Thinkspace is proud to present Josh Key’s first Los Angeles exhibition in a decade, ‘Implosion‘ in the galleries main room. The sold out exhibition explores the fears around our current political climate in Keye’s familiar dystopian future. Last year, our detailed interview with Josh Keyes covered his creative process and artistic career. For Implosion, we had a bit more fun discussing favorite colors and dinner parties. Implosion is on view now through August 26th at Thinkspace Gallery, Tuesday through Saturday from noon to 6 pm.
SH: What is the inspiration behind this latest body of work?
JK: This body of work emerged from the fear and anxiety surrounding this presidency, and the possible impact it could have on the future of the world. I also like dancing horses and sunken ships.
SH: This is the first time you’ve shown in Los Angeles in about a decade and your first solo with Thinkspace Gallery, do you have any specific thoughts or feelings about showing in LA again?
JK: LA is a mysterious city, like New York, Los Angeles is a state of being, with less grinding cogs like New York, LA is fueled by plastic dreams. I think my work should feel at home in this land of fractured nightmares and dreams.
SH: To those who would argue against the importance of art in society, how would you explain what art is and the artist’s role in society?
JK: Art is like a fart, or a fragrant flower, both are necessary to express the human condition. I fail to see anything, object, app, clothing that is devoid of some aesthetic element. We breath, live, eat , and see he world in terms of design. The major change, there is no hierarchy anymore, the gods, critics, and authorities of what is good and bad taste are dead, all is and everything is equal in this ocean of static. The artist dreams, creating a hybrid of personal experience with cultural mythology, resulting in the highest form of emoji.
SH: Do you remember the first time you showed your work in public? What was the piece, and where were you?
JK: I was arrested, oh wait, my work not my privates. I was in high school, and I entered an art show with a small painting, it was a copy of one of Rembrandt’s self-portraits, over Rembrandt’s shoulder was Disney’s Goofy giving a silly smile. It won first prize.
In our interview with you last year, you shared a lot about your creative process, education, and artistic growth; so our questions this time around will be a little more fun…
SH: What pop-culture item; music, movies, tv, incident etc.. that has shaped you creatively?
JK: I’m a sci-fi film junky, and soundtrack addict. Since I was a kid that genre has inspired my imagery and painting compositions. I grew up watching Harryhausen films like the original Clash of the Titans, and John Carpenter’s The Thing, and also films like Brazil and The Cook the Thief His Wife and Her Lover. They left a significant imprint on my aesthetic sensibility, ever since I have been drawn to things that slightly disturbing and also beautiful, like my wife.
SH: If you were reincarnated as an animal, what do you think you’d come back as and why? Is that the same as what you would want to be reincarnated as?
JK: My students said I reminded them of a meerkat from a Disney film, manic and twitchy. Naturally, of course, I would come back as a mighty lion.
SH: What was your favorite color as a kid? What is your favorite color as an adult? What is your daughter’s favorite color at the moment?
JK: Silver was my favorite color. It wasn’t really a color but the reflective quality, it held all colors. I suppose my favorite color now is bluish green, maybe subconsciously because that is what color my toddler presents me with in her diapers. Her favorite color is YELLOW and in paint form, it must be applied to every surface of both house and body.
SH: If you were to host a dinner party for five people dead or alive, who would you invite? What’s on the menu? And what would you ask them?
JK: Trump, Bob Ross, Jane Austen, James Brown, and Herman Munster.
Menu: A conveyor belt of moving food plated by Willie Wonka and the Oompa Loompas.
1. What is man?
2. What is truth?
3. What is man’s responsibility to truth?