Last days to catch "Dreamgirls…" + "The Silent Treatment" this week @ Thinkspace…

Your last chance to view the exhibitions from Amy Crehore and Anthony Clarkson are this Thursday and Friday at Thinkspace… then we’ll be taking ’em down and getting ready for the March exhibitions with Matthew Feyld and David MacDowell.

‘Dreamgirls and Ukes’ and ‘The Silent Treatment’ are on view through this Fri, March 6th – don’t miss the final two days to catch both exhibits.

Thinkspace Gallery (4210 Santa Monica Blvd in Los Angeles / 323.913.3375 / open this Thur and Fri from 1-6PM)

View the works from ‘Dreamgirls & Ukes’ here.

View the works from ‘The Silent Treament’ here.

I’ll be posting the ‘recommended openings’ for this weekend early Thursday AM. So many killer shows this weekend. Things kick off Thursday night with the big Hush and Flip shows at Carmichael and don’t let up from there. Really looking forward to the return of the Kitschen Sync group show at LaLuz on Friday too. We really are spoiled living out in Southern California when it comes to the arts.

The press love for Amy Crehore’s debut Los Angeles solo show continues…

The press love for Amy Crehore‘s debut Los Angeles solo show with us continues to stream in.

Juxtapoz just posted a nice re-cap of the opening night and a link to the show pieces here.

Juxtapoz also did a cool ’20 Questions’ feature with Amy just before the show. In case you missed that, check it out here.

Additional press of note includes:
Pop Drawer , Arrested Motion, The Rumpus, boingboing , Metromix L.A. (the newspaper version, too), Fabulist, Format Mag, and even a nice mention on KPFK radio via Ali Lexa’s show.

If you missed the interview I posted with Amy here on Sour Harvest leading into the opening of her solo, be sure to check it out here.
Amy also posted some nice pics on her blog of the show all hung in the gallery here and we have a slew of shots of the opening night reception and the works all hung in the gallery as well here.

In addition to our photo set, Amy has a nice set up on our her flickr too of all the works here.

For those that missed it, a great interview was also posted with Sadie Magazine leading into the show and a great ful-page preview / mini-interview with both Amy and myself is featured in the new issue of Inked Magazine (which is now on news stands nationwide).

‘Dreamgirls and Ukes’ is on view through March 6th – don’t miss it!
Thinkspace Gallery (4210 Santa Monica Blvd in Los Angeles / 323.913.3375 / Open Thursday through Sunday from 1-6PM)
View the works from ‘Dreamgirls & Ukes’ here.
Also, since the works in the preview don’t feature the ukes strung up and ready to play, Amy’s also posted pics of all the ukes ready to play, after her husband Lou, a professional luthier, strung them and tuned them – they look fabulous – check out the images here.

Opening night pics & video from ‘Dreamgirls & Ukes’ + ‘The Silent Treatment’ @ thinkspace…

The opening night for Amy Crehore‘s (pictured above) ‘Dreamgirls & Ukes’ and Anthony Clarkson‘s (pictured below) ‘The Silent Treatment’ went off in style. Thank you to all that braved the crappy weather to come out and enjoy the show…

Those that showed up around 9PM were treated to a very special performance from Amy’s band ‘The Hokum Scorchers’ (see below). The Scorchers treated all in attendance to almost a full hour of blues, rags and jug band songs from the 20’s and 30’s. A big thank you to Amy and her husband Lou for providing a very memorable night that many were still talking about the next night at the ‘Movers & Shakers’ opening (see overview on that show below)…

We captured a few songs from ‘The Hokum Scorchers’ on video to share with you all. Below is one and others are viewable on our YouTube page here.

Both shows on view through March 6th
Thinkspace Gallery (4210 Santa Monica Blvd in Los Angeles / 323.913.3375)

To view more ‘opening night’ shots from both exhibits, click here.

View the works from ‘Dreamgirls & Ukes’ here.

View the works from ‘The Silent Treatment’ here.

