New print from Sarah Joncas available next Friday, July 7.

Slight of Hand‘ was one of the most requested works featured in Sarah Joncas’s recent mini solo exhibition ‘Washed Ashore’ that took place with us at the end of last year.

We’re excited to now offer ‘Slight of Hand’ as a limited edition giclee print that will be available next Friday in celebration of her new solo show ‘Upon Another Shore’ that opens on July 8. The team over at Static Medium have done an incredible job recreating this beautiful work on wood panel from Sarah Joncas. The finished print simply glows with energy.

SARAH JONCAS

‘Slight of Hand

Fine art print on Moab Entrada 290gsm paper

Hand deckled edges

16 x 20 inches / 40.6 x 50.8 cm

Edition of 40

Hand signed and numbered by the brothers

$75

Available next Friday, July 7 at 10am PST / 1pm EST via our web shop. Please be sure to use Google to check the exact time in your area.

Shipping costs are additional and will be calculated during check out. Any customs or duty fees incurred, are not the responsibility of the gallery.

Sorry, no pre-sales of any kind are available. Thank you.

Virtual Tour of September 2022 Exhibitions at Thinkspace Projects

Thinkspace presents a virtual tour of our September 2022 exhibitions spanning four gallery spaces and our viewing room. ‘Habitat’ in Gallery I showed new works from Kevin Peterson, Kisung Koh, Jacub Gagnon, and Anthony Solano.

Erik Mark Sandberg’s ‘Golden Pacific’ was presented in Gallery II with Sarah Joncas Washed Ashore’ in the Viewing Room. And Gallery III & IV features ‘Amplify,’ a group exhibition highlighting 34 artists who provide a window into the New Contemporary art movement at this moment.

Explore the virtual tour here: https://players.cupix.com/p/9yJErDuO

Exhibitions are on view now through September 24, 2022

Virtual tour courtesy of Birdman Photos

Virtual Tour of Sarah Joncas, Anthony Clarkson, and Sergio Garcia Exhibitions

Thinkspace is pleased to present Sarah Joncas’s ‘Pretty, Broken Flower‘, Anthony Clarkson’s ‘All By Design‘, and Sergio Garcia’s ‘Infinite Circles‘.

Visit https://players.cupix.com/p/t8eNRuhX for a self-guided tour experience. 

Thank you to Birdman for being our resident virtual tour maker!

Opening Reception of Sarah Joncas & Kelly Vivanco’s “Betwixt and Between” and Scott Listfield’s “1984” Recap

Thank you to all those who made it out to the opening reception of Sarah Joncas and Kelly Vivanco’s latest body of work Betwixt and Between and Scott Listfied’s solo exhibition 1984 in the project room. The gallery was filled throughout the evening with fans, friends, and family all excited for Thinkspace Projects first show of 2018. There are still a few pieces available from each artist, but not many, so check them out soon!

The exhibitions are on view now through January 27th.

 

Interview with Sarah Joncas for “Betwixt and Between”

Thinkspace Projects is pleased to present Betwixt and Between featuring new works new works by Canadian artist Sarah Joncas and Southern Californian artist Kelly Vivanco. Both artists are known for their narrative-based works that embrace the imaginative potential of the subconscious and creatively play with elements of the surreal drawings on feelings of nostalgia whether it be hopeful or melancholy.  In anticipation of the exhibition opening, Saturday, January 6th, our interview with Sarah Joncas shares her love for the anti-hero, dream collaboration, and favorite fable.

Opening reception, Saturday, January 6th from 6 pm to 9 pm. 

SH: How long have you been working on this latest body of work? What themes were you exploring?
SJ: I started working on the pieces for this show last winter. I like two-person shows because I don’t necessarily focus on one specific theme for the body, but feel out ideas as they come, connecting things here or there, but also just welcoming works to being their own thing entirely. I was exploring more of an aesthetic with this work through – more subtle, dreamy backgrounds that further push the graphic elements I’ve slowly been including in my paintings the last few years. I still have imagery focusing around cityscapes, water, animals, and flowers though, touching on urbanism and environmentalist concerns.

