Interview with Priscilla S. Flores for ‘Where the Spirit Meets the Skin’ | Exhibition September 2 – September 23, 2023

Photo by Birdman

Thinkspace is excited to present the first solo show of Long Beach based painter Priscilla S. Flores Where the Spirit Meets the Skin.’ By drawing from memory and personal experiences with sensuality, Flores converges reality and fantasy of external and internal relationships she has with the world around her. The expression ‘the spirit meets the skin’ is borrowed from the song ‘Living Room’ by ambient band Grouper. Through various paintings and a few small graphite drawings, Flores allows the viewer to gaze into her world.

Our interview with Flores explores which piece was the most challenging for her and why, which skill she would choose to download in her brain and her creative influences and inspirations.

What themes were you exploring in this body of work? Did you have a piece that was particularly challenging? 

I really wanted to dive into the theme of time and memory. I think of certain experiences (relationships with people and or situations I’ve been in) that present a lot of change and emotion are what also construct our perception of the things around us. Narration is a big part of my work, even if I’m focusing more on the feeling than memory, it helps me understand myself, like being vulnerable, conscious of what my body and mind can hold. A painting I kept going back and forth was ‘Angel From the Coast’ because it was telling more of a feeling inspired from a memory. I didn’t want the viewer to only focus on just the impressionistic made up scene. I wanted to focus on the idea of a separation/divide, the symbol of the bird beaming through, highlighting the separation of the two figures. The background figure stands as unknown yet engaged while the frontal figure is staring off uninterested and unsatisfied. I also kept changing the landscape but overall I just really wanted a straight forward environment with big and bold colors. 

What does a day in the studio look like for you? How do you structure your days?

I have a full time job so my structure is constantly changing. For this show I worked at my job throughout the day and would do 3-4 hours of studio time afterwards. I mainly spread it out and paint only 2-3 times a week after work and then dedicate a whole weekend of studio time. There have been times where I’ve worked in the studio after work consecutively but I don’t do that often because I do not want to burn out. I took time off in the summer so my days were looser, I’d have my breakfast and head into the studio late mornings and work for 5-6 hours straight and that was mainly painting but also mapping out ideas, cleaning/organizing; all that fun stuff.  

Do you have any rituals that help you tap into a creative flow?

Definitely listening to music! It has always served as a warm up for me before starting anything. I like tapping into my mood and vibing out to songs I’m in love with at the moment. I think of it as a soundtrack for the day and what I’m working on. I also like to go on walks, fresh air always clears my mind and gets me settled into work mode. 

What is your most favorite and least favorite part of the creative process?

My favorite part is definitely seeing the work coming together, theres a point where a painting just starts feeling right. My least favorite part is when it feels off, mid way into it can feel like you’re working on whole other thing. Thats when you have take a few steps and rework it. 

Who are some of your creative influences? Why do they inspire you? 

I’m currently influenced by Larry Madrigal who paints himself and his family. He’s real for sharing his life in a very embracing and intimate way. It’s reassuring to know that we as artists can paint anything and everything. Another influence would have to be Kerry James Marshall, he’s the GOAT. Almost anyone I know painting right now is definitely influenced by him. Salman Toor, for his vulnerable and again intimate paintings, Nauldine Cluvie Pierre’s work creates these worlds of characters that symbolize emotions and identity. I have many more but they come to mind right away. Their compositions inspire me to have fun with the environments I want to create in my own work.

If you could have any skill or topic downloaded into your brain, what would you want to be able to do / be an expert at?

Printmaking for sure. It was always something I wondered about because of the long process. I’m a painter and so my process can be all over the place sometimes so a skill like printmaking could definitely rewire my brain for the better. I’ve recently got acquainted with silk screen, thanks to a homie who helped me bring a drawing of mine to life on a t-shirt. He shared his process and knowledge on silk screening which I really appreciate. Shout out to Eduardo Muñoz! 

What do you hope viewers take away or experience while viewing your work?

I hope they would experience a sense of closeness to it. The take away being that time passes but memories sit still. All our thoughts and emotions are valid. 

