Group Exhibition ‘Habitat” featuring works from Kevin Peterson, Kinsung Koh, Jacub Gagnon, and Anthony Solano on view at Thinkspace Projects | September 3, 2022 – September 24, 2022

Thinkspace Projects is pleased to present Habitat, a group show featuring the work of Kevin Peterson, Kisung Koh, Jacub Gagnon, and Anthony Solano. The gallery is thrilled to bring together four of their surreal naturalist painters for one impactful exhibition. Each artist has delivered new work for the show, pushing the boundaries of their previous creations, ultimately creating some of their strongest pieces to date.

Nevada-born Kevin Peterson spent his childhood in many places from Nevada to Michigan to Washington, finally arriving in Texas in 1996, where he studied both Fine Art and Psychology. With a varied background in both mental health and art, Peterson infuses each of his pieces with complex and layered emotion. His own struggle with drugs and alcohol is what led him back to art, which he now immerses himself in fully. It is this deep connection with and passion for his work that is undeniably apparent in each piece.

South Korean artist Kisung Koh uses his art to open gateways into nature’s spiritual dimensions and explores the intimate connections he has built with wildlife during his lifetime. Drawing heavily on the memories and dreams provided to him by the sheer awe-inspiring spectacles he has witnessed in the great outdoors, Koh pays tribute by creating imagery that is suggestive of the metaphysical energies and bonds which can exist between two living creatures, even when interacting from a distance. Through his art, Koh captures the essence and beauty of the natural world, reminding his audience that their own relationships with it are precious and rewarding.

Jacub Gagnon is one of Toronto’s great emerging contemporary artists, known for his curious backgrounds of void space, whimsical representations of naive fauna, and their juxtaposition with human objects. Through the use of meticulous blending, layers, and remarkable detail, Jacub tells the story of a world that is sweet as well as disturbing, showcasing how humans manipulate and borrow from nature. Using small brushes and handling them as he would a pencil, Jacub is able to achieve an illustrative quality that edges into the peculiar world of Pop Surrealism. This colorful, almost child-like fantasy renders the troubling issues that face the habitats and species of our time into otherworldly depictions that capture the imagination.

Having spent his childhood years between California and Guadalajara, Mexico, artist Anthony Solano turned to art at a young age, seeing it as both a source of escape and comfort. In high school he was exposed to painting for the first time, sparking what would become his life’s passion. Anthony, a self-taught painter, now resides in Portland, Oregon and credits the local landscape for a major creative shift, from abstract painting to the surreal genre that he currently practices. His work explores today’s environmental conflicts, communicated with vibrant hyper-realistic imagery and thought-provoking storytelling. A sense of optimism and hope within his work allows the viewer to experience a complex, emotional response.

These artists and their works display an apparent harmony, complimenting each other with elements of the natural world and surrealist attitudes.

Opening Reception of Jacub Gagnon’s “Dream World,” Rodrigo Luff’s “Afterglow,” and Kathy Ager’s “Golden Age”

Thank you to all those who joined us for the opening of Jacub Gagnon’s Dream World, Rodrigo Luff’s Afterglow, and Kathy Ager’s Golden Age with works from Reen Barrera in the office.

To view available works from these talented artists visit the Thinkspace Projects website.

Interview with Jacub Gagnon for “Dream World” opening June 29th

Thinkspace is proud to present Dream World by Canadian, Toronto-based artist Jacub Gagnon in Dream World. An artist known for the meticulous detail and realism of his luminous acrylic paintings, Gagnon creates a world in which nature and fantasy collide. 

In anticipation of the exhibition, our interview with Jacub Gagnon discusses his creative process, tackles the role of artists in society, and what his work and Spinal Tap have in common.

For those that are not familiar with you and your work, can you give us a brief look at your artistic background and zodiac sign? 

