Interview with Raymond Argumedo ‘You’ll Find Your Self’ | September 12 – October 3, 2026

‘The Mother 2’

Thinkspace Projects is honored to be hosting the sophomore solo exhibition from RAYMOND ARGUMEDO ‘You’ll Find Yourself.’ Known for his unique style that incorporates the best elements of the art nouveau movement mashed up with modern day graphic design sensibilities and Mesoarmerican Mythology, resulting in work that has garnered admiration for its clean execution and minimalist aesthetic, which belies the profound depths of emotion and meaning contained within.

“’You’ll Find Yourself’ is something I say to myself when I’ve gone through life’s hardships or experienced a sense of loss. Saying those words helps remind me of how beautiful life is and encourages me to remain grateful, even during difficult times.”

Our interview with Raymond shares what’s on his bucket list, explores his dream collaboration, and reveals his guilty pleasures.

• Could you walk us through your creative process from conception to completion of a piece?  

My creative process usually begins with drawing. I’m always sketching new figures or developing ideas that I can build on later. For this upcoming solo show, I’m actually revisiting illustrations I created five or six years ago that I never fully finished. It’s been exciting to give those ideas a new life and see them evolve with where I am today as an artist.

Once I have a drawing I connect with, I transfer it into a digital format where I can experiment with color palettes, compositions, and patterns before committing to the final painting. That stage gives me the freedom to explore different possibilities while keeping the original idea intact.

When it’s finally time to paint, I leave room for intuition. Even with a clear plan, I like to improvise and respond to the painting as it develops. Those spontaneous decisions give each piece a human touch and make every painting feel unique rather than like a direct copy of the original concept.

‘Day Dream‘

 • How do you feel your style or technique has evolved over time, and what factors have contributed to this evolution? 

I feel my work has evolved by becoming more intentional and mature over time. Early on, I was focused on finishing paintings as quickly as possible, but I’ve learned that creating meaningful work can’t be rushed. I’ve come to appreciate the process and allow each piece the time it needs to develop naturally. I also pour a lot of emotion into every painting, making sure each one is an honest reflection of who I am. That shift in mindset has not only improved my technique but has also made my work feel more authentic and personal.

• What do you hope viewers take away from experiencing your art?

I hope people walk away from my work feeling seen. My paintings are rooted in emotion and personal experiences, but I also want them to create space for viewers to reflect on their own lives. If someone looks at one of my pieces and remembers a feeling, a memory, or a part of themselves they haven’t thought about in a long time, then I’ve accomplished what I set out to do.

Nostalgia plays a big role in my work. It’s a feeling that brings me a lot of joy while I’m creating, and I hope that same sense of reflection and connection is something others experience when they spend time with the paintings.

‘In Between Realms 2’

• What do you enjoy doing on your weekends/free time? Tell us about your guilty pleasure(s). 

Man, I love skateboarding still. I force my self to learn new tricks and hit the skatepark. I usually hand out stickers or merch if I have some with me to the youth skating around to hopefully keep them inspired. I enjoy going to concerts and showing my kids new bands I hope they possibly like. 

• What’s on your bucket list?

Traveling outside of the country and visit ancient ruins from different cultures has always been on my bucket list. Having a solo show at Thinkspace has been on my bucket list as well. Grateful to be back.

• If you could collaborate with any artists in any sort of medium (i.e. movies, music, painting) who would you collaborate with, and what would you be making? 

I would love to collaborate with James Jean and make some sorta sick ass print. The creative process all his prints are made is insane. 

• How do you approach the naming of your pieces, and what significance do titles hold for you? 

After completing a painting usually step back, crack a beer open and listen to some instrumental music. The paintings will name Itself if you stare at them long enough. I try my best to title each piece appropriately with the vibe it gives off. 

• If your paintings could talk, what do you think they would say about you as an artist? 

They would be stoked that I created them and gave them life! I put so much effort in my paintings. They would say I’m a humbled artist with dreams big enough to fill the sky. 

Interview with RAYMOND ARGUMEDO for ‘Gramercy’ | December 13, 2025 – January 3, 2026

Thinkspace  is honored to be hosting our debut solo exhibition with RAYMOND ARGUMEDO ‘Gramercy’ opening Saturday, December 13 from 6-10pm. Known for his unique style that incorporates the best elements of the art nouveau movement mashed up with modern day graphic design sensibilities and Mesoarmerican Mythology, resulting in work that has garnered admiration for its clean execution and minimalist aesthetic, which belies the profound depths of emotion and meaning contained within.