How do you like to enjoy your time outside of the studio? Do you celebrate the completion of a body of work? 

Oh yes. I go out dancing or do karaoke with my friends. I like to be social so I like going out and just talking to people. I also like staying home too, a favorite thing of mine these days. 

If you could collaborate with any artists in any sort of medium (i.e. movies, music, painting) who would you collaborate with, and what would you be making?

I would collaborate with my friend Abner who is a musician and has put out music as Mojave Airport. I could really see us starting a band with my other close friend Tania who’s DJ name is Tan Tan Club (a nod to Tom Tom Club). We like a lot of the same music so I could see us making music that ranges from electronic to shoe gaze. 

Who would be on the guest list if you could throw a dinner party for five people, dead or alive? What would be on the menu? What would be the icebreaker question?

You mean dream blunt rotation? haha just kidding. I would definitely invite André 3000, Jonathan Richman, Amy Winehouse, Jesus Christ and Joan Baez. Menu would probably be some shrimp tacos and ice cold mexican cokes. I wouldn’t even know an icebreaker question honestly! 

What was in your musical rotation during the development of this body of work?

Oof there was so much. I definitely listened to a lot of Y La Bamba, The Drums, CCFC, Angel Olsen, Tony Molina, Smashing Pumpkins, just to name a few.     

Photo Tour of Floyd Strickland ‘Super Rich Kids,’ Priscilla S. Flores ‘Where the Spirit Meets the Skin,’ and Allison Bamcat ‘Fish Fingers’

Thinkspace presents a photo tour of FLOYD STRICKLAND ‘Super Rich Kids’ in Gallery III, PRISCILLA S. FLORES ‘Where the Spirit Meets the Skin’ showing in Gallery IV, and ALLISON BAMCAT ‘Fish Fingers’ in Brek’s Dog House Gallery 

All exhibitions are on view at Thinkspace Projects now through September 23, 2023. The Thinkspace Projects compound is open Tuesday through Saturday from noon to 6pm. Please note the Dog House Gallery and our courtyard are only open for viewing on Saturdays.

Photos by @BirdManPhotos.

Continue reading Photo Tour of Floyd Strickland ‘Super Rich Kids,’ Priscilla S. Flores ‘Where the Spirit Meets the Skin,’ and Allison Bamcat ‘Fish Fingers’

Virtual Tour of September Exhibitions at Thinkspace Projects | Exhibitions on view September 2 – September 23, 2023

Thinkspace presents a virtual tour of ‘Beautiful Noise’ featuring new work from YOSUKE UENO in Gallery I and  DAN LYDERSENPlasticine Dream’ showing in Gallery II. Along with FLOYD STRICKLAND ‘Super Rich Kids’ in Gallery III, PRISCILLA S. FLORESWhere the Spirit Meets the Skin’ showing in Gallery IV, and last but not least in Brek’s Dog House Gallery ALLISON BAMCATFish Fingers.’

Explore the virtual tour here: https://players.cupix.com/p/hOuaFUsA

All exhibitions are on view at Thinkspace Projects now through September 23, 2023.

Virtual tour created by Birdman.

Video Tour & Opening Reception Party of September 2023 Exhibitions featuring Yosuke Ueno, Dan Lydersen, Floyd Stickland, Priscilla S. Flores & Allison Bamcat at Thinkspace Projects

Many thanks to all of the art lovers and our many patrons who came out to celebrate the opening of our September exhibitions. We just love seeing so many people packing all of our gallery spaces and courtyard to take in all of the inspiring new exhibits on view from our family of creatives.

Yosuke Ueno returns for his sixth solo show ‘Beautiful Noise’ with us in Gallery I. His new series of works are inspired by the reborn aesthetic of the Japanese art of “kintsugi,” which refers to repairing broken pottery by mending the breaks with powdered gold.

Dan Lydersen is also back with an astounding new body of work in Gallery II with ‘Plasticene Dream’, a series of absurdist portraits, sentient still lifes and fanciful visions of inanimate objects come to life.

