles.

‘At the Crack of Dawn’ is an exhibition built around the ephemeral point in time just before waking when everything is whimsical and the lines between dreams and reality are blurred.

“Just before the beginning of a new day, there’s a fleeting moment where dreams remain alive. All my new works come from there, as unconscious feelings passed through the haze of the shadow till the glimpse of light, shaping what is silent.”

The circumstances of this past year have played a huge part in the creation of this show. The initial shock of being scared and stuck gave Millo time to reconnect with his own imagination, and focus on what people globally were simultaneously doing: dreaming.

This exhibition, from internationally renowned muralist Millo, is a collection of works in his signature predominantly black and white style. With detailed monochrome cityscapes and color pops to highlight the subjects, Millo creates the moment just before waking in a series of breathtaking scenes. The friendly inhabitants of each scene float above their urban settings displaying a blend of dream and reality. He crafts giant characters who are out of scale and often clumsy, confined to an urban habitat that forces them to invent new ways to live.

With close to 100 murals still riding around the world, Millo has become an icon, known for his simple black and white lines, dashes of color when necessary, and architectural components. This show marks Millo’s U.S. solo debut. Thinkspace is honored to display this collection from one of Europe’s most renowned muralists.

‘At the Crack of Dawn’ opens May 1, 2021.

On view until May 22, 2021 at Thinkspace Projects.

About Millo
Millo is an Italian street artist, born Francesco Camillo Giorgino in 1979. He is known for his predominantly black and white large-scale murals found the world over. His artworks are characterized by child-like figures, simple monochromatic lines combined with a dash of color, and elements of architecture. Millo has taken part in several street art festivals and NGO art events all around the world.

His murals can be seen in USA, Canada, Russia, China, India, Australia, New Zealand, Thailand, Argentina, Bolivia, Chile, Polynesia, Morocco, Spain, Portugal, UK, Netherland, Belgium, Germany, Luxembourg, Norway, Denmark , Finland, Poland, Slovakia, Lithuania, Belarus, Hungary, Ukraine, Cyprus, Georgia, Greece, and Italy.

His works have been exhibited in Los Angeles, Chicago, Berlin, London, Amsterdam, Milan, Rome, Florence and more. His works on canvas are also part of two permanent exhibitions : Urban Nation Museum of Contemporary Art in Berlin, and Straat Museum for Graffiti and Street Art in Amsterdam.

“Italian artist Francesco Camillo Giorgino, known as Millo, paints large-scale murals that feature friendly inhabitants exploring their urban setting. He uses simple black and white lines with dashes of color when necessary, and often incorporates elements of architecture into his multi-story paintings.”
C. Jobson, Colossal.

“Sometimes coyly surreal, other times borderline terrifying”
K. Brooks, Huffington Post

Artist Statement: AT THE CRACK OF DAWN
This is gonna be my 4th solo show, the first one in the United States.

I’m known for my large-scale murals, over the past decade I’ve been invited to paint for street art festivals, No profit and non-governative organizations around the world.

I had the chance during my career to investigate different aspects and themes through the creations of my murals. Most of them deal with the will of empowering our feelings and our behavior towards each other and the whole system we live in.

My giant characters always out of scale and a bit clumsy, live in a chaotic urban habitat that gives them no easy space to move or interact and at the same time, forces them to invent new ways to live.

Beyond this visible explanation, there’s in each work a multiple layers of meanings, interpretations and messages.

If the urban setting it’s a hidden critic to nowadays cities, inhuman and gray, the characters instead play our role by adapting themselves in a landscape avulsed and difficult, rediscovering step by step the pureness of simple acts.

“At the crack of dawn” uses the same language but to speak about the unconscious.

It’s undeniable that what we all have experienced has affected not only my way of living but also my way of thinking and expressing my feelings.

The initial shock of being merely stuck and scared, gave me the time to recollect the topics of my imagination and to focus deeply on what we were all simultaneously doing: dreaming.

What stands beside this process totally captured my thoughts and drove me along a new expressive path.

“At the crack of dawn” unfold my unconscious images passed through the nights.
When the gloom of night and the early lights are out, what am I bringing to the outer word? Memories, dazed emotions, deepest desires, fears, hopes.

All in a mix that looks like the bside, the other face of any medal.