October Exhibitions featuring works from Fandi Angga Saputra, Oscar Joyo, Antonio J. Ainscough, Cheese Arnon, Willem Hoeffnagel, and Berk Visual open Saturday December 9, 2023

FANDI ANGGA SAPUTRA@fandianggasaputra 🇮🇩
UNEN-UNEN
(Gallery I)

OSCAR JOYO@oscar_joyo 🇲🇼
Ubuntu
(Gallery II)

ANTONIO J. AINSCOUGH@ajainscough 🇺🇸
Chimera
(Gallery III)

CHEESE ARNON@cheese_arnon 🇹🇭
Reflection
(Gallery IV)

BERK VISUAL | @berkvisual 🇺🇸
Channel Surf
(The Doghouse Gallery)

WILLEM HOEFFNAGEL@willemhoeffnagel 🇳🇱
New Works
(Viewing Room)

Opening Reception:
Saturday, December 9 from 6-10pm

Plus be sure to also check out the Thinkspace Night Market located in the courtyard between our two spaces

Live painting from Anta52 alongside a mini artist mart with booths from Fl.our Pots, Karpet Workshop and Anthony Patrick Manorek + amazing grub from Hulk Smash Burgers + weed bar with The Cure Company + open bar + free Liquid Death + coffee and hot beverages from Mad Barista 1989 + live DJs Venice Beats + video projections from Digital Debris Video Gallery + check out the Dog House Gallery’s new exhibit – special thanks to GoopMassta for holding it all down in our courtyard.

Thinkspace Projects
4207 W. Jefferson Blvd.
4217 W. Jefferson Blvd.
Los Angeles, California 90016

On view December 9, 2023 – January 6, 2024

FANDI ANGGA SAPUTRA
‘UNEN-UNEN’
(Gallery I)

Thinkspace Projects presents Fandi Angaa Saputra’s UNEN-UNEN. 

Exploring proverbs that have become a guide for the next generation, Fandi Angga Saputra’s solo exhibition was inspired by words imparted by his elders. Proverbs are well-known sentences containing wisdom, truth, and traditional principles—embedded in a metaphorical and memorable form passed down from one generation to the next.

The exhibition title, Unen-Unen–the Javanese word for proverbs stemming from the word “unen” meaning sounds–reflects on how Fandi frequently recalls the precious advice given by his father and elders, given his responsibility now to provide, lead, and set an example as the head of his own family. He often encounters life situations that resonate with unen-unen he has heard before in his younger days, helping him make important life decisions that affect himself and his family. To a certain extent, the exhibition also acts as a tribute to Fandi’s late father, someone who he now felt would have been a person who understood the ups and downs of his current position. 

Drawing on this reflection of proverbs, Fandi incorporates the influence of nature, specifically flora and fauna, which inspire all subjects in his paintings. Fandi distorts or invents imaginary creatures in his work to represent how a child’s mind can perceive nature as magical. He invites the audience to guess what living things they see in his works. This way, his works are a dynamic space for the audience to imagine and lose their focus—to become a child again for a moment. Child-like characters with larger heads than their bodies symbolize people who faced difficult problems early in childhood. They embody people forced to grow up psychologically faster their bodies cannot catch up. Their childhood is taken away, and the void left is replaced by responsibilities for themselves and their families. 

Through Unen-Unen, Fandi strives to remind us to remember the words that have been said to us by our predecessors, wiser people whose words are worth their weight in gold. 

“What advice has always been there to remind us to be better in this life?”

Complete Show Statement:

Adigang Adigung Adiguna
– (Arrogance from strength, power, intellect) 
Humans should not brag and rely only on the advantages they have. 

From the earliest stages of our lives, through the winding paths of adulthood, we find ourselves surrounded by the echoes of advice. Regardless of our age, wisdom imparted by those who came before us remains an integral part of our growth. These words sometimes come in the form of proverbs, acting as vessels for a community to preserve its cultural legacy and values. Fandi Angga Saputra’s solo exhibition this time carries a lot of influence from words imparted by his elders, exploring proverbs that have become a guide for the next generation. 