Floyd Strickland’s new body of work ‘Super Rich Kids’ is on display in Gallery III, delving into the rich tapestry of African American culture, history, and its pivotal economic contributions, marvelously captured within 12 masterful new oil paintings.

Priscilla S. Flores holds down Gallery IV with her debut solo show ‘Where the Spirit Meets the Skin’, exploring the external and internal relationships she has with the world around her.

Allison Bamcat’s debut solo show ‘Fish Fingers’ is a festive and colorful takeover of our Dog House Gallery eliciting feelings of her neon, nineties-childhood in Los Angeles.

 Much love to all of this month’s exhibiting artists for delivering such stellar bodies of work, what an unforgettable celebration! Much love to all that rocked our courtyard as well Davia King ,GoopMasstaIzinfinite Matthew CrumptonWotto, Anthony Sanabria Miniatures & Anthony Patrick ManorekZavalas Pies , Liquid Death, DJs Venice Beats, and  The Phantom Train.

On view through September 23. The Thinkspace Projects compound is open Tuesday through Saturday from noon to 6pm. Please note the Dog House Gallery and our courtyard are only open for viewing on Saturdays. Free and open to all.

Video + Photos courtesy BirdMan.

Thinkspace Projects
4207 W. Jefferson Blvd + 4217 W. Jefferson Blvd.
Los Angeles, California 90016

Continue reading Video Tour & Opening Reception Party of September 2023 Exhibitions featuring Yosuke Ueno, Dan Lydersen, Floyd Stickland, Priscilla S. Flores & Allison Bamcat at Thinkspace Projects

September Exhibitions featuring works from Yosuke Ueno, Dan Lydersen, Floyd Stickland, Priscilla S. Flores & Allison Bamcat open September 2, 2023

Thinkspace Projects presents:

Gallery I:          
YOSUKE UENO
Beautiful Noise

Gallery II:                                               
DAN LYDERSEN
Plasticine Dream

Gallery III:  
FLOYD STRICKLAND
Super Rich Kids

Gallery IV:     
PRISCILLA S. FLORES
Where the Spirit Meets the Skin

Dog House Gallery:
ALLISON BAMCAT
Fish Fingers

Opening Reception:
Saturday, September 2 from 6-10pm

If all that wasn’t enough, be sure to check out GoopMassta’s ‘Courtyard Sessions’ between our two spots with Davia King live painting alongside a mini artist mart with booths from from GoopMassta, Izinfinite , Matthew Crumpton_, Wotto, Anthony Sanabria Miniatures & Anthony Patrick Manorek + amazing grub from Zavalas Pies + open bar + Liquid Death + live DJs Venice Beats + video projections

Thinkspace Projects
4207 + 4217 W. Jefferson Blvd.
Los Angeles, California 90016

On view September 2 – September 23, 2023

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Gallery I:
YOSUKE UENO
‘Beautiful Noise’

In Japan, we have an art of repairing named “kintsugi,” that repairs broken pottery by mending the areas of breakage with powdered gold. Not to dispose or hide but make breakage part visible by decorating them with gold, it treats breakage and repair as beauty. In there exists a called reborn aesthetic. Since the ancient times, Japanese people has been admiring beauty in such incompleteness of objects. In other words, this art tells that to being in this world equals to lose and hurt. So, breakage, damage, and noise is a proof of existence.

This time, in all the artworks, I put noise by running brushes. This noise plays as a role of punctuation marks and gives artworks a surge of energy which comes put to be a perfect harmony.

At this point, I am sensing a feeling that I’ve come to where I can say that my artwork reached out to supreme expression. It’s been thirty years since I had my first solo show at the age of sixteen. What I seek for is not to paint beautifully, but to make artwork which can touch a sense of “being exist”. I have always tried to change my painting styles. And here I am so far.

‘Beautiful Noise’ carries creation and destruction, life and death at the same time in it. That’s what I believe.

