Opening Reception of solo exhibitions from Juan Travieso, Wiley Wallace and Alvaro Naddeo

Thank you to all that came out to celebrate the opening reception of our new solo exhibitions from Juan Travieso, Wiley Wallace and Alvaro Naddeo. Congratulations to each artist on their beautiful new bodies of work that will be on view now through July 21st.

Both Travieso and Wallace have new murals down in Long Beach as part of this year’s POW! WOW! Long Beach mural festival which wrapped up this past Sunday.

If you find yourself in Long Beach to enjoy the murals, be sure to also swing by the Long Beach Museum of Art for Vitality and Verve III, which Travieso has also contributed to.

Check out our interviews with  Juan Travieso, Wiley Wallace, and Alvaro Naddeo discussing their inspiration behind their individual body of work.

Photos courtesy of Birdman 

Interview with Wiley Wallace for “Stay Connected”

Thinkspace is proud to present Phoenix-born painter Wiley Wallace’s upcoming body of work Stay Connected, alongside Juan Travieso in the gallery’s main room. Wallace combines realistic renderings with elements of the surreal, and near-magical references that include eerily cast light sources bordering on the supernatural.  In anticipation of Stay Connected, our interview with Wiley Wallace discusses the shows inspiration, his creative process, and the childhood catalyst that lead to the adult artists.

Join us for the opening of “Stay Connected”, Saturday, June 30th from 6 to 9 pm.

SH: Tell us about this show. What is the inspiration? What were you exploring in the work?

WW: The show is called ‘Stay Connected’. There were a lot of sources of inspiration for this new series of paintings. Some of those sources are really hard to put into words, but a clear source is my kids; how they experience technology, movies, books, holidays. Trying to see the way things are today through my children’s eyes. The world today seems equal parts fascinating and frightening. It’s also exploring how to tell a story, but keeping that story open-ended, using symbols that are loaded, but ambiguous enough that there can be several interpretations.

SH: Where do you source inspiration? How do you capture those ideas for pieces; do you have a sketchbook on hand or is it just a note to yourself in your phone?

WW: I draw in a sketchbook a good amount. I take a lot of photos of my kids on our family adventures.

SH: How do you plan out your compositions?

WW: After creating source material, I then piece everything together and layout the composition in Photoshop and Cinema 4D. Once I feel like the composition is telling a story, then I’ll try to paint it.

SH: What excites you about your work / creative process?

WW: I really like painting. I like the process of painting. I enjoy sitting and listening to music, or an audiobook or podcast and the feeling of making something simultaneously. Being able to zone out and create something feels amazing.

SH: What frustrates you about your work / creative process?

WW: Nothing really. It’s fun.

SH: If you could be a character in any movie for a day; who would you be in what film and why?

WW: Not a parent from a Disney movie.

SH: How do you approach developing work for an exhibition? Do you immediately jump into work on it, or are you more of a procrastinator?

WW: We have 3 kids, so I schedule the time months in advance. There has to be a very specific calendar with mini-deadlines that help get to the next point.

SH: What is your Meyers-Briggs or Zodiac Sign? Does it influence your work / artistic process?

WW: I’m a Cancer sign. I guess I like being quiet and at home, creating when I can. I’ve never done a Meyers-Briggs test.

SH: Has there been an artistic catalyst in your life? Something, someone, some event that made a significant impact on you that has lead you to where you are now.

WW: I grew up in a mom & pop sign shop. My parents spent all day making, painting, and installing signs. Me and my brother were always down there, making and painting stuff in a big industrial work space. We would build things, play with paint, make messes. Sometimes we got to pitch in and help my parents on jobs. Growing up in that environment had a significant impact on me.

Wiley Wallace’s “Stay Connected” Closes Out June at Thinkspace Gallery

Stay Connected
June 30, 2018 – July 21, 2018

(Los Angeles, CA) – Thinkspace is pleased to present Stay Connected, featuring new works by Phoenix-born painter Wiley Wallace. Playful and ambiguous, his luminous and ostensibly radioactive worlds suggest a metaphysical interest in the possibility of alternate realities: the endlessly shapeshifting and protean nature of fantasy at the intersection of the imagined and “real.” Wallace’s paintings combine realistic rendering with elements of the surreal, and near-magical references that include eerily cast light sources bordering on the supernatural. Playful and macabre, his works combine intense thematic contrasts between light and dark to achieve suspense and evasion.

Children are a recurring theme in his compositions, representing a kind of primordial link to something invisible and beyond comprehension, exempt from the rationalizations of the adult. Often using his own children as models, Wallace’s narratives are open-ended, filled with suggestion and partial disclosures rather than forceful assertions or posited certainties. The themes of connection and communication resonate throughout Wallace’s imagery, as the works’ protagonists seem ever in search of fugitive contact. The skeleton is a recurring figure throughout Wallace’s imagery as well, appearing at times as a sinister harbinger of some kind and at others as Halloween costume level kitsch.

Wallace’s pieces convey a kind of sci-fi nostalgia harkening back to a Spielberg-era of extraterrestrial-themed filmmaking. At times their implied innocence and naiveté give way to darker and more dystopian readings, surfacing amidst the neon-hued glow.