Proverbs are well-known sentences containing wisdom, truth, and traditional principles—embedded in a metaphorical and memorable form passed down from one generation to the next.1 In Javanese proverbs are called “unen-unen”, which comes from the word “unen” meaning sounds. Unen can also be interpreted as a saying or speech, where the word indicates the importance of the person who utters it. Proverbs can find their way into everyday conversation, through stories told by our elders or instruction given by them.2 Just like how we are more likely to remember words spoken by those close to us, proverbs can be memorized subconsciously through the conversations we remember. 

The exhibition title, Unen-Unen, reflects how Fandi frequently recalls the precious advice given by his father and elders, given his responsibility now to provide, lead, and set an example as the head of his own family. Now, he often encounters life situations that resonate with unen-unen he has heard before in his younger days, helping him make important life decisions that affect himself and his family. To a certain extent, the exhibition also acted as a tribute to Fandi’s late father, someone who he now felt would have been a person who understood the ups and downs of his current position. 

Fandi spent most of his childhood in Lampung, a province in the Southern tip of Sumatra. Sumatra itself is a large island west of Java, divided by the Sunda Strait. It is common to encounter Javanese names of villages or people here, as Lampung was the first transmigration destination before Indonesian independence. Java was known as one of the most populous islands in the archipelago during the colonial era, which is why the Dutch East Indies Colonial Government attempted to resolve the problem of overpopulation by bringing the first transmigrants from Java to Lampung in 1905.3 Despite being displaced from their homeland, the Javanese transmigrants still carry their traditions within them. The same can be said for Fandi. He was not raised on Javanese soil, but his family instilled in him the traditional customs and way of life that he still values to this day. 

Growing up in a modest family with a father who worked as a palm tree tapper, being surrounded by nature has always been a part of Fandi’s childhood. Behind his house is a vast farming field, followed by large, lush trees that form the forest. Elements of nature, specifically flora and fauna, inspire all subjects in his paintings. In his artistic exploration, Fandi sees how human relationships are similar to symbiosis in nature, particularly how each interaction can have a good or sometimes bad influence. 

Fandi distorts or invents imaginary creatures in his work to represent how a child’s mind can perceive nature as magical. He invites the audience to guess what living things they see in his works. This way, his works are a dynamic space for the audience to imagine and lose their focus—to become a child again for a moment. Child-like characters with larger heads than their bodies symbolize people who faced difficult problems early in childhood. They embody people forced to grow up psychologically faster their bodies cannot catch up. Their childhood is taken away, and the void left is replaced by responsibilities for themselves and their families. 

The title of the new series of works in this exhibition took inspiration from Javanese proverbs that he felt resonated with him, something he uses in facing various life situations. In Reap the Drops of Virtue (2023) Fandi depicts a character that waits patiently in harvesting a fictional tree sap as a reference to the proverb Sabar subur, which means that if one is willing to be patient, then they will be rewarded at the end of the struggle. 

In Warmth in the Pocket (2023), a group of characters is cozying up inside the mouth of a bird-like creature. This work embodies the proverb Mangan ora mangan sing penting kumpul—roughly translated to “whether we eat or not what matters is that we get together”—conveys how Javanese people often prioritize gatherings even when there is no food available. Javanese people prefer to value togetherness and interpersonal relations above all else, which makes the society more egalitarian, democratic, and inclusive.4 

Through Unen-Unen, Fandi strives to remind us to remember the words that have been said to us by our predecessors, wiser people whose words are worth their weight in gold. What advice has always been there to remind us to be better in this life? 

REF 
1 Mieder, W., (2004), Proverbs: A Handbook, Westport, CT: Greenwood. 

2 Barone, F., (2021), Knowledge is power: Anthropology of proverbs, Human Relations Area Files – Cultural information for education and research.

3 Oktavia, V., (2018), Jejak Kampung Jawa di Tanah Sumatera, Kompas.id, Retrieved September 4, 2023

4 Siwi, C., & Eviandaru, M., (2014) ‘International Conference of Revisited Asian Society’, Proceeding International Conference of Revisited Asian Society, 21-24 July 2014, pp.328. 