Amy Crehore & Anthony Clarkson busy on the install for this Friday’s opening at Thinkspace…

Amy Crehore arrived into town from Oregon late Sunday afternoon and hit the ground running on Monday, waisting no time in getting started on her front entry area wall mural…

Rough sketched out mural/show title starting to take shape…

Coming along nicely… be sure to come by opening night to check out the finished product.

Amy’s ukulele arsenal laid out, and ready for installation…

The ukes are just amazing. All have been lovingly restored by her husband, who’s a professional luthier, and are ready to play. Beautiful antiques taken to another level by Amy’s talented hand.

The installation of things is coming along… going to be a very nice flow of works, can’t wait for all to enjoy this one, really a fun show.

Anthony Clarkson arrived today and is starting in on his wall mural and getting all his paintings ready for installation… the gallery is abuzz with activity.

Opening this Fri, Feb. 13th 7-11PM @ Thinkspace
Amy Crehore‘s Dreamgirls & Ukes
+ Anthony Clarkson‘s The Silent Treatment
4210 Santa Monica Blvd (near Sunset Junction) in Los Angeles

An interview with Amy Crehore…

Amy Crehore’s debut Los Angeles solo exhibit that opens next Fri, Feb. 13th at Thinkspace will feature a new series of oil paintings of playful, iconic nudes and will introduce some new characters (in addition to her well known cats, pierrots and monkeys): a lion, a tortoise, and large flying insects. Ukuleles will play a role in these new narratives, giving the works musical ambience. Some of these dream sequences will take place in nature, others in curtained rooms.

Crehore has also painted over a dozen antique ukuleles (see below) as part of this special exhibit. Most of these instruments are from the American ukulele boom of the 1920’s. Crehore personally hand-picked a collection that represents a variety of styles and designs including banjo ukes, mahogany and koa ukes, as well as art deco novelty ukes. On these ukes, she will incorporate motifs from her paintings, plus she will be adding creative type and logo design. Crehore’s long-time music partner, Lou Reimuller, is also a luthier and he has lovingly restored each of these instruments. These ukes are all “players” as well as fine art objects.

Crehore has exhibited her work with the likes of Roq La Rue (Seattle, WA), M Modern Gallery (Palm Springs, CA & Las Vegas, NV), Corey Helford Gallery (Culver City, CA.), Ad Hoc Art (Brooklyn, NY), Robert Berman Gallery (Santa Monica, CA.), Applegate Gallery (Santa Monica, CA) and has taken part in the last few BLAB! shows that take place each year at Copro/Nason (Santa Monica, CA). Crehore has also taken part in Mark Murphy’s KNOW exhibits during Art Basel in Miami, FL during 2007 and 2008 and also took part in our special exhibit, Looking Glass, that was part of the Gen Art Vanguard New Contemporary Art Fair that also took place during this past December’s Art Basel.

Following is a special interview Amy took the time to do recently for us… also watch in the coming days for their ’20 Questions’ feature with Amy and be sure to pick up the latest copy of Inked Magazine (also featuring a nice interview with Amy).

1) Please talk a lil’ bit about the general idea/vibe behind your new series of works for “Dreamgirls & Ukes”.
I had been using antique ukuleles as props in my paintings and I wanted to expand the idea into painting on some actual antique ukuleles.The idea evolved as I gathered together a variety of rare ukes mostly from the 1920’s and had a luthier restore them. I have always been into vintage instruments anyway and the music of this period, so it was a natural thing to do. Almost like a tapestry of many colored threads, I wove my vision into a series of works that fit together in a wonderful way. There are 14 paintings and 13 ukes that all relate to each other. My new oil paintings depict dreamy landscapes and rooms full of animals, nude girls w/ukes and pierrots- all interacting with each other. There are many different stories happening here and the characters express different moods. The titles of the paintings also have to do with music. Inspired by the beauty of the design of each ukulele, I came up with motifs to paint on them that are based on the characters my paintings. I made up names for them and designed headstock logos- there’s Demon, Nymph, Peekaboo, Squirm, Tuxedo, Moth, Wasp, to name a few. Hopefully, I have created an entertaining and surreal experience for this show with added elements of history and music. The ukes are all playable, yet also fine art objects.