About Yosuke Ueno:
Born in 1977 and currently based in Chiba, Japan, Yosuke Ueno is an internationally renowned self-taught artist. His art is capable of taking the viewer on a magical ride, deep in the worlds that blends between real and surreal, full of symbols of the Eastern philosophical tradition and icons of contemporary media culture, both Japanese and Western.

Ueno’s large canvases are sprinkled with quotes and references to art history that intertwine with the modern perception of the fantastic. Each element of his compositions is actually a symbol that carries a message full of positivity and cosmic vitality. Ueno’s work has been exhibited in some of the most prestigious contemporary art institutions in Asia, such as the Shimoni-Seki Museum and at the Museum of Contemporary Art in Tokyo and in international art galleries the world over.

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Gallery II:
DAN LYDERSEN
‘Plasticine Dream’

The “Plasticene Epoch” is a hypothetical idea that sometime in the future plastics will be so ubiquitous in the environment that they’ll be traceable in the fossil record and will define a new epoch in geologic time. ‘Plasticene Dream’ takes this idea a step further to imagine an outlandish scenario where plastics have entirely merged with organic matter so that the two are indistinguishable from one another.

Taking form as a series of absurdist portraits, sentient still lifes and fanciful visions of inanimate objects come to life, the paintings are filled with strange amalgamations of plastic, clay, and various synthetic and organic materials. They present an odd array of characters whose nature and purpose are ambiguous, open-ended, and enigmatic. The work dabbles in the trappings of traditional portraiture and still life painting but is thoroughly removed from the narrative and allegorical inclinations that define those genres.

Much of this is the result of my experience raising two young children over the past several years and being fully immersed in the idiosyncrasies of their developing imaginations. With children every little object is met with wonder and possibility. Everything is anthropomorphized. Stories about imaginary characters erupt from nowhere only to wander and meander before fizzling away without any narrative conclusion. Over time these qualities worked their way into my own art, as did the countless number of clay sculptures, trinkets, toys, and other playthings that have amassed in my household.

The result is a more refined version of a wild scribble with googly eyes pasted on, or a pummeled piece of Playdoh with pipe-cleaner arms jammed into it. Not an attempt to emulate a child’s imagination but to embrace its adventurous and exploratory nature. To revel in improvisation, free association, and creative musing by dumping 

About Dan Lydersen:
Dan Lydersen is a visual artist best known for his intricately detailed oil paintings that depict a surreal and darkly comedic view of the American landscape and the humans that inhabit it. Dan’s work has been exhibited in galleries and museums throughout the US and abroad, including four solo exhibitions at Jack Fischer Gallery in San Francisco and a two-person exhibition at Thinkspace Gallery in Culver City, California.

In addition to painting, Dan has performed music in numerous venues across the US with instrumental group The Roots of Orchis. He has also worked as an animation designer and scenic artist for live theatre productions at Capital Stage in Sacramento and City Lights Theater in San Jose. Dan studied art at the American University of Rome and received a bachelor’s degree in fine art from UC Santa Cruz in 2002. He received an MFA degree from the San Francisco Art Institute in 2007 and currently resides in Sacramento.

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Gallery III:  
FLOYD STRICKLAND
’Super Rich Kids’

‘Super Rich Kids’ from Floyd Strickland is his debut solo exhibition with our gallery and features a body of work that delves into the rich tapestry of African American culture, history, and its pivotal economic contributions. Through a collection of 12 meticulously crafted oil paintings, the exhibition artfully weaves together historical imagery and contemporary scenes to illuminate the significance of cultural and financial districts from the past.

The artwork in the show features a diverse array of black children, each depicted with their cherished possessions, offering a vivid narrative of cultural pride and individuality. These visual vignettes celebrate the enduring essence of African American culture, juxtaposed against the backdrop of historical landmarks and symbols.

Beyond aesthetics, ‘Super Rich Kids’ resounds with a powerful message. It underscores how African American prosperity and wealth have functioned as an agent of change, challenging oppressive systems within the broader American society. The show captures the essence of the cultural and financial districts that were pivotal in the past, showcasing their role as spaces of empowerment and resistance.

