Icy and Sot’s Human (Nature) is the first solo exhibition and full gallery takeover by the internationally acclaimed Iranian, Brooklyn-based artist-activist duo. A collection of work ranging from sculptures to stencils, the duos breadth of talent shows in Human (Nature). Below is our interview with the artists discussing the inspiration behind the exhibition, the role of art in society, and what it’s like to work and create alongside one’s brother.
Make sure to check out Human (Nature) on view now through November 25th.
SH: What is the inspiration behind this latest body of work?
I & S: The inspiration comes from the nature where we always find peace and inspiration for our work, its so sad to see the planet crying now, with all these natural disasters happening every other week recently its trying to say something. We need to listen and respect it more than ever now, we have destroyed so much of it already that we can’t repair or even stop it. But we can give the planet a longer life, by caring more about it and by doing something, the impact can be small but if all of us try we will have [a better] chance.
We only recycle 1 of every 5 water bottles. We all should try to use less and less plastic in our life. Every single piece of plastic that has ever been created since the 19th century its still somewhere on our planet. Plastic is killing the planet and our health, there is just too much plastic floating around in rivers, seas and oceans; our usage of plastic ends up in our food chain and back again on our plates, when eating fish and sea food.
SH: There is clearly a higher risk involved in creating street art in Iran versus America or Europe, how has that risk-informed your art?
I & S: Yes in some ways. Graffiti and Street art is illegal in Iran and America or Europe, the main difference is that there is no legal form of street art in Iran like mural festivals or legal walls, its been always underground and illegal, other difference is if you get caught they could label you as political activist even if your work is not politically charged.
All the works we did in Iran were usually painted over less than a week sometimes overnight, that made us to be even more active and start to make work about censorship and other issues in the country, that kinda activism remain in us, although we are based in country with more freedom, but there are so many issues that need to be spoken!
SH: Tell us what you feel is your brother’s artistic strength and how he helps you be a better artist (a reply from each would be great here).
I & S: We started working together, don’t think we could have continued if we didn’t have each other,
we always supported each other from the very beginning, working in Iran and Migrating to a new country.
We learned faster, we worked faster, its great to brainstorm about ideas together, we start with a simple idea, and we can build it up, its so much easier to make dissection together, we have the same thoughts, interests, we are basically one artist together.
SH: What is your collaborative process like with gallery pieces versus murals?
I & S: They are both the same, we start with the idea, and we both work on it until we complete it.
SH: Since you’re a collaborative team, how do you resolve conflicts or come together on a piece when the other person is resistant or doesn’t like the direction.
I & S: We have a drink and try to find a way that we both think is better
SH: Can you walk us through a day in the studio?
I & S: We don’t have big studio, we start work from home with catching up with emails and planing our day in the studio, we usually walk or bike to the studio and start working on whatever project we have coming up, always listing to music while working , the creative time is usually at night when we brainstorm together and work on ideas
SH: In Iran, to leave the country, you must serve in the military. You both were studying at University before deciding to join the military in order to travel and work. Was that an easy decision to make? Can you elaborate on how having to make a decision like that motivates the art and work you do?
I & S: Yes that was a very easy decision to make, since our passion was what we were doing, and it was hard to continue and work as an artist in Iran, the hard decision was when we wanted to get asylum and stay in NY knowing that we can’t go back home, we making decision like that we proved ourself that we can always continue what we love to do and never stop.
SH: What do you think the role of the artists in society is? Why are you both artists?
I & S: Art can definitely contribute to change in society, especially public art because it has more and diverse viewers, We try to give the audience the opportunity to imagine a better world. The impact a piece has on the course of someone’s day may be small, but it’s still an impact.
We believe the role of the artist is to advocate for the freedom and the hope of the general public and raise awareness about the issues happening in their time.
We didn’t start as an artist; we didn’t know we will be doing this for our whole life and get where we are now, so it was kinda natural.
SH: What is one of your most memorable pieces to date?
I & S: “Let Her be Free”
SH: When not in the studio, what would an ideal day look like?
I & S: Either going to hiking and camping in nature or hanging out / parting with friends.