I’ve always had a knack for drawing; it was one of my biggest hobbies growing up. I attended OCADU (Ontario College of Art and Design University) in 2005 and fell in love with painting in my second year. Graduating in 2009, with a BFA in ‘Drawing and Painting’ under my belt, I took to creating art for myself and set out to make a career of it. My zodiac sign is Aquarius, the water bearer. I’m not big into astrology but apparently they are artistic, social justice minded, and have a determined nature – I can dig that. 

How do you approach starting a new body of work? What inspired this exhibition?

I always have a little world of ideas living in my sketchbook, many of which often stay hidden until I have a larger show like this and they finally see the light of day. A lot of ideas live in that small sketch land because I like it, but I’m not sure how to put those ideas onto canvas, so having a greater chunk of time to work on a bunch of pieces is a great opportunity to finally flesh some of them out. I had a new approach for this show, which was to get the ball rolling on as many ideas as I could right at the beginning. That was a real challenge, as it turned out. 

Is there a particular piece in this exhibition you feel really challenged you? If so, why and what makes you proud of this piece.

“In Bloom,” hands down was the greatest challenge. The sheer size alone (my largest piece to date) meant not only was I trying to fill a large canvas, but I also chose to fill it with tiny things. In addition, I have this habit of turning and flipping a piece that I’m working on, and I physically wasn’t able to do that with this one. The obstacle didn’t occur to me when I first started the piece, but it made a huge impact on how I was able to work on it.  Apart from size, I also did a lot of editing and made revisions to this piece as it was coming to life (again, not something I normally do) – overlapping plants, figuring out where shadows fell, balancing colour… I found myself coming back to this piece over and over again, adding here and taking away there. I worked on this piece periodically for over a year before it was finished. 

What excites you about your work / creative process?

I love the feeling of a new idea. I get very excited about them. It just kind of hits you and you’re suddenly full of vigor and life, I write them down in my phone or quite literally run to get my sketchbook and record it before I forget it with my goldfish brain. I also love the process of overcoming challenges. So those ideas I mentioned above that live in my sketchbook for so long, the moment I figure out how to bring them to fruition is quite rewarding. It propels you to finish the piece. When a piece like that is finished, it’s kind of like seeing an old friend that had been away for years.  

What frustrates you about your work / the creative process?

A big frustration I have is with the time it takes to finish a painting; it can be quite the marathon. I’ve tried to change my painting style in the past to be a little less tight and a little more forgiving, but I’m not usually happy with my work until it is ‘just so’. Often timelines that I make for myself to complete a section of the painting are overshot by days or weeks and it’s not for a lack of time spent working…but trying to appease my OCD sensibilities. 

If you could make the album art for any album, existing or yet to be released, what album or artists would it be for and why?

That’s a tough one, maybe The Beatles: Sgt. Pepper’s Lonely Hearts Club Band. Not my favorite Beatles album…but just thinking of it gives me so many ideas and I think I could have a lot of fun reinventing it.

If your body of work inspired an ice cream flavor, what would it be called and what are the ingredients?

I’d call it Ripple Effect. You can pick your base of vanilla or chocolate and add some bright floral flavours, cruelty-free delicacies, and maybe a hint of bourbon. It’s probably going to be served in a teacup.

A Netflix movie is being made about your life, who would be cast to play you and what kind of movie would it be? Try to describe it with similar movies.  

Definitely Andy Samberg would be cast to play me and it would be a mockumentary. It would be akin to “This is Spinal Tap”…I can see it now, “There’s something about this that’s so black, it’s like how much more black could this be? And the answer is none. None more black.” (quote from the movie that I feel sums up a lot about my work). It’s not a movie, but I think it would also have similarities to the show “The Office”, a bit quirky and mundane at times, but it’s all part of the charm. If budget was of no consequence I’d probably have Morgan Freeman do some narrating,  give it a Shawshank feel.

What do you think the role of artists is in society? How does other artwork inform how you move through life?