Through these evocative paintings, ‘Super Rich Kids’ articulates the ongoing journey of the African American community, highlighting its transformative impact on both its own heritage and the nation’s narrative. This exhibition is an homage to the vibrant history and beauty of African American culture, a testament to its economic prowess, and a rallying call for recognizing the importance of preserving and nurturing cultural and financial districts.

About Floyd Strickland:
Floyd Strickland, a versatile artist based in Los Angeles, CA, offers an introspective and critical exploration of American culture, particularly through the perspectives of black and brown children. Inspired by his own childhood environment, Strickland employs realistic figures that intertwine with aspects of American cultural imagery, resulting in ethereal and figurative paintings.

Strickland’s artistic journey is a testament to the distinctiveness of his work. Having previously engaged in building and renovating elementary schools nationwide, he observed a troubling lack of confidence in many black and brown children—a struggle he himself experienced during his own upbringing. To address this issue, Strickland embarked on a mission to create large-scale figurative oil paintings that depict the beauty, strength, and untapped potential within these children.

Strickland’s own children often serve as focal points in his artwork, reflecting his deep care and emotional connection to them. He strives to portray them as larger-than-life figures, conveying the immense love he feels for them.

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Gallery IV:     
PRISCILLA S. FLORES
‘Where the Spirit Meets the Skin’

‘Where the Spirit meets the Skin’ is the first solo show of Long Beach based painter Priscilla S. Flores. By drawing from memory and personal experiences with sensuality, Flores converges reality and fantasy of external and internal relationships she has with the world around her. The expression ‘the spirit meets the skin’ is borrowed from the song ‘Living Room’ by ambient band Grouper. Flores associates the expression to connecting the physical body to its spirit as presented in her work. She modified the lyric by adding the word “Where” to specify her relationship to the space the body inhabits. That space is often depicted through a bedroom setting or oceanic landscape. The bird (a symbol for time and flight) takes the viewer to the next memory. Through various paintings and a few small graphite drawings, Flores allows the viewer to gaze into her world.

About Priscilla S. Flores:
Priscilla S. Flores (b. 1993) is a first generation Mexican-American painter. She was born in Los Angeles, CA and raised in the San Gabriel Valley. At an early age, she gained interest in narrative as she felt close to her family’s stories of their southern Mexican life. Her work, often presented through self-portraiture, draws from her relationship to the body and sensuality, while embracing her Mexican upbringing and American living. Flores’ current work embraces all ranges of emotions, joy, confusion and humorous aspects of these relationships. She creates narratives based on memory and mementos representing these experiences of identity, sexuality and of the past. Her multi use of vibrant and limited palettes along with her mix of both bold and thin paint strokes, are what create these personal stories. Flores’ interest in narrative painting is inspired by painters: Larry Madrigal, Jennifer Packer, Naudline Cluvie Pierre, among many others.

Priscilla received a BFA in Drawing and Painting from Cal State Long Beach in 2019.

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Dog House Gallery:
ALLISON BAMCAT
‘Fish Fingers’

Allison Bamcat is a contemporary artist with an affinity for confectionary and phantoms. Through the use of acidic color, her paintings work to elicit feelings of her neon, nineties-childhood in Los Angeles, surrounded by sun-bleached, cheap plastic dolls and doodled-on stuffed toys. A menagerie of animals and creatures serve as avatars for the artist herself, assembling a series of surreal snapshots of her own personal journey, one of beautiful growth and also the simmer of trauma. With her candy-coated landscapes, there is an underlying sense of unease, whether through the piercing gaze of a voyeur parrot or in the melting and sinking of her figures. The loss of innocence and a sense of calm-among-the-chaos are feelings works to depict through the use of stark, flat fields of color against her obsessively-detailed brushwork. The velvet finish of gouache matched with her love of wood and paper leave subtle textures for her images to pop off of. She works to hypnotize her audience through her dizzying use of color and detail in her current body of acryla gouache paintings.