2) Much of your new body of work revolves around your love for ukuleles, with several works even using old ukes (as commonly referred to) as their ‘canvas’ in your upcoming exhibition with us. Where / when did this love for ukuleles start?

I received a beautiful koa uke from the 1920’s as a gift in my late twenties. A little later, I bought a banjo uke from this same period in a shop in Portland. I like the smallness of soprano ukes, their unique sound and novelty aspect. I like the design of vintage headstocks and variety of body shapes -from round camp ukes to banjo ukes to little guitar-shaped ukes.The history of the uke is very interesting, also. The instrument was used in early jugband music and blues as well as Hawaiian music.
3) Tell us a lil’ bit about the band you have with your husband, The Hokum Scorchers, that will be playing a special set during your opening reception on Fri, Feb. 13th at 9PM.
My husband, Lou Reimuller, who is also the luthier for this show, has been playing traditional blues, jugband, & rags on instruments from the period -1920’s and 1930’s- since he was a kid. He will play a vintage National resonator guitar and a banjo uke in this performance. I will play the washboard. We will sing and play kazoo as well. We used to play at festivals in the Northwest, most notably Bumbershoot and Folklife in Seattle. We will be playing traditional American songs from the 1920’s-1950’s that one can find on Yazoo and Document records.

4) What’s your earliest memory involving art or creating art?

Doing posters in 4th grade for the book fair and taking art lessons (drawing a model) while on vacation in New England in an old schoolhouse. My mom also signed us up for ceramic classes, plus church fairs where I sold painted rocks.

5) When are you most productive / when do you normally work on art?

Most productive in the morning when I am alert. I work all day from early morning until dinner at 7pm.
6) For those new to your work, can you please give us a lil’ background on the meanings associated with some of your recurring characters like your little pierrot, the use of monkeys, devils, felines, etc.
These characters represent humorous and psychological aspects of relations between men and women. I use metaphors and double entendres. I draw them from my head, but if you look at art history you will see these characters recurring throughout. The pierrot for instance, he’s a lovesick fool that was seen in the Italian Commedia Dell’Arte of the 16th century. He is also seen with a banjo on postcards from the 1920’s.

7) Tell us something about yourself that someone would never guess in their wildest dreams.

I was a wrestling score keeper in high school.

8) Are you reading anything right now?

Not much time to read lately, but I have “The Chinese Art of Winning” on my bedside.

9) Do you listen to music while painting/drawing? If so, do you have a current favorite that inspires?
Yes. I have Eddie Lang and Victoria Spivey on the player.

10) Describe your perfect day…

Sunny, mild, painting in the morning, take a hike after lunch up the butte near my house, resume painting until 7 and then go out to eat at the Korean place on the corner.

11) If you had to explain your work to a stranger, how would you do so?
I would tell them these are intuitive and imaginary works based on memories of feelings, dreams and experiences and that I paint the things I like. I also would explain that I do a fully designed pencil sketch first and that a lot of what works about the painting is due to the design and the layering of paint (trying to create a seamless whole).

12) Favorite artist (living or dead) and what makes them special to you?

This is hard because I like so many. I will pick Giotto Di Bondone because he was a unique and innovative bridge between primitive medieval art and the Renaissance which followed. I like the emotional way he uses the human figure and his sense of architecture.

13) What have you got coming up in terms of shows and projects after “Dreamgirls & Ukes”?

My number two Tickler Uke which is finished except for my paint job, a book of my art, and many other things that are not finalized yet, so it’s too early to talk about them.
14) If people walk away with one thing gained from seeing one of your exhibits, what would you hope that would be?
A sense of joy and deja vu.

15) What are you doing right after this interview?

Packing up the rest of my art for the show to ship to you.

Dreamgirls & Ukes
Featuring new works, an installation plus performance from Amy Crehore

Also showing in our project room:
Anthony ClarksonThe Silent Treatment
(NOTE: look for an interview with Ant to be posted in the coming days)…

Sneak Peek of Dreamgirls & Ukes:

Exhibition runs Feb. 13th – March 6th, 2009

Opening Reception: Fri, Feb. 13th 7-11PM

4210 Santa Monica Blvd (near the Sunset Junction)
Los Angeles 90029