Coming up this August at Thinkspace

Brett Amory

Thinkspace is pleased to present Dirty Laundry, an exhibition of new work by painters Brett Amory and Adam Caldwell. Amory and Caldwell each mobilize their unique representational strategies to invoke the modern day disconnect between time and space, self and other, and present and past. Amory’s atmospheric preoccupation with memory, the moment, and nostalgia, is dynamically in contrast to Caldwell’s abrupt composites and recombinations of imagery, from sources spanning mass media to antiquity. Both artists approach their medium as a means of problematizing temporal identity, and the social experience, by exposing the nitty gritty polarities and paradigm shifts of an increasingly fractured reality of the self.

Adam Caldwell

Take a sneak peek at Amory and Caldwell’s new works for ‘Dirty Laundry’ here:
http://thinkspacegallery.com/shows/2012-08/#photos

Brett Amory at work in his Bay Area studio

Brett Amory
Brett Amory’s new body of work is a continuation of the artist’s acclaimed series Waiting, a series in which the artist captured his subjects in varying states of suspension and anticipation: waiting for the completion of an unseen event and caught in the standstill of a moment. Amory’s work relies on photographic media as a means of capturing and documenting the every day subject matter with which he is concerned. He translates these photographic observations into paintings which seek to capture the immediacy of the moment.

The artist uses photography as the primary point of departure in his process, and uses it as a social tool of observation to capture the world around him. He reduces these images to their most striking and elemental parts compositionally, and attempts to convey the fleeting quality of these moments through a painterly and impressionistic treatment of the photograph. This new body of work, however, conveys a sense of spontaneity and immediacy new to the artist’s practice. In Amory’s earlier work, the preparatory process was deliberately staged and set in order to conform to the artist’s predetermined narrative and aesthetic vision for the painting. Now that the photograph has become an increasingly mobile and socially voyeuristic tool, with new applications such as instagram on the mobile phone, the moment seems less mediated by the staging of process. Amory is free to capture actual moments in the lives of others in passing with this technology, spontaneously, and organically. This technological filter functions as a conduit for the experiences the artist invokes in paint.

Brett Amory's Bay Area studio

The end result is a body of imagery that authentically captures the artist’s real time observation of his subjects, and their daily experiences and encounters. Brett Amory strives to convey his observation of the world around him through work that invokes its passing and transience. The daily routine of the artist’s life, and his observation of the life of others, is central to his process. The work captures a human point of exchange in the creation and inception of the image.

Artist website: www.brettamory.com

Adam Caldwell in his SF studio

Adam Caldwell
Adam Caldwell’s background is variegated, a multiplicity clearly evidenced in the artist’s work. The artist’s interest in comics, and ultimately narrative based graphic media, coupled by a highly developed technical acuity for figuration and spatial construction, results in a distinctly unique and recognizable style of painting: a style that is deeply imbricated in, but ultimately subversive of, the communicative shorthands of a variety of visual media. The artist is deftly able to invoke not only the formal properties of those languages, but the affective tone and mood of them as well. Caldwell’s work is informed by an observation and collusive synthesis of these visual media and their corresponding affects. The work presents a patchwork of visual multiplicities and polarized sensibilities. The surfaces are fraught, and frenetic, recombinations of the contemporary experience as observed by Caldwell: an experience in which the self is split and colonized by a competing network of forces.

Formally the work speaks to this freneticism and fracture, combining a collage of styles and influences spanning everything from illustration, photorealism, and classical figuration, to the bombast of advertising and consumer culture media. The artist combines pop cultural imagery with post-apocalyptic images of destruction, and suggestions of advertising with images of warfare. Distinctly dystopian, the self is untenably situated in the midst of these rupturing forces as a complex and fractured entity. The “self” in Adam Caldwell’s work is subject to the ravages of an age where pop culture and mass destruction seem oddly at home together in the same image. Caldwell conveys the paradoxical nature of the contemporary psyche: a terrain of unreconciled impulses, libidinal urges, and conflicting imaginaries.

Adam Caldwell at work in his studio

Caldwell’s imagery is complex – a sort of social architectonics. Meaning becomes a process, self- consciously crafted by the associative juxtapositions laid out for us by the artist. A common thread in this work is its intentional ambivalence and recombination, the viewer is left feeling the pull of unreconciled subjects and themes, and is unable to reductively ascribe a singular meaning to them. Aesthetically seductive and visceral, and consummately executed, the paintings are captivating and unrelenting. We are caught in their grasps and actively participate in their meaning.

Artist website: www.adamhuntercaldwell.com

Paul Barnes

ON VIEW IN OUR PROJECT ROOM:

Paul Barnes ‘Nocturne’

Nocturne features new work by Scottish artist Paul Barnes. This body of work is whimsical, and delights in the suggestion of the fantastic and the surreal. The childlike creatures from Barnes‘ Nocturne seem to exist in a fugue state, dreamy and veiled, dissociated and wandering. Just as the exhibition’s title suggests, Barnes’ work is shrouded in this twilight haze of the outré, and the sleepy otherworldliness of the dream state. These pieces are glimpses into a limitless fantasy of legend, dream, and play.