Artist Bio:
Fandi Angga Saputra (born 1996) lives and works in Yogyakarta, Indonesia. After graduating from the Indonesian Institute of the Arts Yogyakarta (Fine Arts major in 2020), Fandi started drawing as a hobby and tried several styles before focusing on painting. His painting also has been exhibited in Indonesia, Singapore, Hong Kong, and The Philippines. The surrealist paintings of Fandi are deeply inspired by his childhood memories in a village, where he liked to play outside and enjoy nature. As time went by, the increase in industrial development, lack of green space, modern life, and the destruction of nature made those memories fade. Working in acrylic on canvas with a fresh color palette, Fandi is fascinated by the beauty of the natural world. Fandi hopes his paintings recall and clarify memories like these, conjuring a love for nature. Because once we love nature, we will want to protect it too.

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OSCAR JOYO
Ubuntu
(Gallery II)

Thinkspace Projects presents Oscar Joyo’s Ubuntu. A continuation of his show with the gallery last year, HYBRID, this exhibition appreciates and reimagines the artist’s time in Malawi and current experiences in Chicago. 

Artist Statement:
This body of work is a continuation of my last year’s show, HYBRID with Carl Cashman, at Thinkspace. While that show stemmed from a place of recovering from years of mourning the passing of both my grandmothers, this collection is more about appreciating and reimagining my time in Malawi and my current experiences in Chicago.

Viewers will notice a significant increase in texture throughout this collection. From the subjects’ hair to the ceramic plant holders, introducing more texture has heightened the sensory experience, reflecting my life as an immigrant. The people I’ve painted serve as representations of individuals or elements from my everyday life that have not only influenced my artistic direction but have also shaped how I perceive the world.

The world I’ve constructed, featuring large plants and vibrant skies, also draws from my family’s farming background and the way they built a community through agriculture. The prominent leaves depicted in this collection are tobacco leaves, which serve as one of Malawi’s main exports.

UBUNTU or “Umunthu” in Chichewa translates to “humanity towards others” or “We are because you are.” One of the many lessons I’ve learned between last year and now is how finding a family or community and the values they instill in you can yield a harvest that lasts for years.

Artist Bio:
Oscar Joyo (b. 1992) is a Malawian-born, Chicago-based artist. His artistic style blends Afrofuturism with Afrosurrealism. Oscar’s passion for art ignited during his childhood in Malawi, where he began drawing cartoons. This love for art accompanied him to Chicago, where he earned a bachelor’s degree in Life Drawing from The American Academy of Art in 2015. Shortly after graduation, he honed his distinctive technique and style, characterized by tribal patterns and vibrant portraiture.

His primary medium is acrylic, dominating most of his portfolio, yet he also explores other media to enrich his pieces. Oscar credits his chromesthesia (the ability to see colour through sounds) for influencing his use of diverse colour gradients and intergalactic colour schemes. He pays homage to his Malawian heritage by infusing patterns that animate his paintings.

Since evolving his approach to portraiture, Oscar has expanded his scope by integrating figures, environments, and diverse techniques, broadening his interpretation of the world. Drawing from personal experiences as an immigrant and a Black man in modern society, he incorporates elements from his fondness for anime and music into his figures.

Oscar is currently an active artist and muralist. His artworks have been displayed in various Chicago galleries, including Vertical Gallery and A Very Serious Gallery. Additionally, his pieces have been showcased in galleries such as UHF Gallery and the Congressional Art Exhibition in South Korea.

His creations serve as a tribute to his African heritage and reflect a hopeful vision for a better future for people of colour.

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ANTONIO J. AINSCOUGH
Chimera
(Gallery III)

Thinkspace Projects presents Antonio J. Ainscough’s Chimera. In a world filled with misleading facades and self-deception, Chimera invites viewers to dive into the intricate maze of existence, where the illusions we create often lead to harmful behavior and consequences, both for ourselves and the world.