That’s a big question to unpack. I have a lot to say, but I’ll try to keep it short. It’s easy to take art for granted. I think people tend not to notice the way art impacts their everyday life – it’s printed on our clothes, it’s the colours of our homes, our cars, it’s the way we design our spaces and every item within them. It turns our stark environment into a personal and relatable one.  And yes, at times it can also be a voice and a spotlight to provide commentary and highlight something to the world, which is what I try to do with my art. Artists have a strange dichotic reputation. Either they’re these huge icons or they’re lowly, scraping by, but those are just two small facets… like so many things, you just can’t pigeonhole who we are in society. 

Favorite way to celebrate the completion of a project/body of work?


Spending time with my family! I’ve spent the past several months tucked away in my studio, so now that work for the show is wrapped up I’m looking forward to all the little things that I’ve been missing out on. I imagine I’ll crack open a few nice bottles of whiskey, and get as much sleep as two tiny humans will let me before I’m beckoned.

Join us for the opening reception of Jacub Gagnon’s Dream World, Saturday, June 29th from 6 – 9 pm.

Jacub Gagnon’s “Dream World” opens June 29th.

JACUB GAGNON
DREAM WORLD
June 29 – July 20, 2019

(Los Angeles, CA) – Thinkspace is pleased to present new works by Canadian, Toronto-based artist Jacub Gagnon in Dream World. An artist known for the meticulous detail and realism of his luminous acrylic paintings, Gagnon creates a world in which nature and fantasy collide. Exploring unlikely combinations of flora and fauna in imaginative scenarios with human objects and props, Gagnon proposes playful, though symbolic amalgams, reminding us of the ultimate fragility of the balances sustaining the natural world. His works are often set against dark black or stark white backgrounds and deploy contrasting light and dark hues to significant effect. By using minute brushes, Gagnon’s surfaces have an illustrative clarity and precision, while the imagery’s technical realism, usually shrouded in contexts of black, negative space, contributes to the surreal impact of these poetic visual puns.

With an interest in play and the freedom of the absurd, Gagnon creates imagistic connections to explore the intersection of human and natural elements. These ideas of interconnectivity and associative interpretation are vital to the artist’s philosophical approach. By connecting unlikely and disparate parts, new readings, possibilities, and realizations are woven and drawn from known elements, more often than not desensitized in our acclimated reception of the familiar. Gagnon revitalizes our reading of nature and inspires us to look again – stirring a sense of wonder in this temporary suspension of disbelief. The natural world is cast in artificial light and pushed to the point of the implausibly surreal.

Narrative plays a significant role in Gagnon’s work, as he is often drawing inspiration from language, turns of phrase, and puns to visualize the latency of new meanings and associations – a natural world freed from the restrictions of natural law produces unlikely poetry. In this space of disconnection and re-imagination, the artist proposes new morphologies, collusions, losses, and fictions in an endlessly potentiate space of transformation and renewal.

Two Stories Left from Jacub Gagnon’s “Short Stories”

If we referred to Jacob Gagnon’s work from “Short Stories” as stories themselves, then there would only be two left to read. A nearly sold out exhibition, Gagnon’s work is filled with whimsical narratives of compositional wordplay and at times translating the real world into the unreal at the delight of collectors.  Below are a few words from Jacub Gagnon regarding the available works from Short Stories.

“Polar Flare”
The flare is struck, the roar of its signal matched only by the bear’s cry for help.  The Polar Bear’s habitat is vanishing; the sea ice is melting, and as a result of the changing ecosystem the current status of the Polar Bear is vulnerable.  With this painting, I tried to express both the emotion and urgency of this situation. I want the viewer to hear the call and I want it to elicit a strong discourse.  Furthermore, I believe this painting to be a symbol to spark change.

“The Belly of the Beast”
Based on the concept of a Matryoshka doll (Russian nesting doll), I tried to represent a natural food-chain with each respective predator’s prey in its belly.  I’ve taken some liberties in doing so but enjoyed “stacking” these mammals one inside another.  The title can be interrupted in an obvious manner with the leopard being the beast, or rather in the reverse, with the rabbit being the beast consuming the blade of grass.  I like to think the latter is true and hope to reprise the role of “the beast” in a subsequent painting.