It may be cold outside but that hasn’t kept people away from ‘Galimatias’; Thinkspace’s latest exhibition by polish duo Etam Cru. The show is sold out with only a few prints still left on hand. If you didn’t get a chance to see the opening, check out the coverage on Juxtapoz and Arrested Motion. ‘Galimatias’ is on view till January 16th, please visit the Thinkspace Gallery website for holiday hours.
Etam Cru’s ‘GALIMATIAS’ Opening Reception Recap
Etam Cru’s first exhibition in America was much anticipated; the gallery receiving requests and calls for information regarding the pieces in the show weeks in advance. Opening this past Saturday, December 12th, the doors to ‘Galimatias’ were delayed as the Thinkspace crew worked hard to wrap up the screen prints, including 10 hand embellished prints by Bezt dropped off only minutes before 6:00 pm.
Print collectors lined up outside hours ahead of doors with snacks and coffee in hand, who knew the art world would see its own form of tailgating. Before the end of the night not only was the show sold out, but so was the screen print ‘Final Frontier’ by Sainer, ‘Boy’s Dream’ by Bezt, and ‘The Backyard Gang’ giclees by Sainer.
The show is now on view till January 16, 2016; please check the Thinkspace Gallery website for holiday hours. Make sure to check out Etam Cru’s interview in January’s Juxtapoz available now and check back for shots of their fresh mural going up in Downtown LA with Branded Arts.
Etam Cru featured in January Issue of Juxtapoz
We’re excited about Etam Cru’s first state-side exhibition, Galimatias, opening at Thinkspace Gallery this Saturday, December 12. Along with the exhibition of new work, the artists are releasing a series of prints that are a mixture of screen prints and giclees. Read up on this talented Polish duo in the January issue of Juxtapoz now available where sold. Can’t wait? There is an excerpt of the interview up on Juxtapoz.com now!
When you work by yourself, you are the boss of the work. You don’t have to answer to anybody; you choose the theme, colors and composition. I think that working together levels you up; you have to be better and better because your friend is getting better. – Bezt
Etam Cru Coming to Thinkspace Gallery in December
Etam Cru (Sainer & Bezt)
Opening Reception with the Artist(s):
Saturday, December 12, 2015
6:00pm – 9:00pm
Thinkspace (Los Angeles) – is pleased to present the very first Los Angeles exhibition of renowned Polish duo Etam Cru, in Galimatias. Considered two of the best muralists working in the world, Etam Cru is made up of individual artists Bezt and Sainer. They began making work as a pair in art school, both 2012 graduates of The Academy of Fine Arts in Lodz, Poland, and have embraced a playful irreverence in their sensibility ever since. Bezt and Sainer have been refining their synchronistic style as Etam Cru, inspired by many of the same interests and themes, while developing their individual voices in tandem. Working collaboratively on site-specific public murals, the duo prefer to work independently on their respective exhibition works, allowing each to define their own use of space. The rapport and connection between their individual styles and approach is clear, however, as each draws the viewer into an intoxicating world of surreal fantasy, folklore, and graphic precision.
Known for their focused realization of ambitious and monumentally scaled works, the pair is famously resistant to the ascription of excessively symbolic readings, preferring instead to let the aesthetic and physical experience of viewing the work speak for itself. In keeping with this open-ended, and evasive, penchant for ambiguity, their name “Etam” loosely translates from Polish to “whatever” or “I don’t care,” though this namesake is intended in the spirit of creative freedom and subjective association rather than in that of flippancy or dismissal. Both Bezt and Sainer encourage the viewer to create personal readings of the work, and to draw their own conclusions about what their loose symbolism means. True to this unrestrictive preference, the exhibition title Galimatias, a French word meaning “gibberish” or “nonsense,” suggests an allegiance to the power of imagery rather than to the defining imperatives of words.
Working with a combination of media for individual works, including oil and acrylic on canvas and graphite on paper, but preferring the use of canned house paint and rollers for the execution of their huge murals, (though spray paint is also incorporated), Etam Cru mix their own pigments and create their own unique colors. The vibrancy and contrast of their palette is one of the many distinctive aspects of their work, ranging from saturated primaries to subtly graded pastels. Their imagery often incorporates the surreal and the grotesque, and plays expertly with shifting scales and unique environments. Often including animals and playful elements from nature, their compositions are simple and poignant. Though the two have evolved their aesthetics dynamically, each informed by the other, Bezt is known for his use of more graffiti inspired styles and characters, while Sainer tends to take a more realism based approach to figuration and the depiction of nature. Though the two hands remain distinctly visible, the end result of their collaborations is seamlessly balanced and subtly nuanced.
Etam Cru has created spectacular works all over the world, including public architectural murals as large as 10 stories tall that require a whole arsenal of scaffolding and cherry pickers to complete. The team came to the U.S for the first time in 2013 to create their internationally acclaimed mural Moonshine in Richmond, Virginia, for the Richmond Mural Project; an amazing, epically scaled, rendering of a beautiful female figure, sitting in a jar of muddled strawberries, kept companion by a single bird. The piece was listed among the top five best pieces of street art in the world in 2013. In conjunction with their exhibition, Galmatias, Etam Cru will be transforming the six story facade of a building in the flower district in Downtown LA, gifting the city with its very own permanent piece; one of undoubtedly enviable proportions.