Artist Statement:
We all put on masks, create dreamlike worlds, and tell ourselves stories to cope with life’s challenges. It’s like a protective shield that we carry – a way to make sense of the chaos. These illusions can look like the never-ending quest for success, the need for constant validation, or the idea that we must be perfect. They’re the stories we tell ourselves to make sense of the world.

In a world filled with misleading facades and self-deception, ‘Chimera’ invites you to dive into the intricate maze of our existence, where the illusions we create often lead to harmful behavior and consequences, both for ourselves and the world.

Our illusions often lead to bad choices and behaviors. The stories we tell ourselves can push us towards actions that hurt ourselves and others. It might be the rush for quick satisfaction, ignoring hard truths, or building walls between us and others. These behaviors, driven by our illusions, create discord, inequality, and unhappiness.

The consequences of our actions, fueled by these illusions, go far beyond ourselves. Our personal struggles can have a huge impact on the environment, society, and the people around us.

Ainscough’s new body of work is a reflection of the illusions that shape us and the world. It’s an invitation to join in a collective journey of self-exploration and change. By exploring these illusions, their impact on behavior, and the consequences they have on our world, we can discover the power to heal and improve both ourselves and the world we share.

Artist Bio:
Antonio J. Ainscough (b.1997) is a Chicago-based painter focused on resonating with the universal melodies of identity, relationships, and the enigmatic journey of self-discovery. His work speaks a language that is universally understood, inviting viewers to traverse their own experiences of emotion and reflection. He received his Bachelor’s of Fine Arts degree in Painting from Eastern Illinois University in 2020. Ainscough has exhibited in numerous group shows both across the US and internationally. 

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CHEESE ARNON
Reflection
(Gallery IV)

Artist Statement:
This project with Thinkspace is considered a collection of all the experiences I have encountered, both positive and negative. It reflects my own identity through various artworks. Before reaching this point, I have experienced both happiness and sorrow. To overcome the hardships, it required tremendous perseverance and years of dedicated work, even though nobody saw it. Today, I am ready to showcase to the world that if you strive for success, it will come. However, success comes hand in hand with sweat and tears. Prior to this, nobody knew me, but I always believed in myself and remained confident that one day people would appreciate my work just the same.

The character of the fox symbolizes the ability to adapt well in any situation, no matter how dire. Regardless of how villainous the circumstances may be, the fox can still survive. Therefore, I praise the fox as the main character in my story, as it truly reflects my own identity. It hasn’t been easy to come to this point. It has taken time, perseverance, and resilience. I am grateful to everyone who loves this fox character.

Artist Bio:
Arnon Neiysoongnoen (aka Cheese Arnon) was born in 1986 in Thailand. He embarked on his artistic journey in the realm of traditional arts. He embraced a self-taught methodology, immersing himself in the teachings of established artists who came before him, and fearlessly experimenting with a wide array of techniques.

Throughout his artistic career, Arnon has remained versatile, continuously honing his skills across various formats. One of his notable creations, “The Fox,” serves as a testament to his versatility, as it beautifully showcases a multitude of art styles in a carefully arranged composition.

Just like the cunning nature of a fox, Arnon’s artistic approach is characterized by wit, improvisation, and the ability to thrive even in the harshest of circumstances. He effortlessly flows with the inherent imperfections of his chosen medium, allowing them to become integral parts of his designs. Furthermore, he fearlessly creates cracking surfaces to accentuate his artistic vision, transforming what could be perceived as flaws into captivating elements of his work.

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BERK VISUAL
Channel Surf
(The Doghouse Gallery)

Berk Visual boasts a big personality that can be felt through every extension of his work. This authenticity even rings true on social media, where Berk and his friends throw flea market pop-ups, immersive art installations and are constantly twisting up new ideas. Berk seems to thrive on creative projects whether it be music, fashion, animatio or food.