SH: The key to a fable is that it teaches you a lesson. What is one of your favorite fables, and have you been able to master the lesson it taught you or do you still struggle?
SJ: I haven’t thought much about fables since I was a kid, to be honest, but I do like ‘The Tortoise and The Hare’. Not just for the obvious cliché of  ‘slow and steady wins the race’, but for that arrogance was the hare’s true flaw… Never expect the world will work it’s way out for you simply because you think you’re fabulous and deserving. Expect an unfiltered reality, that often things often won’t be optimal, but give it your best anyhow! Despite the anxiety of challenges, my life has been much greater because in the end I went for it, even if I wasn’t the best.

SH: What is your favorite part of the creative process? What is your least favorite part?
SJ: My favorite part is painting the face, haha. Too obvious? I don’t know what it is, I love seeing the features come to life and look back at me. Lately, I’ve been really enjoying painting ears as well, strange folds and turns. Everyone’s ears are so unique, you hardly notice until you start painting them. My least favorite is titling the work. I’m just unconfident with words most of the time!

SH: What inspires the environment that you end up building around your composition? Does the subject come first, or the environment that the subject inhabits?
SJ: It differs, though often the figures come first. With the background, I’m usually inspired by my own surroundings. I like painting suburbia and the city, with animal and plant life creeping in, adding surreal touches. One of the works from the show, ‘Sakura’, was inspired by a trip I recently took to Japan. I ended up using photos of buildings and signs I took in Tokyo as refs for the BG. I’d like to do more paintings inspired by my travels to other places as well.

SH: The women you paint have a heroic and cinematic quality to them, what are the values your ideal heroine would possess?
SJ: Heroes generally have the values of being moral, courageous, determined and selfless. These are all great things anyone would like to see in those they look up to, they’d be qualities I’d want in my heroines too. I think the most inspirational quality for me to see in other real-life women is intelligence and kindness though. And when it comes to cinema, gotta admit I love a great anti-heroine! Someone like Lizbeth Salander or Arya Stark, not the typical crowd pleaser type.

SH: When in the studio are you listening to music or podcasts? Can you share what you’ve been listening too?
SJ: I listen to music most of the time, especially film scores. Lately, I’ve been listening to a lot of Max Richter compositions, kind of dramatic and moving. I love all the scores created by Trent Reznor and Atticus Ross for David Fincher’s films, Alexander Desplat, Clint Mansell, Johan Johansson etc. I recently stumbled into music by bands like ‘Cigarettes after Sex’, ‘Rhye’ and ‘Tame Impala’ and find them really great to paint or chill to as well. But no podcasts actually! I should try them out sometime.

SH: How do you continue to challenge yourself as an artist and remain excited about the work you produce, without alienating your collectors and followers?
SJ: I try to change my work slightly with time, follow my heart without jumping too far from my own style. Something gradual and fluid that feels right to me! I also satisfy other painting vibes for myself by doing side work that I’ll put on my shop from time to time. Usually cute things, sometimes more grotesque, but light-hearted and not as serious in time and theme as my gallery works.

SH: Who would you want to collaborate with, dead or alive? The person can be in any area of the arts; film, dance, music, etc.
SJ: Ugh, I’m just in love with director Denis Villeneuve lately. He’s Canadian to boot, and every Canadian loves to see another doing well and creating genuinely great stuff. I couldn’t even see myself doing anything related to his films, but he’s incredible and all of his movies have been inspiring to me.

SH: When not in the studio, what would an ideal day look like?
SJ: I like getting days alone with just my guy, maybe going somewhere out of town for the day, enjoying nature and some good food/drink! Something peaceful and relaxing.

SH: What do you think the role of art / the artist is in society?
SJ: I’m not sure there is one solid role or objective as an artist. A lot of us are just following our hearts and putting it out there, hoping others might connect with it too. We’re trying to put our thoughts, feelings, and sense of beauty into the world, reflect upon it and find catharsis in the process, I think. But also being apart of the audience and enjoying the art that others make – whether it’s music, films, books or visuals – is one of the greatest parts of life, right?

SH: Kicking off the new year with an exhibition is a great way to start 2018! What are your artistic plans for the rest of the year?
SJ: I have a bunch of group shows I’m contributing to throughout the year, and then a larger, 3 person show at Haven Gallery in the Fall. Will probably have about 8 pieces for that and will start them as soon as I’m home from this show’s opening ~