Much in keeping with the symbolist tradition, but reinvigorated by a contemporary illustrative aesthetic, the work is symbolically suggestive and resists literal meanings. The dream state’s associative work is evident in the host of characters the pieces present, ranging from trees with eyes to owl like creatures emerging from darkly recesses. An innocence and calm pervades Barnes’ work. The strange comes from the quiet of sleep rather than from the violence of the sinister. The Nocturne’s realm is quiet calm. Associative, strange, and beyond waking cognition, this world is a fog of poetic play; a “dreamed” imaginary of creatures, and scenarios, entirely of the artist’s imagining. An unfettered childlike delight emerges from these scenes.

Paul Barnes at work at his studio in Scotland

From a world of extended metaphor and gentle strangeness, Barnes captures our imaginations and depletes our adult resistance to fantastical possibility. The artist’s work is informed by the legend and magic of folklore; an influence apparent in this childlike imaginary of gentle, foggy, creatures in half waking dream states.

Take a sneak peek at Paul Barnes’ new works for ‘Nocturne’ here:
http://thinkspacegallery.com/shows/2012-08-project/#photos

Artist Website: www.paul-barnes.com

Sean Mahan

ON VIEW IN OUR OFFICE AREA:

New works from Sean Mahan

Sean Mahan is a social realist figurative painter who works with graphite and acrylic washes on wood to depict a sense of wonder about innate human sweetness.

Sean has enjoyed creating cover artwork for the bands: Twelve Hour Turn, Floor, Daitro, Dauntless Elite, Jets vs. Sharks, Planes Mistaken For Stars, Beat Buttons, North Lincoln, Fires, Del Cielo, The Gifthorse, Mouthbreather, Senders, Little League, Back Pocket, Small Talk, Solid Pony, Laura Minor, Verde, Kids on Bikes, and more.

Artist Website: http://www.seanmahanart.com

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Reception with the artists: Sat., August 4th 5-9PM
Exhibitions on view: August 4th – August 25th

Thinkspace / 6009 Washington Blvd. in Culver City, CA / thinkspacegallery.com

*Photos courtesy of Shaun Roberts

Opening night for ‘There It Is’ and ‘Happy Valley’ at Thinkspace

Featured artists Adam Caldwell, Brett Amory, and Seth Armstrong

Thank you to everyone that came out this past weekend to the opening night reception for ‘There It Is’ in our main gallery and ‘Happy Valley’ in our project room. With all the galleries in Culver City having their 1st openings of the new season, the streets and galleries in the art district were just packed the whole evening through with art lovers enjoying all the new exhibits on view.

Opening night crowd for 'There It Is' and 'Happy Valley'

Check out our full set of pictures from the opening evening here:
www.flickr.com/photos/thinkspace/sets/72157625808489442/

Capturing the work of Paul Barnes

Some excellent works from both exhibits are still available, so please be sure to look over the digital catalogs for both shows below.

‘There It Is’ digital catalog: www.thinkspacegallery.com/2011/01/works.php

‘Happy Valley’ digital catalog: www.thinkspacegallery.com/2011/01/project/works.php

Both exhibits on view through Jan. 29thplease stop through if in the neighborhood.

Thinkspace / 6009 Washington Blvd in Culver City / www.thinkspacegallery.com

Digital previews for ‘There It Is’ + ‘Happy Valley’ – opening tonight at Thinkspace

'Waiter #26' from Brett Amory

‘There It Is’ features new works from three Oakland, CA based artists that explore the urban aesthetic from distinctly different points of view. From the observational based oil paintings of Brett Amory to the history drenched collage styled oil paintings of Adam Caldwell through to the surreal bent on the world around us as seen through the eyes of oil painter Seth Armstrong, ‘There It Is’ offers up a painterly tour de force that is a great way to kick off our 2011 program.

View the works featured in ‘There It Is’ via our digital preview:
http://www.thinkspacegallery.com/2011/01/works.php

PLUS in our project room the debut Los Angeles solo show from Scotland based artist Paul Barnes.

'Love Mountain' from Paul Barnes

View the works in ‘Happy Valley’ from Paul Barnes via our digital preview:
http://www.thinkspacegallery.com/2011/01/project/works.php

If you see a work you would like to purchase or inquire about in either of the above previews, please send an e-mail to contact@thinkspacegallery.com and we will get right back to you with full details.

Both exhibitions open TONIGHT so please come on through!

Thinkspace / 6009 Washington Blvd in the Culver City art district / www.thinkspacegallery.com

Juxtapoz post interview with Paul Barnes

Paul Barnes 'Resting Place' - acrylic and plaster on canvas

I guess my closeness to nature and the slight isolation of growing up in the rural north of Scotland, along with my fascination of its ancient traditions rich in folklore and legend no doubt forms the basis of my work, no matter how much I try to escape it. It’s this inspiration, from a very early age, that fuels a big part of my imagination today. Resurrecting the creatures from my childhood memories, conscious of the innocence and naivety in the forms, I enjoy playing with them like I did as a child. I try hard to make my paintings look old, to recapture my visions with a feeling of timelessness and space, kind of like a dream or distant memory that has become all blurry and faded.– Paul Barnes

Take a ‘Sneak Peek’ at the works for ‘Happy Valley’ here:
www.flickr.com/photos/thinkspace/sets/72157625332361367/

Read Juxtapoz.com’s full interview with Paul here:
www.juxtapoz.com/Features/back-talkpaul-barnes

Paul Barnes ‘Happy Valley’

Opening Reception: THIS SAT, Jan. 8th 7-10PM in our project room

Thinkspace
6009 Washington Blvd
Culver City, CA 90232
www.thinkspacegallery.com