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Photo Tour of Reen Barrera’s ‘Emotional Meat,’ Spime’s ‘Fish Out of Filtered Water’ and Michael Gates’ New Works

Thinkspace presents a photo tour of Reen BarreraEmotional Meat’ in Gallery I, Spime ‘Fish Out of Filtered Water’ showing in Gallery II and Michael Gates New Works in the Viewing Room.

All exhibitions are on view at Thinkspace Projects now through July 29, 2023.

Photos by @BirdManPhotos.

Continue reading Photo Tour of Reen Barrera’s ‘Emotional Meat,’ Spime’s ‘Fish Out of Filtered Water’ and Michael Gates’ New Works

Video Tour & Opening Reception Party of July 2023 Exhibitions featuring Reen Barrera, Spime, Benzilla, Sarah Joncas, Cody Jimenez and Mister Toledo at Thinkspace Projects

What an awesome opening night this past Saturday at Thinkspace Projects. We love to see so many art lovers and collectors supporting and enjoying such a wonderful group of artists as they show off their work. It was an absolute blast, thank you for coming out to support and celebrate with us.

Big shout out to all of this month’s exhibiting creatives as well, we do this all for you and we are blessed to be able to do so. Thank you.

Gallery I
Reen Barrera is back with his largest solo show to date with us, ‘Emotional Meat.

Gallery II
Spime brings her new collection ‘Fish Out of Filtered Water.’

Gallery III
Benzilla, born Parinya Sirisinsuk, brings his beloved three-eyed alien ‘LOOOK’ with ‘Alter Ego.’

Gallery IV
Sarah Joncas returns for her new solo show ‘Upon Another Shore.’

Plus as an added bonus we have new ceramic works from Michael Gates in our viewing room & a new collection of works on canvas and paper from local artist Cody Jimenez in the Dog House Gallery.

Shout out to GoopMassta for bringing the vibes in our courtyard all evening long alongside Cody Jimenez, Fabez, LeCash, Nora Inu, John Michael Gill, Kabob Senpai, Liquid Death, Venice Beats & Digital Debris Video Gallery – the community continues to grow!

Don’t miss these great new collections on display through July 29th. Visit us Tuesday through Saturday from noon to 6pm. Please note the Dog House Gallery and our courtyard are only open for viewing on Saturdays. Free and open to all.

Exhibition on view July 8 – July 29, 2023 at:

Thinkspace Projects
4207 W. Jefferson Blvd. + 4217 W. Jefferson Blvd.
Los Angeles, California 90016

Video + photos courtesy @BirdManPhotos

Continue reading Video Tour & Opening Reception Party of July 2023 Exhibitions featuring Reen Barrera, Spime, Benzilla, Sarah Joncas, Cody Jimenez and Mister Toledo at Thinkspace Projects

Interview with Michael Gates for New Works | Exhibition July 8 – July 29, 2023

Thinkspace is excited to present New Works by Michael Gates who is multi-generational pottery maker based in Asheville, North Carolina where he studied art at the University of North Carolina Greensboro and Deakin University in Australia graduating with a fine arts degree in 2001. After some time spent traveling and painting, exhibiting in group shows, he is back in Asheville, NC where he returned to working with clay. He uses traditional methods of wood firing and digging clay from the same locations as his ancestors, while at the same time, embracing advancements in the field and forging a unique path ahead.

Our interview with Michael discusses his creative process, his inspirations and influences, and about his 6-generation Reinhardt pottery tradition.

Can you share a little about your background and how you first heard of Thinkspace?

As typically said, I was a big drawer as a kid. I also grew up surrounded by my great grandfather’s pottery in the house. Following the path of my interests, I got a college degree in Art, ceramics concentration. I then traveled around some, worked in graphic design, painting and ultimately made it back to clay. I obsess in the studio daily usually with music playing, or podcasts, which is probably where I first heard of Thinkspace.

What was the inspiration behind this body of work?

I love the idea of combining the simple historic pottery of my ancestors with ideas of the complex, rapidly changing times we are in. The unknown, psychedelia, spiritual, online culture, tech, ceramic history, urban culture are all inspiring. I love having a little fun with these ideas.