The exhibition’s title, ‘Gramercy,’ itself embodies the essence of gratitude and astonishment. It serves as a poignant reminder that life is a precious gift, to be cherished and celebrated, irrespective of its challenges or triumphs.

Our interview with Raymond shares his inspiration behind this new collection of work, explores how he get’s into his creative mindset, and reveals the weirdest and most unexpected inspiration he’s ever drawn from.

  • What motivated or inspired the collection you’re presenting in this exhibition?

The work I produced for this show is inspired by my life experiences, feelings and my journey on accepting grief. When I was 10 years old my oldest brother was murdered in front of my childhood home on a street called Gramercy. It’s been 23 years since that’s happened and that experience still influences the themes I create in my work.

  • Are there any recurring themes or symbols in your paintings? If so, what do they represent to you?

The theme of the majority of my paintings are usually related to my journey with mediation, death and ancient stories about past civilizations. I love learning about the beliefs they had about extraterrestrial beings and the stars. The hands I paint in my work symbolize the universe pulling you back to reality after a great mediation session or when you’re lost in thought. The dual images in my work symbolize your spirit leaving your body when you’re in a deep mediation state. The star constellations in work represent my love I have for the stories told about them and the vast unknown of space.

  • Can you share a particularly memorable moment or experience that influenced your artistic journey?

To be honest I feel like I wouldn’t be an artist if my oldest brother never took the time to draw with me before he passed away. He was the reason why I knew about graffiti and everything about basic drawing. Another pivotal moment in my art career was discovering Juxtapoz Magazine in 2007. It was my introduction to pop surrealism/low brow art.

  • Are there any specific artists, movements, or periods in art history that have significantly influenced your work?

Man, so many artist I admired when I first started out but I would say a handful of the ones that really influenced me early on would be David Choe, Sam Flores, Craola, Jeremy fish, Jeff Soto, Esao Andrews, Dave Kinsey and Tristan Eaton. The artwork that I produce now is influenced by the Art Nouveau, Art Deco era of art.

  • Do you have any rituals or habits that help you get into the creative mindset before painting?

I usually crack a beer open before starting any mural or painting but for some reason I haven’t done so with this body of work. Lately I’ve just been throwing on some music and really focused on producing my best work to date.

  • What challenges have you faced as an artist, and how have they influenced your artistic development?

As an artist I’ve had to learn to over come self doubt and to not be so hard on my self when gigs fall through. I learned about “Detached attachment” which is a concept that involves being attached to something or someone while also being mentally detached and prepared to let go, rather than clinging or being possessive. This has influenced the way I paint by teaching me to not get to caught up on the meaning of the painting and to just let my mind express it self. The meaning of the painting while come after.

  • How do you approach the naming of your pieces, and what significance do titles hold for you?

Naming a painting is probably the most difficult task for me to do. I like to really connect the title to the painting and give the viewer an idea of what the painting might be about. I’ll focus my whole energy on trying to get the right title then I’ll go watch ancient aliens or listen to some spiritual podcast.

  • What advice would you give to your younger self or aspiring painters who are just starting their artistic journey?

I always tell younger artist to get out there and attend all the art openings you possibly can. Don’t be so reliant on social media. People meeting real people and making real in person conversations is still the best way to network. So get out there and make real connections.

  • If your paintings had a soundtrack, what kind of music would we hear while viewing them?

Sheesh I would say some Frank Sinatra because my paintings have this mid century aesthetic but I also this band called Explosions In The Sky.

  • If you could teleport into any of your paintings for a day, which one would it be and why?

I have this Grim Reaper painting I’m working on and every time I start to work on it i start day dreaming about all the questions I would ask him if given the opportunity. I guess I will some day but that would totally be the painting I teleport to.

  • What’s the weirdest or most unexpected inspiration you’ve ever drawn from for a painting?

I remember back in 2018 I was having artist block and I binged watched ancient aliens for a few hours and then ended the night watching The Great Gatsby!
The paintings I would produce after were titled ‘The Galaxy Goddesses’ and they became really popular when I produced them as prints even till this day.