What does a day in the studio look like for you? How do you structure your days?

I always begin with coffee, and the sketchbook which I’ve always had handy as long as I can remember. Then, on to the studio, I do what needs to be done in the ceramic process, or choose something new to start on from the sketchbook, often working into the night hours.

Do you have any rituals that help you tap into a creative flow?

Seeing online what others are making, talking to artist friends, and getting that sense of community going really seems to help… and coffee

What is your most favorite and least favorite part of the creative process?
Who are some of your creative influences?

Favorite would be working on the fine details such as underglaze painting and slip trailing. Least favorite is large coverage glazing and cleaning that up.
Influences are the potters of the Catawba Valley, NC pottery tradition. Other early influences were surrealists like Dali, Magritte, and more recently Murakami, Ryden, English…

What was your trial and error process like in fostering your pottery skills? Do you utilize any family tips or tricks in your process?

Learning the limitations of the clay bodies and different kiln environments was the most important part of the sculptural aspect. Lots of testing of clays and glazes in the early days was crucial. Having the art school education really made for a solid foundation and deep well.
I was definitely obsessed at one time with my families pottery history, duplicating the swirl-ware technique, the forms, alkaline glazes, copying the whimsical face jugs, firing in the same wood kilns, and even digging from the same clay pits. All of this is still a part of my process in some way.

If you could have any skill or topic downloaded into your brain, what would you want to be able to do/ be an expert at?

Some kind of productivity skill would be top priority. Seems like I’m always struggling to be more productive.

What has been one of the most rewarding aspects of your creative journey thus far?

It’s been fulfilling to continue the Reinhardt pottery tradition going back at least six generations. Also, sparking artistic interest in my kids, and hearing from others that I have inspired them are nice.

Who would be on the guest list if you could throw a dinner party for five people, dead or alive? What would be on the menu? What would be the icebreaker question?

I’m not sure if this is the best combination, but I’d for sure want my great grandfather Enoch Reinhardt to pick his brain about pottery. And I guess you can’t not have Jesus there…and going even further back, the Buddha also to make things interesting. Dave Chapelle for some comic relief. Marilyn Monroe maybe, for the stories of course.
The menu, water to be turned into wine served in a large Rebecca Pitcher. Selfishly I’d choose Indian food and lots of desserts.
Start off with asking: what’s your favorite work of art?

Exhibition on view July 8 – July 29, 2023 at:
Thinkspace Projects
4217 W. Jefferson Blvd.
Los Angeles, California 90016

Ken Nwadiogbu exhibition ‘Freedom Protestors’ showing at Thinkspace Projects | June 4, 2022 – June 25,2022

KEN NWADIOGBU
‘Freedom Protesters’
Viewing Room

One of the amazing part of being an artist is that we have the opportunity to start up conversations about things that are relevant to us in this very time of our existence. For every platform and opportunity we are given, we do our best to respond to issues around the world.

Just after the covid lockdown, I remember an article I read and it headlined, “FINALLY FREE”. It reminded me of how important freedom was and how we constantly aim to be free from many things; including pain, debt, memories, obstacles, illness and slavery. Talking about Freedom reminds us of how valuable it is, and replenishes our determination to achieving it.

Freedom Protesters will include 30 cut out flags of different colors with “FREE” written on it, and 12 16inch square paintings of the protesters. In some sense, I’m trying to create a protest scene using the most basic protest material- the Cardboard paper.

About Ken Nwadiogbu
Ken Nwadiogbu (b. 1994, Lagos, Nigeria) is a multidisciplinary artist who creates innovative conceptual works that explore black identity and make more visible people of colour, even those in diaspora, within the context of broader issues. It is his desire that through his work, he is able to invite viewers to ponder and critically examine socio-political structures in this present day. Gender equality, African culture, and Black power are a few aspects of his current research and artistic practice.

Ken Nwadiogbu is constantly revitalizing his practice by challenging modes of Black representation. His oeuvres do not just encompass various forms of painting but most recently transcends into photography, sculpture, installation, NFT and video.